Apple has announced the fastest, most cutting-edge iPad Pro it has ever produced, alongside a new, more capable keyboard. The latest iteration of Apple's flagship tablet also boasts a dual-camera setup and LIDAR scanner that expand the possibilities for creatives.
Every time a photographer puts his or her work on display, whether in a gallery, online, at a local cafe or wherever, it gives viewers a glimpse of what that photographer saw when they made the shot. But it's just a moment, a flash of time captured in ones and zeroes, then printed or shared on social media. It doesn't, however, tell the entire story of how the photographer made the image.
For photographers of a certain age, the decision of whether to work in 8-bit or 16-bit is as easy as the decision between playing Nintendo and Super Nintendo in 1991. More colors led to more realistic graphics and better gameplay. The 16-bit Super Nintendo was king. The same principle holds true when working on your images in Photoshop.
Super wide-angle lenses can expand the field of vision in your images, but they often come with an unwanted side effect — lens distortion. The good news is distortion can easily be fixed in Photoshop with this tool.
Forget macrophotography. Nanophotography is pushing the boundaries of what was thought possible to record, as scientists have, for the first time, captured incredible footage of previously unseen physical processes.
There are countless ways to combine images in Photoshop. So many, in fact, it can be easy to fall into a routine using the same techniques, while ignoring or avoiding exploration of new and creative ways to combine them. If you want to try something different, Colin Smith at PhotoshopCAFE explains three techniques that can help you create compelling composites in this tutorial.
Creating an accurate selection of a subject's limbs is deceptively difficult. The edges often look sharp and easy to cut out, but that often isn't the case when you put the selection in the hands of Photoshop's AI. However, using this technique, you can accurately smooth out the ragged edges of the selection to create perfect edges and a crisp cut-out.
One of the biggest challenges in creating a composite image is generating realistic shadows for a subject you may have moved into a different background. But what if you didn't need to create a new one?
If you're a regular user of Photoshop, you've probably put in plenty of time and effort to create your own custom presets, brushes, and other tools that help streamline your workflow. But what happens when you update to CC 2020 and notice many or all of them have disappeared?
Any Apple release is accompanied by fawning fans rushing out to make their next purchase and is inevitably followed by some howling about this feature or that feature. So, before you jump into buying a pricey new MacBook Pro, check out the pros and cons of Apple's latest big release, the 16-inch MacBook Pro.
Adobe's update to Photoshop CC 2020 contains some powerful upgrades and tools but, like any software release, it also has some bugs, quirks and missing tools that users must adapt to. Or, if you take Colin Smith's advice, you can fix them yourself.
Gaining followers on social media can sometimes feel like getting stuck on a hamster wheel — a whole lot of effort to get nowhere. Chris Do, of The Futur, aims to make that effort pay off for you and help you launch your social media following into the stratosphere by adding 10,000 followers per week — without buying them.
A simple click and boom, the background is gone from behind the subject of your image. It can't be this easy, right? It can be. It is, all thanks to the latest Adobe Photoshop CC 2020 update. And the fun doesn't stop there.
Maximum detail and sharpness in an image are often goals for landscape photographers, but introducing the blurry, smoothing effect of a long exposure can take an otherwise tame landscape and turn it into something more epic.
The long take has been a staple of film for decades, showing off a director's capability at managing a set and camera movement. Some directors have been ambitious enough to create entire films using a "single shot," which are really many shots cleverly stitched together to appear as one long, continuous take. But none have been as ambitious as Sam Mendes with his upcoming film, "1917."
We say, "never forget" when we think of the terrorist attacks of September 11, 2001. And while none of us will forget the event itself, it's easy to lose sight of the individuals who lost their lives in the attacks.
Have you ever captured an image you thought could have been spectacular if not for a stray shadow that rendered it unusable? Don't erase that file just yet. You may be able to recover the detail out of those shadows using this helpful Photoshop technique.
If eyes are the windows to the soul, eyeglasses can be the dust on the on the screen, with their reflective surfaces obscuring arguably the most important part of a portrait — the eyes.
A lack of light is the enemy of any photographer and, in certain situations, it may force you to bump your ISO far higher than you're comfortable with. The resulting visual noise in the image can render it unusable. Unless you follow this tutorial from PiXimperfect, that is.
It wasn't easy to put a man on the moon. Just ask photographer Christopher Sherman, who recently set out to pay homage to one of humanity's greatest feats, the Apollo 11 mission, when Neil Armstrong first set foot onto the moon 50 years ago.
