Fstoppers Original Articles

How do you tell a better, stronger, more compelling story through your photos or video work? How do you get booked for the work you want to do? Film makers and story tellers, Jared Levy and Justin Hamilton, will today share some secrets. Their new, beautiful, compelling mini-documentary entitled ‘Updating Philosophies’, helped them realize much of this, and we can all learn from their experiences.

I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.

I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.

A photography business requires many things to nurture long-term success, not least of which are determination and business prowess. But after years in the game, can being a successful photographer serve as adequate training for starting another business altogether?

When a fashion photographer travels between both coasts of the U.S., shoots assignments in the Caribbean islands, and spans the continents of Europe and Asia for work, it’s safe to say he’s “made it.” Living through those experiences when the stakes are so high prepares you for anything – and that’s experience from which we are all lucky to learn.

Photography isn't always the safest pursuit, especially when you delve into the world of documentary and travel photography. Shooting out in the field can be unpredictable, from the weather and terrain, to the wildlife and the local people. The more you push the extremes of your photography, oftentimes, the more risk you'll take — to both your gear, and yourself.

Many makeup products can make the skin glow and can look great when associated with a good contouring. However, shiny products when used under strobe light can be difficult to dose out correctly. In a previous article I showed you a technique to diminish that glowing effect when too much highlighter or too few setting powder is applied. Let’s see how we can amplify the glow of the skin when more products could have been used to give a fresh look to your model's face.

For the last 5 years, Fstoppers has been an outlet for education, news, inspiration, and behind the scenes photography content. Even with the amazing writers we have on Fstoppers, we have always wanted you,our readers, to have a voice. Well today I am happy to announce a new part of the Fstoppers Community: the Fstoppers Groups.

As the photography industry continues to grow, so does the amount of different mediums for education. From tutorial based websites, to tutorial DVDs, to workshops and even websites like Fstoppers here, there are multiple ways you can find new techniques and grow your craft. And maybe this year, is the year you truly take advantage of them.

PRO EDU just wrapped a week of shooting video in New Orleans, where they captured content of Dani Diamond teaching his approach and style to natural light portrait photography. This behind the scenes video takes you along for the ride and shows you the locations, models, and gear we got to use, and what it takes to make a video tutorial come to life.

Brothers Will Pattiz and Jim Pattiz are on a mission to spread greater awareness to the treasures that reside within America’s National Parks through visually stunning imagery. The first results of which are 3 short films, with a staggering 49 more in the works. I interviewed half of the Pattiz brothers, Will, and learned a bit more about how they got involved in such an ambitious undertaking.

Having a process is one of the most essential keys to success in art, design, and photography. In this tutorial we will look at what to do after we have completed all of the major changes to our portrait retouch. In the beginning of our retouching we will commonly address larger issues like blemishes, distractions, tone smoothing, dodging and burning, and color corrections. But, after completing the major steps of our retouch, what are the finalizing steps in our process? Let's take a look at the five final steps you should follow before completing any portrait retouch.

Markus Andersen is back at it again on the streets of Sydney, Australia… but this time he has teamed up with fellow street photographer Elif Suyabatmaz of Istanbul, Turkey. The pair of photographers has just wrapped up a three year long project titled Mirrored where they responded to one another’s images by presenting a similar viewpoint from their respective nations. The final collection echoes the differences and similarities within the Australian and Turkish cultures through the mirrored interpretations each photographer presents.

If you are fan of DIY projects or are on a budget, this tutorial shows you all the steps for creating a simple yet effective globe light modifier for Paul C. Buff (RIP) strobes like AlienBees and Einsteins. Unlike many other DIY modifiers, this globe actually attaches the exact same way the retail modifiers do. Best of all, you can buy everything you need for under $25!

Matthew Jordan Smith has gained a reputation as one of the industry's top fashion photographers and also as one of the leading photography educators. Those of us who have seen Smith teaching or in interviews have been left with the same impression: he is a photographer and instructor that is forthcoming, sincere, and passionate. My experience in interviewing him proved all of these to be correct. Smith was both very candid and insightful, and here are 10 takeaways from my interview.

Whether you're an intern about to work on set for the first time or a production veteran, acting well on set is the easiest way to move up in the world, learn more quickly and be asked back on more shoots. In this primer, we'll cover some simple do's and don'ts that should be able to get anyone through his or her first production.

Tired of booking the same types of shoots? There’s an easy answer: stop posting them. Instead, only post the type of work you want to get hired to do. Coupling strategic use of Instagram with a strong portfolio of the types of shoots you actually want to book is the best way to increase getting the work you want!

Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?

On Fstoppers, we’ve long been fans of quality behind-the-scenes video counterparts to an interesting photo or video project. They are great marketing tools for us as creatives searching for more work, but they also help promote the primary business or product. This means we can justify pitching these videos as an add-on service to our clients.

Last week I traveled to Utah to shoot the athlete that landed the first ever double backflip on a downhill bike. Upon arriving at the Red Bull Rampage site, my mind was blown witnessing the extraordinary things these athletes are capable of. This trip has taught me more than any other sports photoshoot I have ever done.

The 2015 Fstoppers Workshops is right around the corner, and 2 weeks ago we launched one final contest. Today 5 lucky winners will receive a free spot in a class of their choosing and one of those winners will receive an additional free class, a paid flight to the Bahamas, and a free hotel room for the 6 day event. If you entered this contest through one of our 5 social media platforms you definitely need to keep reading!

It’s not personal, it’s just business; Perhaps a saying more profound than most would imagine. As is the case with many endeavors born from a pursuit of passion, it can be hard for photographers to turn a hobby into a business. Here are five mistakes that might send you back to shooting as a hobby before you can even say “open for business.”

Having a makeup artist when shooting is a luxury for some photographers. While it is a must-have on a beauty or fashion set, when doing more simple portraiture it is not always easy to justify the cost for one. The biggest problem I find myself with when not having a makeup artist on set is people with oily skin are going to shine under strobe lighting. A simple makeup brush and some setting powder can do the trick, but sometimes we don’t even have that with us. So I am going to show you a way to quickly correct that using Photoshop.

Patrice Michellon is a freelance photographer from Paris, France who refers to himself as a passionate pixel breeder. He gave up on clunky DSLR cameras and heavy lenses after health issues and back surgeries back in 2013 / 2014, but he found new desire within Fujifilm’s new x-series of mirrorless cameras. He specifically fell in love with the new x100T which became the main concept for the X100 Collective: one camera and a fixed lens. That's it.

It's always a treat to find a Photoshop feature that you didn't know existed. I was recently introduced to the "render flame" filter in Photoshop CC 2014. Using fire in images or composites isn't anything new, but creating fire elements from scratch is. With this awesome feature, anyone can now create custom flames to be used alone or in coordination with other real fire elements and photographs.

Vincent Laforet's famed "Air" series takes yet another turn from New York and Las Vegas, finally arriving in San Francisco. Fstoppers caught up with Laforet to discuss ever-shifting challenges throughout the project, G-Technology's recent support of the project which will bring it to Europe this summer, and the future of the project as a whole.

There are dozens of "How To" articles when it comes to portrait photography. Very few, if any, focus on things to avoid. With these quick tips you can steer clear of unwanted experiences and take your portraits to the next level. Here's a list that the professionals in the industry never share with you.

The Fstoppers FlashDisc has become one of the most popular off camera flash modifiers on Amazon and BH Photo. Many of our readers have been asking for international shipping, and I am excited to announce that the FlashDisc is now available through the Amazon.co.uk store. This means anyone in living throughout the European Union can have the FlashDisc shipped to their country without having to pay for expensive shipping from the US.

Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?

What happens when one of the world’s foremost portrait photographers decides to turn to photograph still life paintings instead of people? There are no two ways about it - Jill Greenberg is fascinating. Her new work is beautiful, but there is also a clear artistic statement behind it. In this exclusive, we get to understand her direction and motivations behind "Paintings", her latest body of work.

Last month, internet pioneer and Google Vice President Vint Cerf warned the world on BBC about the impermanence of our data in a digital form due to the fact that the technology that can read it today will become obsolete. He argued that in a few hundred years, we may not be able to read any of the images or videos created today for the same reason we can't read a floppy disk: because technology will have moved on without us, and without that information. But is he right?

Knowing when to stop is the hardest lesson to learn for those new to retouching. In this tutorial we will look at how to recover lost texture and over smoothed skin tones, even when your file has been flattened. In this image the texture has been over retouched resulting in a significant loss in the skin texture. The transitions between skin tones have also been slightly overdone. Frequency Separation is a term we see in retouching all the time its also a technique I'm working on using less and less and bring in as a last resort. By using frequency separation here we can borrow texture and...

When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!

Join Patrick and Lee of Fstoppers on Spreecast TONIGHT at 8:30 EST as they talk with a few of the top photographers teaching at the 2015 Fstoppers Workshops. We will be talking about our upcoming event in the Bahamas while our guests will be answering questions from our audience. Any topic is fair game so if you want to ask questions about business, retouching, lighting, marketing, or gaining commercial clients the floor will be yours.

In November of last year, Coty Tarr traveled to Lake Placid in Upstate New York to document the US Bobsled team as they practiced and prepared for upcoming competitions. Coty, as per usual, has not only photographed these incredible athletes and the work that goes into this level of training, but he's done so gorgeously.

The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.

PRO.edu has released its newest tutorial, "The Complete Guide to Product Photography and Retouching." This in-depth tutorial features over 20 hours of content on shooting and retouching, taught by Tony Roslund. The tutorial is currently available and being sold with a $25-off early-bird discount, this week only. Use the promo code 25OFF to recieve the discount at checkout. RGG brings us a curriculum based approach to teaching photography with 55 Pre-production, 11 Photo Shoot, and 11 Retouching tutorial videos.

In Branding and Logo Design for Photographers Part 1, we looked at the initial steps of self-analyzing, market research, and competitive analysis. Now we move into the designing of our photography brand logo with possibly the most important step: identify and separate. The happy medium of fitting in with your genre enough to connect while contrasting from your field enough to stand out is a tenuous balance. Following these steps will help photographers and non-photographers build a strong competitive brand.

We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?

In this video, I show you you to use complementary colors to create a cinematic color grading feel for your photos. This technique is quick and easy and can usually be done in less than five minutes!

Morgan Maassen is a blossoming surf photographer with many notable photography achievements under his belt at the ripe and youthful age of 24 years old. Already nailing covers for some of the industry's most recognizable magazines, Maassen has made a name for himself and his unique photographic style in the surfing world. Maassen's work often borders the line between an ethereal, dreamlike universe and a sharp contrasted reality of life on the water. Fstoppers had an opportunity to sit down with Maassen and ask him a few questions about how he got to where he is, what inspires him, and how he approaches underwater photography on a daily basis.

Almost every single one of you reading this can become a professional, paid photographer. There has never been a lower barrier to entry to starting out with access to masses of free online learning tools, affordable professional quality gear and the ability to market yourself globally. The problem isn’t so much starting, as it is sustaining. Enter, the Photo Brigade, one of the best tools I've come across in months for those looking to sustain their photography business.

Announced this morning at the opening of WPPI, was the new Echelon collection from LowePro. The Echelon collection is designed to blend form with function to create some of the best, and most stylistic bags available for photographers. Not only am I able to announce the new series, over the last few weeks, I’ve had the opportunity to try these new bags out.

In this age of an increasingly competitive photography market, we shooters need to utilize every tool possible to make us stand out in the pack. My buddy Matthew Jones has gone back to basics with his printed pocket portfolio. He has found that in a world of modern digital portfolios, these printed books allow prospective clients to not only have something that they can take home and remember his work by, but it even easily fits in their pockets! Jones shares his thoughts on the benefits of having a pocket portfolio below.

Many of you know about my headshot work, but one of the other major areas of my business is photography for hotels, also known as hospitality photography. Hospitality photography often requires a jack-of-all-trades. I frequently shoot food, cocktails, headshots, mock weddings, and work with models for lifestyle shots. Then add to all that the architectural elements and details of the interior and exterior of the property and you have a shoot that requires quite a bit of different types of gear. When you add it all up, sometimes I’m flying a few hundred pounds worth of gear with me. As I was traveling recently, I thought it was a good time to write up an article about flying and traveling with your gear, and the best way you can minimize the cost of moving it all.

Being fiscally successful as a photographer requires more then just taking great pictures. Branding, marketing, and promoting are huge aspects of the business of photography. One of the first steps photographers often take when starting their business is designing a logo, but this can often be a mistake. Before designing a logo, photographers or really any business should carefully develop and create their brand identity. In this post, we will look at the multi-stepped process of developing and designing a photography brand.

A few months ago I wrote about Pixsy, a new online service, which promised to facilitate the process of dealing with copyright infringement. I have since been invited by the folks at Pixsy to give their Beta software a run through. After a few weeks of testing I am ready to share my opinions on this unique service!

I can assure you that this isn't another boring tutorial on how not to overdo eyes with Photoshop. Searching for the perfect method has come to an end. Before diving into the simple method, it’s crucial to understand everything about the human eye and how it reacts to light.

When it comes to compositing, more often than not it's the little things that take an image from good to great. In this tutorial I show you how to pull off a simple yet very effective way to create those small embers and sparks that are all the rage in Hollywood action movie posters. Adding details like sparks, debris, fog, dust, etc. to your composites can change the overall mood of your composites and give them that epic feel you are looking for!