I'll always remember a friend of mine saying that he loved the Canon 5D Mark II for film making because it was expendable and cheap compared to "real" video cameras (he crashed a lot of them). For most of us, having any piece of gear break is heartbreaking especially when it comes from our own stupidity lack of foresight. Such was the case for filmmaker and 3D Animator Kurtis Hough as he was doing a little beach videography. While on set for what appears to be The Goonies II, Kurtis encountered something pretty scary. After watching the video below you might want to reconsider not insuring your photo gear.
I just realized that our Fstoppers Twitter account has tons of unread direct messages (we prefer you email us). One of them was from Douglas Sonders who had a crazy experience with one of the original Ghostbusters Ecto 1 Cadillacs. These caddies have so many lights on them that I can't make any sense of what is going on but it looks pretty cool. Douglas does a good job explaining how he plans on using a few long exposure shots to burn in the ambient light while using spot grids to pop in just the right amount of flash for specific areas of the photo. Does anyone know if the Roscoe Fog Machine in this video is made by the same company that makes Roscoe Speedlight Gels? Either way, nice touch on bringing the smoke machine to the shoot. Check out more details about this shoot over at Douglas Sonders's Blog.
Awhile back we shared a few videos of photographers intentionally throwing their cameras in the air. Well now the Throwable Panoramic Ball Camera actually makes that feat much easier. The new camera allows photographers to create 360 degree images with 36 individual cameras arranged in a buckeyball shape (any organic chemists out there?). Using an accelerometer, the spherical camera takes a photo at the apogee when there is the least amount of movement for surprisingly sharp images. It's also made of soft collision material which just begs you to throw it at someone's face or fling it with a water balloon launcher. The whole project is pretty interesting, and you can read more about it on Jonas Pfeil's website.
Let me warn you, this video has nothing to do with photography directly. Chances are you have probably heard the opening parable before, but when paired up with the training video of an aspiring football player the message is pretty powerful. How bad do you want success and what are you willing to go through to possess it? I think everyday as photographers, we struggle with staying motivated, finding inspiration, working towards our goals, and expanding our skill set. I find this especially true with my own work since I compete with myself which often leads to less motivation than competing directly with someone else. Reaching the point of wanting success more than the desire to breathe is probably unrealistic so let me ask this: how much sleep, time, and short term gratification are you willing to give up in order to achieve long term success?
Have you ever had a client dismiss a project after you have already put in hours of work? What are you supposed to do when a client brings in a second professional to also work on your project? What can you do if a client says your work isn't really what they were looking for after you have already delivered the final project? Mike Monteiro is the design director at Mule Design Studio. During a seminar at CreativeMornings, Mike gave a really insightful and thorough speech about how a creative professional can protect his work and payment in the event that something goes wrong with the client or job. This video is long but it should at least make you aware of issues you might face on your journey to becoming a professional photographer. At the most this video will make you reconsider your contracts (if you even have them) and put the proper legal checkpoints in place to prevent problems down the road. If you've had a bad experience that a solid contract would have solved, let us know in the comments.
It should not be shocking to hear another story about a police officer wrongly accusing a photographer of breaking the law. These stories have become pretty common place lately. However, recently police in Long Beach California have been reprimanding individuals who have been caught photographing locations with no apparent aesthetic value. Back in June, Long Beach Post contributor Sander Roscoe Wolff was detained after photographing a refinery on North Long Beach. Long Beach Police Chief Jim McDonnell has publicly stated that his officers have the responsibility to detain photographers who are not engaging in "regular tourist behavior". This story is an unfortunate consequence of the post homeland security world we live in and probably will not be the last infringement on individuals' rights. To read more about this story, head over to the original article on the Long Beach Post.
Capturing images of high speed events can be done in many different ways. In this video, flickr member Jon Rutlen went with a more explosive approach. Using a sound capturing device to trigger his camera, Jon shattered a bunch of different glasses in front of his DSLR camera and recorded the unique moment easily, reliably, and ultimately in a pretty safe environment. I remember my organic chemistry classes pretty vividly and Silver Acetylide is nothing to play around with so don't try this at home (I know no one really listens to that warning right?). I think the next step Jon and crew need to take is lighting the glasses in a more pleasing manner with some backlighting and off axis lighting to really give some depth to these explosions. Since we just launched our BTS Contest and everyone is thinking with a bit more creativity, what do you guys suggest Jon does to take this shoot to the next level?
Just like the story of Vivian Maiers, every now and then a discovery is made that not only brings a smile to your face but also sends a chill down your spine. Such is the story of the famous 1906 black and white film A Trip Down Market Street. For almost a century, historians have been trying to accurately date the short 13 minute film, and up until recently it was thought to have been shot in Sept 1905. When historian David Kiehn unveiled the truth about the film's date, everyone was shocked to learn that it was filmed in San Francisco just days before the devastating earthquake and sequential fire of 1906. The behind the scenes story on how the origin of the film was created is quite remarkable.
A few years ago, photographer Ze Frank started an online photo concept called Young Me, Now Me where he took current versions of old photographs. The trend was huge on websites like Myspace and Facebook and was sure to put a smile on your face. Well Argentinian photographer Irina Werning has taken this concept even further by creating images that replicate the scene exactly from the location to the wardrobe and even down to the lighting. Irina's series called Back To The Future is a awesome example of pushing your work into the mainstream by thinking outside the box and creating something everyone will remember (and can partake in themselves). Click on the full post for a few examples of her work.
I'm always a bit cynical when people tell me they want to become a photographer so their images can change the world. Living in a post modern society where we are bombarded with images, it is easy to think we have become so desensitized to visuals that nothing can move us into action. Well after watching the latest video from [FRAMED] featuring the work of humanitarian photographer Benjamin Edwards, I have been quickly reminded that photography really can change the way we view the outside world and therefore change the how we interact with it. Benjamin's story and images are an inspiration, and through Emote360 and World Relief Benjamin has been able to inspire others around him to help those less fortunate and in need. What do you guys think; does photography inspire you to change the world?
When you first heard of GigaPan, it was probably from David Bergman's famous inauguration photograph. Years after David captured the first gigapixel images of crowds of people, scientists are now creating all sorts of images using the GigaPan technology. One new project recently announced is Time Machine. Essentially a video player with 100 megapixel frames, the Time Machine allows us to explore nature in both time and space with unbelievable amounts of information. Anyone can create these videos using any of the GigaPan Epic Mounts and upload them to the GigaPan website. It's pretty amazing what photos are now able to capture and reveal with super high resolution and timelapse. Check out more of these videos over at the Time Machine website.
After our half disastrous sailing trip in the Charleston Harbor today, it's only fitting to feature this really inspirational video on sailboat photography. Tim Wallace is an amazing auto and commercial photographer but today he is taking his Hasselblad out on the water. Shooting large boats like this with just natural light is always a challenge but Tim makes it look like a walk in the park. Equipped with helicopters, chase boats, models, and expensive cameras most people probably can't afford, Tim creates some spectacular images in Project Genevieve. I love this shoot because it's both commercial and editorial in nature and features spectacular shots of the sailboat as well as some lifestyle images with models that aren't hard on the eyes. Be sure to check out Tim's full portfolio especially if you like automotive photography.
Lately there has been a trend of showing super slow motion videos slowed beyond the native frames per second the original footage was shot on. We love the results of Twixter but nothing can compare to seeing the real thing especially when combined with an extreme sport. The BBC has a great DVD on the South Pacific which features some amazing underwater slomo camera work of waves crashin, and this short surfing clip was the highlight for me. Rudi Diesel shot this on a Typhoon HD4 which at the time could do 500fps at 7 seconds or 1000fps at 3.5 seconds. If you enjoy this segment, check out a longer clip from the documentary in the second clip below.
When Denis Smith found himself faced with a dark depression in his life, he found motivation and purpose through his newly found photography hobby. After moving to South Australia, Denis picked up a camera and began to explore the serendipitous world of night photography. After playing around with long exposures he realized he could bring his own creativity to his images in the form of light painting. Denis's images are really interesting because he mixes strong technical long exposure landscapes with his unique "ball of light" light painting technique. Skip to 5:20 on this video to see how he came up with the idea and check out many examples of his work over at Ball of Light.
Kelly Kline is a commercial and editorial photographer based out of NYC and Atlanta who has a fantastic portfolio full of top professional atheletes. In this behind the scenes video she has teamed up with MMA fighter Matthew Polly for his new book Tapped Out. This shoot is definitely a commercial for the Profoto Pro-8a Air Packs but also shows what is possible when you push not only your gear but your creativity to the limits. <
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