Sharing your content is probably one of the best and fastest way to grow a community and a base of potential customers. Instagram, Facebook, Pinterest, and other social media platforms are some of the most common places to start pushing out pictures to the largest amount of people possible. However, when you get into video, you soon realize that sometimes things get a bit trickier. One of the issues I recently encountered was when sharing a YouTube video on Facebook, the thumbnail simply wouldn’t appear. In this article, I’ll show you how to solve this problem and what to do to avoid it in the future.
Quentin Decaillet Photography Tutorials
About Quentin Decaillet
Quentin Decaillet is a beauty and wedding photographer based in Switzerland. He is an ambassador of Capture One.
Popular Articles from Quentin Decaillet
DaVinci Resolve is a fantastic tool and has everything most videographers need to create perfect looking videos. However, the playback can be a bit slow and thus make the whole workflow a pain. But there is a one-click solution that will make your life much better. When I found out about it, my editing process became much faster.
Whether you are shooting film or have a large collection of negatives, chances are you will want to scan them one day. The process to digitize your analog pictures can be expensive and sometimes even disappointing regarding image quality. When I started playing with my Mamiya RB67, I wished there was a cheap and quick scanning method that would offer me a good amount of detail and decent colors. I found it using gear I already owned and that most of you actually also have at home. It even surpassed my expectations to the point that I decided to share the technique with you in this article.
In recent articles here on Fstoppers, you may have noticed the name DaVinci Resolve coming up on a regular basis. It’s a fantastic software for color grading video footage, and it’s evolving towards becoming a one-stop video editing solution. Some of the tools it offers are envied by photographers as they differ quite a bit from what’s available in Photoshop, Lightroom, or even Capture One. Many have been wondering if it’s possible to edit pictures with it and Ted Forbes from The Art of Photography has the answer for you: Yes. More than that, he shows you how to do it.
Apple MacBook Pro is without a doubt the laptop of choice for most photographers on the go. However, I've heard of many encountering heat issues when working on it for a prolonged period of time. After recently experiencing this problem myself and having my computer shutting down on its own, I started looking for a solution. It turns out that it's not complicated to control the heat. If you retouch or edit videos quite often on your Apple laptop, you should definitely read the following article.
Color management is probably amongst the hardest things there is to understand and learn when it comes to retouching and photography. So many elements are to be taken into account to create the perfect final print that it can be extremely complicated and time-consuming. Part of that process is to have a raw converter software able to match your vision and your needs. Capture One is known for its modularity and customizable features. Let’s see how we can use it to help us get the colors we want out of all our raw files.
When working with models, photographers often expect someone with perfect skin and a great physique. In reality, this is not always the case. Some models have no idea how to get ready for a shoot, and that can be really annoying -- especially in post production, as it might add a lot of retouching time!
The Retouching Toolkit is, without a doubt, the best Photoshop extension I have tried yet. It helps streamline one's editing workflow, improves Photoshop's interface, and with the latest update, it's getting one step closer to becoming the only Photoshop plugin you could ever need.
It is no secret that a picture will rarely look the same on every media. Even from one screen to another there can be a huge difference! Blacks that might look like pure black on your laptop might be a very dark grey on your phone. Having so many media support and manufacturers makes it really hard for a photographer or a retouching to have a picture that will look great despite of it.
Transforming one image look into a LUT can be a daunting process for people who don’t know much about LUTs (Lookup Tables). According to this video, Picture Instruments came up with something easy to help you give any of your pictures or footage the look of another image.
Adding a rainbow to your images can be done in many different ways. However, not every technique is easily put into practice or can offer a remarkably consistent result. For example, the prism method is very efficient to get the effect on your files straight out of camera, but it can make focusing and composition a bit difficult. In this tutorial, Jessica Kobeissi will show you a couple of simple techniques using only Photoshop.
It still boggles my mind that Adobe hasn't added color wheels to Photoshop in 2019. It's a tool loved by colorists and video editors, yet photographers are forced to rely solely on curves and sliders instead. Fortunately, the guys at Retouching Toolkit fixed Photoshop once again.
Cold and moody processing is quite trendy lately. As I’ve been watching a lot of movies and cinematography tutorials, I began mimicking that cinematic feel in spite of myself. While lighting and makeup both play a big part in the final look, the post processing is critical as well. Here’s how to achieve it using Capture One!