Countless photographers and videographers keep saying working for free is the worst enemy of our industry. Aviv Vana, the founder of CineSummit, takes another approach to free work and bet it can actually double your work income if you keep one crucial detail in mind.
Being able to automate repetitive parts of a retouching workflow in Photoshop directly translates into a saving of both time and money. This saving could make the all the difference in meeting or missing a deadline or making it home early to see your family. How can you make it a reality? Actions are certainly one option however they are severely limited to straight repetition of the original steps. Scripting is actually the answer that you have been looking for. Think of scripts as intelligent actions on steroids.
Following the Google Pixel 3 announcement, brands are already introducing new products for this amazing smartphone. One of them is Moment, who’s already offering support for its lenses.
Elinchrom is well known for its superb range of softboxes. The Swiss flash manufacturer just announced today the introduction of grids for their Rotalux line.
When I started out in portrait and beauty photography, I tried to have a makeup artist for most of my photo shoots. Why? Because I had always been told it would help my retouching. This is true in most cases. As long as you work with talented makeup artists, you will shorten the time spent in front of your computer. However, this is not the only advantage. Since I learned to do the makeup myself, I have discovered how having makeup done can help your photography reach another level. Noticing these benefits, I do everything to upsell my clients to get makeup done at the studio rather than having them doing it themselves. Here is why.
Until recently, HSS and HyperSync were considered gimmicky features available on either expensive PocketWizard or cheap Chinese triggers. With Profoto, Elinchrom, Priolite, RiME LITE, and other brands catching up on these techniques, it is slowly becoming more popular. However, are these sync modes as reliable and useful as the brands try to make us believe they are? Moreover, is one better than the other?
Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!
For years, Elinchrom users have been complaining about the aging Skyport. A few months ago, the Swiss flash manufacturer finally released the brand new Skyport HS, and it is a great product. However, not everyone needs its advanced features. Some photographers couldn’t care less about technical stuff and only want their transmitter to do the job it is designed for: triggering the flash remotely. Well, that’s why the Skyport Plus was recently released.
This year has been rich in new exciting product releases. While most wedding photographers were probably awaiting the Canon 5D4 announcement, the action and sport photographers were looking forward to the new pro bodies, such as the Nikon D5 and Canon 1DX II. However, Nikon surprised us with the D500, their new APS-C flagship camera. Being the geeky photographer that I am, I wanted to try it out and see if it was good as a Nikon full frame body.
Only two months after it was released, the Elinchrom Skyport HS for Olympus is getting an update and now supports Panasonic cameras. It still does not support Fujifilm, but it seems like the Swiss flash manufacturer is heading in the right direction by adding more devices to its supported cameras list.
If photography is an art, so is retouching. While there are school teaching photography classes, fewer offer retouching programs. Many photographers starting out seem to be looking at the same tutorials over and over again, without ever actually getting anything out of it. Frequency separation, dodging and burning, or curves will only get you so far before you hit a wall. In past the two years, I’ve been looking at other crafts to step up my retouching work. Here are five things I have spent time on that you should look into and why.
After releasing a tutorial video together, Phase One and Pratik Naik are teaming up again but for a 60-minute webinar this time. It’s your chance to see and learn all the color tricks the beauty and fashion retoucher uses to get incredible results with any image using Capture One Pro.
The Swiss flash manufacturer, Elinchrom, and the innovative video light maker, Light & Motion, announced today that they are joining forces to bring new game-changing products to the market. The news comes in right after Elinchrom made the Skyport Protocol open to other brands. Thus, it’s no surprise that the new partnership is unveiled along with two new wirelessly controllable video lights.
DaVinci Resolve 14 looks very promising and more videos about it are popping up on YouTube every day. One feature that was left out in many demonstrations until now is the integration of FairLight for audio editing. With the new version of Resolve, it’s possible to edit sound within the software. No need for an additional costly plugin, or any round-trip of a sort. Let’s see how with Casey Faris.
Getting into video is often thought to be expensive. Buying new cameras, new lenses and specific gear such as stabilizers or fluid head tripods. But what if you could save some money and film with your iPhone, while still getting an amazing quality out of it? In a recent video, Matti Haapoja from TravelFeels gives us a few ideas on how to create cinematic looking footage with our smartphone.
