The trend in the portrait, fashion, and beauty industry is to come back to a more natural look while still removing the unwanted blemishes. But without the proper techniques and settings, it’s difficult to make an image flawless while avoiding the overly retouched look. Zoë Noble is a talented photographer and retoucher based in Europe, and she’s created a series of tutorial to teach the methods that will help you reach that high-end look. In this one, you’ll learn how to use dodge and burn to even out the skin.
Recently, one of the most significant beauty and makeup YouTubers released a video showing what kind of setup she’s using to shoot, and it’s absolute madness. If you thought people on YouTube were still shooting with webcams and the iPhone flashlight, you are in for a real surprise.
Everyone I know who shoots video dreams to own a gimbal if they don’t already. But did you know that if you have a drone, you actually already own a gimbal that you can use to shoot anything?
Countless photographers and videographers keep saying working for free is the worst enemy of our industry. Aviv Vana, the founder of CineSummit, takes another approach to free work and bet it can actually double your work income if you keep one crucial detail in mind.
Being able to automate repetitive parts of a retouching workflow in Photoshop directly translates into a saving of both time and money. This saving could make the all the difference in meeting or missing a deadline or making it home early to see your family. How can you make it a reality? Actions are certainly one option however they are severely limited to straight repetition of the original steps. Scripting is actually the answer that you have been looking for. Think of scripts as intelligent actions on steroids.
Following the Google Pixel 3 announcement, brands are already introducing new products for this amazing smartphone. One of them is Moment, who’s already offering support for its lenses.
Elinchrom is well known for its superb range of softboxes. The Swiss flash manufacturer just announced today the introduction of grids for their Rotalux line.
Beauty photography is something that I have become drawn to over time. Setting a mood, imagining a makeup style, and finding or even creating props to fill the frame with my model’s face is something I came to love more than anything else. In any genre of photography, I feel like it is important to develop a style that is recognizable. May that be retouching, posing, lighting, or something else, if people can tell you took the picture it means you have developed a signature style. For my beauty work I wanted to create a signature lighting setup that would be easy to recreate wherever I would go, no matter the condition or the place the shoot would take place in. Here is how I created it and how you can recreate it as well to make it your own.
When I started out in portrait and beauty photography, I tried to have a makeup artist for most of my photo shoots. Why? Because I had always been told it would help my retouching. This is true in most cases. As long as you work with talented makeup artists, you will shorten the time spent in front of your computer. However, this is not the only advantage. Since I learned to do the makeup myself, I have discovered how having makeup done can help your photography reach another level. Noticing these benefits, I do everything to upsell my clients to get makeup done at the studio rather than having them doing it themselves. Here is why.
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!
For years, Elinchrom users have been complaining about the aging Skyport. A few months ago, the Swiss flash manufacturer finally released the brand new Skyport HS, and it is a great product. However, not everyone needs its advanced features. Some photographers couldn’t care less about technical stuff and only want their transmitter to do the job it is designed for: triggering the flash remotely. Well, that’s why the Skyport Plus was recently released.
Only two months after it was released, the Elinchrom Skyport HS for Olympus is getting an update and now supports Panasonic cameras. It still does not support Fujifilm, but it seems like the Swiss flash manufacturer is heading in the right direction by adding more devices to its supported cameras list.
If photography is an art, so is retouching. While there are school teaching photography classes, fewer offer retouching programs. Many photographers starting out seem to be looking at the same tutorials over and over again, without ever actually getting anything out of it. Frequency separation, dodging and burning, or curves will only get you so far before you hit a wall. In past the two years, I’ve been looking at other crafts to step up my retouching work. Here are five things I have spent time on that you should look into and why.
After releasing a tutorial video together, Phase One and Pratik Naik are teaming up again but for a 60-minute webinar this time. It’s your chance to see and learn all the color tricks the beauty and fashion retoucher uses to get incredible results with any image using Capture One Pro.
