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Articles written by Mike Wilkinson

An In-Depth Look at the Video Features of the Canon 5D Mark IV

An In-Depth Look at the Video Features of the Canon 5D Mark IV

Just three days ago, the new Canon 5D Mark IV dropped, and while it's a great stills camera, all of the talk has been about what it can and can't do in the video department. This video takes a much closer look at many of those features in the Mark IV, going through menu functions and showing examples. I've included a list of the topics covered along with their time in the video within the article below.

Gear and Tips for Lighting a Table Scene or Roundtable Discussion

Gear and Tips for Lighting a Table Scene or Roundtable Discussion

In this video from Aputure, Director of Photography Julia Swain is invited to share her techniques for lighting a dinner table scene, which are common to film productions, but also have applications in the corporate and documentary video world. After the video, check out some of my own personal examples from lighting a similar setup, but instead for a corporate roundtable with an all black background.

DJI Phantom 4 Used to Create Beautiful 4K Video in 'An Aerial Perspective of Nordland'

DJI Phantom 4 Used to Create Beautiful 4K Video in 'An Aerial Perspective of Nordland'

Lofoten, Norway has been getting a lot of attention in the last few years, and rightfully so. Known for its incredible mountains, open waters, and unspoiled lands, it has quickly become a favorite for photographers looking to capture dramatic landscape images. Australian filmmaker Michael Fletcher took two trips here recently and came away with a fantastic aerial film, captured during the season of the midnight sun.

Using the Canon 1DC in the Alaskan Wilderness to Capture a Short Film in 4K

Using the Canon 1DC in the Alaskan Wilderness to Capture a Short Film in 4K

The filmmakers of “The Muir Project,” known for their first documentary, “Mile… Mile and a Half,” have just released their latest film, “Noatak: Return to the Arctic.” I interviewed Director Ric Serena who told me about the production challenges his team faced when working on a remote river deep in Alaska and why they chose to go with the Canon 1DC as their camera of choice.

Fstoppers Review of the Moza Lite II 3-Axis Gimbal Stabilizer for Compact Video Cameras

Fstoppers Review of the Moza Lite II 3-Axis Gimbal Stabilizer for Compact Video Cameras

I’m a huge fan of gimbal stabilizers, and absolutely love how easy it is to get dreamy, floating footage with these relatively inexpensive accessories. A lot of attention has been on products like the MoVi and Ronin, but other manufacturers have stepped up their game and are making products that are just as competitive in terms of features and price. One such item is the Moza Lite II, which I’ve been reviewing for the last few weeks.

Yes! The Size of Your Camera Matters Because Most Clients are Not Filmmakers

Yes! The Size of Your Camera Matters Because Most Clients are Not Filmmakers

Any seasoned filmmaker or photographer will tell you that it’s not the size of your camera, sensor, or lens that matters, but how you use it (or craft your supporting elements like lighting, composition, etc.). But what I’ve come to realize is that size does matter– because impressing a client on set is just as important as impressing them with the final product.

Tips for Managing Workflow on Location for Photo and Video Shoots

Tips for Managing Workflow on Location for Photo and Video Shoots

Storing and transferring data from a shoot is an important, yet often overlooked detail when it comes to on-location projects. When juggling multiple cameras, each with multiple cards, it becomes critically imperative to be 100 percent sure that all of your photos and videos are accounted for. In this video, Jay P. Morgan shares his workflow for wrangling data and making backups.

Michael Muller Photographs Great White Sharks in Medium Format for 'Into the Shark's Eye'

Michael Muller Photographs Great White Sharks in Medium Format for 'Into the Shark's Eye'

Going from A-list celebrity headshots in Hollywood to swimming with sharks in South Africa in 72 hours, photographer Michael Muller seems to balance his commercial work with his personal work quite well. In this behind-the-scenes video, we get to come along with Muller as he attempts to capture a great white shark breaching the water — while being lit by strobes.

Simple Trick to use Filters on Fisheye and Wide-Angle Lenses that Don't Have Threads

Simple Trick to use Filters on Fisheye and Wide-Angle Lenses that Don't Have Threads

I love simple, easy to implement solutions to a common problem. The problem in this case, is using any sort of ND, polarizer, or other lens filter on wide-angle lenses that don't have filter threads. Sure, there are filter holder solutions but those can be a bit pricey for a hobbyist. In this video from MrCheesyCam, we're shown a simple way to DIY a filter onto a lens with some tape and card stock.

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