Fstoppers Original Articles
Three years ago, Photographer Christian Carollo came upon his grandfather's travel photography from across the United States. The initial spark for the "Past and Present" Project started with a particular image of the small coastal town of Winchester Bay, Oregon. Christian wondered if he could replicate the image and he succeeded. This was the start of an epic and awe-inspiring project now known as the Past and Present Project. Christian has traveled all over the United States, continuing to replicate his grandfather's images. The results are breathtaking and have re-inspired in me the true emotional potential a single image can have.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.
In this article we will take a closer look at the Mola Setti Soft Light reflector and compare it to a few images taken with a Silver Deep Parabolic Reflector. The goal of this article isn’t to choose a winner, it is more of a comparison of different types of light modifiers that are available to you. I will leave it up to you to decide which one of these light modifiers best fits your style of photography.
Almost every photographer has found one of their images reproduced online without their permission. The first question you might ask yourself is "how much money can I get for this infringement?" However, copyright law can be extremely difficult to understand and there are many common or case law rulings that factor in on how an image can be used fairly or commercially. In this fascinating video, the guys at PRO EDU sit down with Joe Naylor with Image Rights and fine art photographer Peter Coulson to discuss how photographers can protect their art.
Last week, we asked the community to submit their landscape photographs to be critiqued by Elia Locardi and Fstoppers. Thank you everyone for all for posting your pictures! Since we only had time to critique a limited number of submissions, we selected a range which covers different skill levels and types of landscape scenes. Check out the images we've selected.
Photographing The World Behind The Scenes Episode 5 is here. In last weeks episode (episode 4) we spent our last day in Iceland, and our photography guide went on a rant about photographers that is so hilarious, his rant has more views than the entire episode. In episode 5 we leave Siggy behind and fly to the opposite side of the world, New Zealand.
Its Monday so as promised here is the completed retouch for last weeks winning submission by Mitchell Flores. For only being the first week of this regular segment we had an great number of submission and it was hard picking, can't wait to see what you guys submit this week. In this post I'll go over some of the steps of the retouching process and talk about the challenges for this particular image. If you would like your image to be selected for next week, post your low-res image in the comments below by Wednesday of this week.
Camp 4 Collective, known for their high-end commercial and adventure productions, recently got to work with a pre-production ALTA Drone, made by the guys at Freefly (best known for making the MoVi.) Here is the behind-the-scenes video, with the final video inside the full post, and some more background information from Director Renan Ozturk.
Building a business is a tedious thing as most of us know. Everyone uses a different approach and some of us fail and some of us succeed, it's the nature of the beast. In my free time I do some Olympic lifting and I found myself searching for new and better techniques online. What I ended up with is not only finding some great videos for my Olympic lifting, but also a different way of building a business.
Yesterday Time Magazine released a screenshot of its newest cover. The cover instantly started trending around the internet because the majority of people find it hilarious/just plain bad. Now, Time Magazine has actually joined in the fun and is sharing the hilarious memes created from that cover themselves.
When using Photoshop, I find myself zooming in and out very often. While this might not be a massive loss of time, it still is one, especially when doing some local dodge & burn. I recently found a technique that doesn't require me to zoom anymore. I can now work on my file with multiple views at once in Photoshop. How is this possible? It is only a very simple option in Photoshop, nothing as crazy as Inception.
Most amateur photographers assume that they need to buy a ton of expensive gear in order to compete or reach the level of most professional photographers. I’m quite guilty of doing the same. As a matter of fact, I spent the first couple of years studying the work of photographers that I admired and I was quickly intimidated by their level of production. I didn’t think that I could possibly afford to invest in the type of equipment they used. It wasn’t uncommon to see these photographers use 3+ studio strobes on set, along with a seemingly endless list of modifiers they had access to. Their level of production just didn’t fit my personal budget at that time.
I've always considered Time Magazine to be a pretty high quality publication. Getting your photograph featured on the cover would be a lifetime accomplishment for most photographers. That's why the current cover with Oculus Rift inventor Palmer Luckey is particularly shocking.
I’m always looking for new and interesting ways to add visual interest to my images. I’m a big fan of the effects you can get with prisms and the like, but it’s always nice to find something a little less used. Last year I went to a Katy Perry concert and they were handing out pairs of 3D glasses, which cause rainbow light streaks to appear all around you. I later found out that the glasses were made from diffraction paper.
This week we released episode 4 of our behind the scenes series that covers our travel around the world. Siggy, our photography guide in Iceland, has become everyones favorite character in these videos and at the end of episode 4 he goes on a rant that is so hilarious that we decided it deserved its own video.
Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.
With the democratisation of photography and the near ubiquity of camera toting humans, there has been no better time than now to record the human condition. Not everyone is going to be the next Sebastião Salgado, traveling the world in order to document the atrocities of man kind, and again to celebrate the wonders of the world. However, in our own small ways, we each have the opportunity to describe our corner of the world the way we see it.
As a Photographer you will often find yourself in a situation where your color palette is less than ideal. For example, you show up on location for a Portrait shoot and your subject is wearing dull, dark clothing on a dark background. What do you do? If you happen to find yourself in this kind of situation, here’s what you can do to add a little life to your images and broaden your color palette.
For any photographer with ambitions of working in the fashion industry, or for those with a focus on portraiture, there will come a time when you work with a subject that is unfamiliar with being in front of the camera. This can range from a newly signed model at an agency, to a client interested in a corporate headshot. While a photographer’s eye can be their greatest asset, communication skills are just as important. Below we will take a look at some of my top tips for making the most of your next session.