Sharing your content is probably one of the best and fastest way to grow a community and a base of potential customers. Instagram, Facebook, Pinterest, and other social media platforms are some of the most common places to start pushing out pictures to the largest amount of people possible. However, when you get into video, you soon realize that sometimes things get a bit trickier. One of the issues I recently encountered was when sharing a YouTube video on Facebook, the thumbnail simply wouldn’t appear. In this article, I’ll show you how to solve this problem and what to do to avoid it in the future.
Quentin Decaillet Photography Tutorials
About Quentin Decaillet
Quentin Decaillet is a beauty and wedding photographer based in Switzerland. He is an ambassador of Capture One.
When working with models, photographers often expect someone with perfect skin and a great physique. In reality, this is not always the case. Some models have no idea how to get ready for a shoot, and that can be really annoying -- especially in post production, as it might add a lot of retouching time!
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
White balancing video footage is crucial to make it consistent between sequences of edits you are putting together. However, adjusting it by hand using color wheels can be quite cumbersome especially for those who don’t see colors all that well. Using DaVinci Resolve 14 beta you can, however, make this adjustment incredibly fast and easily. Let’s see how with Dave Andrade from The Post Color Blog.
As raw processing software for wedding editing or batch editing in general, Capture One has nothing to envy from Lightroom. Quite the opposite, it’s perfectly tailored to help wedding photographers get a fast and efficient workflow.
Are you sick of seeing the same VSCO filters applied to everyone’s content on Instagram? Then differentiate yourself with this free app that relies on LUTs to edit your images.
Cold and moody processing is quite trendy lately. As I’ve been watching a lot of movies and cinematography tutorials, I began mimicking that cinematic feel in spite of myself. While lighting and makeup both play a big part in the final look, the post processing is critical as well. Here’s how to achieve it using Capture One!
When switching from Lightroom to Capture One, I hear many users complain about not being able to bring their presets into their new photo editing software of choice. Well, thanks to Picture Instruments, it's now possible!
A few weeks ago, Capture One released a version specifically tailored for large studios and businesses. While some could have thought the Danish company was moving all its efforts towards this market, it's actually far from the truth! It was just a step to carry the needs of all professionals.
Relying on your camera screen to nail exposure is a sure recipe for disaster. Depending on the lighting situation, the contrast of your display, how it’s back-lit, as well as other parameters, you’ll see the luminosity values differently. To make sure you get it perfect, there are tools available to you. In this 10-minute long video, Haapoja from TravelFeels will list most of them and explain which is best for what situation.
Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!
Adding a rainbow to your images can be done in many different ways. However, not every technique is easily put into practice or can offer a remarkably consistent result. For example, the prism method is very efficient to get the effect on your files straight out of camera, but it can make focusing and composition a bit difficult. In this tutorial, Jessica Kobeissi will show you a couple of simple techniques using only Photoshop.
In recent articles here on Fstoppers, you may have noticed the name DaVinci Resolve coming up on a regular basis. It’s a fantastic software for color grading video footage, and it’s evolving towards becoming a one-stop video editing solution. Some of the tools it offers are envied by photographers as they differ quite a bit from what’s available in Photoshop, Lightroom, or even Capture One. Many have been wondering if it’s possible to edit pictures with it and Ted Forbes from The Art of Photography has the answer for you: Yes. More than that, he shows you how to do it.
When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.
Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.