Shooting with a gimbal is fantastic, it makes all of our footage incredibly smooth and vibration free. However, it’s not appropriate in every scenario and may even kill the mood of your video in some cases as Jakob Owens explained in a previous video. In a new one he posted on his YouTube channel, TheBuffNerds, he teaches now how to shoot handheld. So if you are tired of all the overly stabilized slow-mo footage found on the web nowadays and want to do something different, be sure to watch this tutorial.
Relying on your camera screen to nail exposure is a sure recipe for disaster. Depending on the lighting situation, the contrast of your display, how it’s back-lit, as well as other parameters, you’ll see the luminosity values differently. To make sure you get it perfect, there are tools available to you. In this 10-minute long video, Haapoja from TravelFeels will list most of them and explain which is best for what situation.
Shooting with an iPhone is an excellent alternative in places where a DSLR is overkill, but in its default configuration, it lacks quite a few features. The company Moment offers solutions to most of my issues, starting with their superb wide angle lens.
You have been dreaming of shooting underwater for a while, but waterproof housing is too expensive, none seem to fit your huge rig, or you can’t find one with which you can trigger your strobes. Then check out this trick.
Creating selections and masks in Photoshop is a crucial part of any advanced editing workflow. Learn all there is to know about it with this video by Stefan Kohler.
When it comes to graphic tablets, one brand name always come up: Wacom. However, the Japanese manufacturer is not alone, and the competition is getting better. Parblo is probably among the best alternatives out there for the entry level market with products such as the A610S.
Spiffy Gear has made a name for itself by creating unique lighting products such as Spekular and the Light Blaster. They are now adding a third exciting solution to their range of products with Lumee.
Retouching skin is about detail and patience. It can be a real time consuming and can require a high level of precision to keep the natural aspect of an image. Each of us has a different style of editing and our tastes differ. However when giving retouching lessons many photographers ask me about skin texture and how to keep it looking as natural as possible.
This is not a simple answer as it is mostly a combination of elements. In this article I have combined the five things I see most photographers do wrong or too much when looking for a believable skin texture and look.
A couple of weeks ago, Serif released its powerful photo editing software called Affinity Photo. This Adobe Photoshop competitor has since been downloaded by numbers of users and has already seen a couple of improvement through an update. Its price and its speed are probably two of the most notable advantages the software offers over Photoshop. While the reviews are slowly making their way to different websites, many photographers and retouchers seem to be wondering if the software is worth its price.
Adobe just updated a couple of their CC applications, one of which being Photoshop. Amongst the new features, it was almost inevitable that a few bugs would show up. One that can be quite annoying is the liquify tool lighting or rendering problem. But there is a quick and easy workaround.
When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.
Editorial and commercial shoots are usually very lively and put quite a bit of pressure on the photographer. Managing a full crew on set and making sure all the required pictures are well executed is not an easy task. There are a few things to know in order to be certain everything runs smoothly. In this mini tutorial, Alexi Lubomirski gives you all his tips to get you started.
Capturing emotion is not an easy task. It requires being in the center of the action and perfect timing to press the shutter. But that is not it. Creating moving images are more demanding than just placement and synchronization. Famous sport and music photographer Michael Zagaris joins Marc Silber on "Advancing Your Photography" and gives us his essential tips to come up with touching pictures.
Grids are probably amongst the best pieces of equipment a photographer using flash can own. Alas, they are often either underrated or misunderstood. On one of my recent shoots, I decided to create a lighting setup with grids on every single strobe. My goal was to create a somewhat complex setup, that once broken down step by step would be easy to recreate by any photographer starting out in studio photography.
Alien Skin Exposure has long been known as a plugin for Photoshop and Lightroom. But since Exposure X was released, it’s trying to compete with the big names in the raw processing department. The software has grown into a standalone app and isn’t just a plugin anymore. Today, Alien Skin is announcing an update for Exposure X2, making it more powerful than ever.
