Transforming one image look into a LUT can be a daunting process for people who don’t know much about LUTs (Lookup Tables). According to this video, Picture Instruments came up with something easy to help you give any of your pictures or footage the look of another image.
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
Are you sick of seeing the same VSCO filters applied to everyone’s content on Instagram? Then differentiate yourself with this free app that relies on LUTs to edit your images.
Last week I showed you how you can use just a DSLR and a few accessories to digitize your negatives. However, that article wouldn’t have been complete without explaining how to convert the scanned analog picture to a positive image. The process is quite easy and only a few steps are required to achieve a great result. Let’s dive in!
After getting into the video world, you quickly realize that being able to stabilize your footage when needed can make a significant impact on the result and quality of your video. While you can buy an expensive gimbal or rely on a not always so practical Steadicam, there is also the possibility of improving the stabilization in post-production. The tools included in most video editing apps aren’t exactly perfect as it will give you a weird effect and make you feel sick. What if I told you there is another way that works better than the warp stabilizer VFX filter and gives your footage a cool effect?
As photographers, we tend to care more about our cameras and lenses than the gear we use to process our images, such as monitors. It’s a shame, because it’s crucial too. Let’s find out in this review if the ViewSonic VP2785-4K could make your workflow better and easier.
Publishing high definition pictures on the web always seemed to be an issue. Both in terms of speed and quality. Full-resolution files could never really be enjoyed through the Internet without having to compromise either on the quality or the experience for the viewer. But that is about to be a thing of the past! A solution finally exists, and it solves pretty much all the problems we used to have on the web and our 20-plus-megapixel pictures.
Elinchrom has always been known for its superb light modifiers. But the strobes designed by the Swiss flash manufacturer are just as good. Now marks a new direction for the brand with the introduction of the ELC 125 and ELC 500.
Elinchrom focus has mostly been on light shapers and strobes ever since they've existed. However, the ELM8 they released last year may be a hint they are serious about getting into continuous light. After four months of use, here's my opinion on the Elinchrom ELM8.
When shooting tethered, it’s easy to get lost in files and make things more complicated than they should. However, with Capture One there is an easy way to stay on top of things and cut your image selection time drastically.
While shooting with an iPhone is great because you always have it with you, DSLRs still offer much better ergonomics. But what if there was a grip designed to pimp your smartphone and get more buttons and wheels?
Whether you are shooting film or have a large collection of negatives, chances are you will want to scan them one day. The process to digitize your analog pictures can be expensive and sometimes even disappointing regarding image quality. When I started playing with my Mamiya RB67, I wished there was a cheap and quick scanning method that would offer me a good amount of detail and decent colors. I found it using gear I already owned and that most of you actually also have at home. It even surpassed my expectations to the point that I decided to share the technique with you in this article.
Photoshop is a fantastic tool, but it is not always the fastest software on earth. Large files such as PSD, TIFF, and PSB that contain numerous layers can require a few seconds, if not minutes, to load. When all you want to do is quickly check that all the files in a folder are the final versions, it can be tedious! However, there is a neat trick to open your big files much faster. Here is how.
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.
