While in Las Vegas for WPPI, I met Rob Adams and Vanessa Joy who are two talented videographers and photographers respectively. They are both at the top of the wedding market and often speak to photographers about how they can incorporate video into their businesses (something we have been preaching here for years). To help photographers make the video transition easier, Rob and Vanessa have designed PhVusion video editing software which allows you to trim and color correct video directly in Photoshop.
I hope you are not scared of heights! Watch extreme rock climbing photographer Simon Carter as he discusses how he positions himself in open space hundreds of feet above the ground and still manages to get jaw dropping images. Click the post to view the second video.
NIKON - SIMON CARTER - EXTREME PHOTOGRAPHY from Extreme Photo on Vimeo.
The BBC has produced some of my favorite shows of all time. Their newest program called Earthflight captures amazing HD video from the skies as they put you literally on the wings of wild birds. I really can't imagine how they got these shots of eagles stalking unsuspecting flamingos but it's definitely not filmed on a Gopro Hero. Click the full post to check out the amazing view in full HD glory!
Okay this video has been emailed to us a bunch of times, and it has already made the rounds on a bunch of blogs BUT I'm still not sure I understand this story at all. Researchers at MIT have created a "video system" made up of 500 sensors that can capture light movement at 1/1,000,000,000,000th of a second. Now after watching this video and reading the official MIT press release, my mind is pretty much blown. It's clear that this camera is not actually filming a native 1 trillion fps but are they saying that the speed of light is so fast that essentially the shutter speed of the composited frames would in fact be 1 trillion fps when strung together? I know there must be some physics gurus out there that can explain this in simple terms! No matter what is actually going on here, it's still pretty geeky and extremely cool to watch such a complicated setup record some of the fastest images ever created.
So you've had a long week of work and just survived a record breaking wind storm...what does one do to cut the edge in Salt Lake City? How about socializing over a few beers with other local photographers? Lee and I will be in Salt Lake City, Utah this weekend hitting up Solitude (if the snow sticks around) before we head down to film the next Fstoppers Original in Phoenix. We've been told the best local watering hole is a beervanna called The Bayou (645 South State Street), and nothing cures a long flight and a little jet lag like a few cold brewskies. Meet up at The Bayou around 9PM if you are in the area and we'd love to hang out a bit. In typical Fstoppers fashion, yes this meetup is being announced within the maximum 48 hour notice :)
Some of my favorite behind the scenes videos we've featured on Fstoppers are of Matthew Jordan Smith. He speaks well and always articulates his lighting and setups in a way that both amateurs and pros can understand. In this video Matthew talks about exposing for a high key background, metering your subject's face for dramatic studio light, and balancing ambient backlight with a studio keylight. I'll be honest and say that I've never used a Sekonic Light Meter but I can see how useful they can be for more advanced studio lighting. I think Matthew might be the only professional I know of shooting on a Sony DSLR! I guess it goes to show that your camera brand makes little difference in producing great images. Check out more of Matthew's tutorials here.
Using drone octocopters to take breathtaking aerial footage is nothing new. But what would the results look like if you could combine a stabilized drone with ultra high def 5K footage from the Red Epic? That's exactly what OMstudios did with their self proclaimed "OM-copter". By using the drone, directors can now produce stunning high def and slow mo aerial shots without the high cost of renting an actual helicopter. Of course you have to be able and willing to secure a $58,000 video camera to a remote controlled octocopter in the first place! Check out the OMstudio Vimeo Channel for some great commercials and other video projects.
The OM-Copter gives wings to the Red Epic from omstudios on Vimeo.
It seems every day someone is creating an interesting timelapse that shows something we've never seen before. This one comes from the International Space Station as it orbits around the earth at night. The video was made from using data from the Gateway To Astronaut Photography Of Earth and stitched together with the open software Virtual Dub. It's pretty amazing how much light pollution makes it to each exposure and look carefully for bursts of lightning over the Pacific Ocean. Props to the person who spots the satellite that makes the frame as well!
Douglas Sonders has always created some pretty interesting behind the scenes videos of his photo projects. Recently he shot the band Blink 182 for the cover of Alt Press Magazine. The behind the scenes video below doesn't show much mainly because Douglas only had about 30 minutes with the band and had to shoot 3 separate covers with each band member individually as well as 1 complete band photo. The lighting is pretty straight forward though with a few rim lights, a soft over head key light, and a ring flash. Check out the full post to see a detailed video on how Douglas photoshopped the final images for print and how he uses the Nik Software Viveza in his workflow.
It's no secret that Lee and I started our photography careers as wedding photographers. Regardless of what anyone says, photographing weddings is an excellent way to sharpen your photography skills since there are so many different types of shots you can plan throughout the day (and make a great living doing it). Usually when you first arrive at a wedding, the first photos your client will probably want you to capture are detail and candid getting ready shots. Superstar wedding photographer Jasmine Star recently released a great video outlining how she approaches these must have shots. If you are a guy then it's probably great advice hearing this from a female perspective so you know what's important to capture. And if Jasmine is reading, what's up with stealing our backgound?
The guys over at Stillmotion video have come up with a rather interesting way to film point of view video. Instead of mounting something small like a GoPro to a helmet, Stillmotion decided to use a Canon T2i. The camera was upside down directly in front of several football players' eyes as they trained in the 2011 NFL combine. Everything was made from common parts you can find at Home Depot or Lowes and the results are pretty interesting. After you watch the behind the scenes video below, head on over to the NFL Network to check out the final promo piece.
Peter Langehahn is a photographer from Germany who approaches most of his images a bit differently than most of us. Instead of photographing a single moment, Peter captures the "collective scene" of an entire event. Standing at just one vanishing point, Peter takes panoramic images throughout each event and combines them in a unique composite image that features the best moments throughout the day. Sometimes these images total over 3000 captures and the edits can take up to 60 - 90 days. I must say I've never seen anything like this but it's definitely a way of branding your own photography into something no one will forget. I'm sure someone out there has done something like this before; what are your thoughts on this technique?
Last year we showed you some of the first footage of a new 360 camera made by Yellowbird. Well now Mitsubishi is using that technology in their campaign Test Drive The World's Most Dangerous Road. The Yungas Road is found in South America connecting the Bolivian cities of La Paz and Coroico. Apparently this path, which is only wide enough for one car in places, is responsible for 300 average deaths a year. Below is a little teaser on how they made the campaign for the 2011 Outlander and Outlander Sport. Click the link above to view the 360 degree footage throughout the entire 40 kilometer test drive and the full post for a truly horrifying first person experience on the death path.
Saturday Night Live has become an American institution spawning the careers of some of the most famous actors and comedians of all time. Alex Buono has been the director of photography for SNL now for over 10 years. Back in 2009 the directors wanted to film the opening sequence throughout New York City instead of the typical single location. In this video, Alex recalls how he was able to use the Canon 5D Mark II to film sequences that would have otherwise required the crew to close down streets in the city and bring in large lighting rigs. It's pretty amazing how ground breaking DSLR video has been especially since there are so many photographers still resisting the feature. Click the Full Post for an extended interview with Alex about shooting for SNL, and you can watch the final SNL intro here.
Kate and Nate over at the Beepshow make all kinds of interesting timelapse projects. I first heard about their videos the other day when I came across this timelapse featured on Gizmodo. Using just a Canon 5D and a 16mm-35mm lens (and well an iphone too), they were able to photograph a full 11 hour flight from San Francisco to Paris. Using long exposure images ranging from 2 to 30 seconds long, they captured all sorts of interesting scenes 30,000 feet up including a spectacular view of the Aurora Borealis. Nate really lucked out having Air France and his fellow passengers allow him to film the whole trip without raising too much of a fuss. For more information about how this was created including the original score created on the ipad, head over to the full post here.
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