Audio is arguably the most important facet of any film or video production. There is a saying that goes: “Audio is 70% of what you see,” which means that sound makes up more of the experience than the visuals do. So while we may spend a lot of time planning for what our shot looks like, it’s even more important that we mic it properly for the best audio recording possible.
Articles written by Mike Wilkinson
Camera sliders are often one of the first accessories that independent filmmakers purchase, just after a tripod and microphone. The simplicity in their design and valuable ability to create subtle motion instantly add production value. Cinevate recently updated its Duzi slider to its fourth version, and I got a chance to review one this past week.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.
In a previous article, I shared some tips on scouting locations for a documentary video shoot where interviews would be captured. The next step is to decide on a frame that complements your talent, topic, and tone. In this video, we discuss background elements we see in potential frames, any why one “look” might work better than another.
When doing a documentary-style video production, an interview or series of interviews is often at the heart of the content. Uncontrollable lighting, background noise, and the size of the space you have to work in all play a significant role in capturing a quality testimonial, so location scouting to check on these is an important facet of our production process. In this short video, Joshua Pardon and I explore two rooms at a location and discuss what we look for when making a decision on where to set up for a shoot.
If you work in a competitive area for your photo or video work, chances are that you’ve experienced losing a client at some point. Whether there were creative differences, budget issues, or you weren’t available, there are some things that you can do to alleviate some of the sting from breaking up with a client, and perhaps put you in a better position to work with them in the future, even if the root cause is simply that they couldn't afford your rates.
At CES 2017 Panasonic has started to show off some new MFT lenses, which by no coincidence pairs nicely with their recent reveal of the Lumix GH5 specs. In this video, a rep from Panasonic goes over the details of the new lenses, some of which are updates to existing models. I'll list the all of the lenses and include what's new about them in the full post.
In this episode of Chase Jarvis RAW, a fired up Jarvis goes off on a thoughtful stream of consciousness and details why so many photographers or filmmakers might not see the engagement they are looking for with their work. To him, it's because they likely stop working once the content has been created and shared, and they don't go on to interact with their community or audience. What's the trick to doing that? Check out the video for some very real suggestions on how.
Even if you're not much for holiday films, chances are you've seen the Will Ferrell movie, "Elf," that came out in 2003. It's a silly but fun tale of Buddy the Elf searching for his real father in New York City. The trailer seen here though, created by Cinefix, would have you believe that Buddy might just be an insane psychopath, spreading Christmas cheer in the form of violently stalking a person he believes to be his dad.
Nice lighting and a controlled experiment can yield some pretty cool results, and luckily there are folks like the ones behind the brand Beauty of Science who just released a video showing exactly that. Simply put, they dissolved some M&M candy in a dish of water. And it looks amazing.
In this episode of The Slanted Lens, Jay P. Morgan is running around downtown Los Angeles capturing some product photography. He demonstrates how he is able to create interesting compositions and work with natural light to get the most usable shots possible with just a camera and a reflector.
Blackmagic sent me one of their 4.6K URSA Mini Cameras to play with, and after just a few short days of messing around with it, the URSA Mini certainly made an impression. A RAW, 16-bit, 4608 pixel-wide impression to be specific. In short, this camera system is a beast, and comes at a price point that is very attractive.
Just eight days ago we posted an article about the end of Casey Neistat's daily vlog run, where he had amassed billions of views and a huge audience of followers. Now today, news is spreading about his next project: to create a new media brand that creates digital content for millenial audiences for CNN.
For many filmmakers who are getting into raw workflows for the first time, or perhaps wanting to up their postproduction skill set, color grading can at first appear to be a big, scary monster full of weird tools and a puzzling workflow that makes college physics seem simple. In this Q&A video from Film Riot, Colorist John Carrington answers some frequently asked questions regarding his approach and process to doing color work on video footage.
The sequel to the BBC-produced nature documentary series, "Planet Earth II," released a few clips into the wild recently to promote its U.S. release in January. You may have noticed one of these scenes making the rounds on social media in the last few days, which was a masterfully edited clip that features snakes chasing an iguana. If you were curious how they filmed some of this material, there are a few behind-the-scenes clips out that show how it was done.
Canon’s newest flagship cinema EOS camera was put into the hands of Cinematographer Russell Carpenter and ASC and Canon Explorer of Light Tyler Stableford. Together they created the beautiful short film, "The Calling," that takes a look into the lives of three people in the American West.
I recently earned my Remote Pilot Certification, which allows me to fly a small UAS (drone) for paid photo and video work in the USA, under the FAA’s Part 107 rule. With no background in aviation, passing the test was no easy feat for me. If you’re considering taking the test yourself, read about my experiences to make sure you’re well prepared.
With Halloween just a week away, it seems fitting that I’ve got an article for you today that involves a black metal band. Last week, Wedding Photographer Janet Wheeland was out with a couple for an engagement photo session. While they did have a theme of "Forrest Gump" going in to the day, later that evening things would take a black, leathery, face-painted turn.
In this informative video from Jay P. Morgan of The Slanted Lens, Jay goes back to the basics to show off the principles of light, and how they affect a sphere. Whenever a light is added to a subject, five things happen, and this video explores what is created, and how to control it, which ultimately will help you to craft your final image in a photo or video.
Aimed at DSLR filmmakers looking to invest in a larger production kit, the Blackmagic Video Assist 4K is a seven-inch touchscreen monitor that doubles as a video recorder. I was able to use the Video Assist during several shoots last month in Chicago, and I’ll go over the features, build quality, uses, and talk a bit about pricing as well.