When switching from Lightroom to Capture One, I hear many users complain about not being able to bring their presets into their new photo editing software of choice. Well, thanks to Picture Instruments, it's now possible!
Sharing your content is probably one of the best and fastest way to grow a community and a base of potential customers. Instagram, Facebook, Pinterest, and other social media platforms are some of the most common places to start pushing out pictures to the largest amount of people possible. However, when you get into video, you soon realize that sometimes things get a bit trickier. One of the issues I recently encountered was when sharing a YouTube video on Facebook, the thumbnail simply wouldn’t appear. In this article, I’ll show you how to solve this problem and what to do to avoid it in the future.
Transforming one image look into a LUT can be a daunting process for people who don’t know much about LUTs (Lookup Tables). According to this video, Picture Instruments came up with something easy to help you give any of your pictures or footage the look of another image.
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
When working with models, photographers often expect someone with perfect skin and a great physique. In reality, this is not always the case. Some models have no idea how to get ready for a shoot, and that can be really annoying -- especially in post production, as it might add a lot of retouching time!
Since the arrival of digital photography almost 20 years ago now, the photographer’s workflow and its equipment have changed quite significantly. While investing in a solid camera, tack sharp lenses, and reliable storage equipment is a very good idea, one piece is often misunderstood or underrated: the monitor. Having a poor monitor is kind of like looking at your work while being color blind. I know that for a fact because I have been relying on poor screens for a long time. Recently, I’ve been given the opportunity to try the ViewSonic VP2768 for you, and I think it’s an amazing screen. Here’s why I think you should consider it if you don’t already own a great monitor.
DaVinci Resolve is a fantastic tool and has everything most videographers need to create perfect looking videos. However, the playback can be a bit slow and thus make the whole workflow a pain. But there is a one-click solution that will make your life much better. When I found out about it, my editing process became much faster.
Canon has always been known for its fabulous portraits lenses: the 85mm f/1.2 and the 135mm f/2. I used to own and love both of them, with a preference for the first. When I bought into the Nikon system, I was afraid I would miss these two optics. But truth be told, the Nikon 85mm f/1.4 is at least as good as its Canon equivalent if not better! Regarding the 135mm, that’s a whole different story as the Nikon’s is quite old now. However, they recently announced the 105mm f/1.4, and I had the chance to put my hands on it for a few weeks! Let’s see how it compares with other portrait lenses and if it could potentially replace a 135mm.
Broncolor is often referred as the top high-end flash manufacturer. Their units are all assembled by hand in Switzerland, and the Siros L is no exception to the rule. However, the latest addition to their product line is much cheaper than their other battery-powered flash, and it’s a monobloc unit, just like the Profoto B1. I had the opportunity to use one for a few weeks to give you my impressions!
It’s been quite trendy in the past few months to see handwritten text composited onto images on Instagram. Perhaps you’ve been wondering how it’s done or maybe you’ve just been looking for a way to make your writing even more personalized. No matter the reason why you’re reading this article, if you want to give a more personal dimension to your images with handwritten text, be sure to watch this tutorial.
When I started out my photography business, I was always told how important it was to have a strong and personal style. At the time, I did not understand what that meant. I knew all my pictures were too different to make for an impactful portfolio. I also knew that my retouching was inconsistent. But no one told me how to create that sought-after "photographic style." Even the word "create" was probably wrong. Rather, it appears that a style is developed and refined shoot after shoot, job after job. It is a neverending process. However, there are some points to help develop an impactful style.
Anamorphic lenses are mostly used by cinematographers to get a ratio of 2.40:1. The cinematic look these lenses offer has become popular amongst photographers lately. While such a wide ratio is not very practical for most genres, the squeezed bokeh and the unique flare these optics create is a way to stand out amongst the competition.
Last week I showed you how you can use just a DSLR and a few accessories to digitize your negatives. However, that article wouldn’t have been complete without explaining how to convert the scanned analog picture to a positive image. The process is quite easy and only a few steps are required to achieve a great result. Let’s dive in!
As raw processing software for wedding editing or batch editing in general, Capture One has nothing to envy from Lightroom. Quite the opposite, it’s perfectly tailored to help wedding photographers get a fast and efficient workflow.
So many photographers dream of shooting the Pirelli Calendar, but so few make it. German Photographer Peter Lindbergh shot the 2017 edition, and he’s probably someone we can all learn from. There must be a reason as to why he is working with all the big names in the cinema and modeling industry. For those like me, who love watching other photographers at work to learn, you must watch this hour-long behind the scenes video of his work for Pirelli.