After updating their Cintiq line with the Cintiq Pro 13 and 16 inch in the previous month, Wacom announces two new products coming for the beginning of 2018. Both products will complete the Cintiq Pro range and come with brilliant 4K displays. One will be 24 inches and the second 32 inches, offering a solution for everyone.
When working with a ton of footage, culling them down and selecting just the part of them that you need can take quite a while. There a few methods to make it faster and easier, and one of them is called Pancake timelines. In this video, Justin Odisho explains to us how it works. If you are video editor with working tight deadlines or one looking for a way to speed things up, this tutorial is definitely made for you.
Being a commercial photographer means being able to deliver no matter what the conditions are and pushing the boundaries for the client. In this video, as you’ll see, French photographer Philippe Echaroux was given the challenge to go even further and create stunning portraits using only an iPhone, a flashlight, and a Big Mac box. Yes, you read that last item correctly! If you’re wondering how he did it, be sure to watch the full video.
The current trend for color grading videos is the orange and teal look. It’s not rocket science to understand why it works so well and why everyone uses it. Complementary colors are an easy choice when it comes to color grading and using orange for brighter tones allows keeping the skin tones look quite natural. In this nine-minute-long tutorial, Theo from MiesnerMedia shows us how we can achieve that trendy look using DaVinci Resolve 14.
Since TTL and other fancy features have been introduced to strobes, flash manufacturers have had to develop a different remote for each camera brand. Profoto and others have tried their best to offer as much choice as possible, but the Fujifilm compatibility was lagging behind. A few days ago, Broncolor announced their RFS 2.2 for Fuji would arrive before the end of the month, and today its Profoto turns to introduce its Air Remote TTL-F.
Most tutorials available for free on YouTube explaining how to color grade your footage are just ways to sell LUTs, presets, or to show you how to add teal and orange to your clips. Nate from Tutvid decided to make a more comprehensive video to help you get started with Adobe Premiere Lumetri tool so you can grade any of your videos the way you want.
Baber Afzal is well known for his dramatic looking fine art cityscape and landscape pictures. In this 12-minute long tutorial, he’ll show you how to achieve the same look on your pictures by taking you through one of his edits in Capture One and giving precious tips along the way.
If you wonder how people who keep only two complementary colors in their images do it, then look no further. You may not know what the Technicolor Two-Strip technique or Process 2 is, but mimicking it in post-production is what you’ve been looking for to achieve this distinctive look.
Frequency separation has been all the rage in the retouching industry in the past couple of years. Hated, loved, criticized, acclaimed, it has seen it all. But do you really know how it works, what it can do, and more?
Canon, Nikon, Sony, Fujifilm, Olympus, or Panasonic, it doesn’t matter what system you use with Elinchrom anymore. All of these are finally or extremely close to being compatible with TTL, HSS, and Hi-Sync.
When working on location, softboxes are not always the best choice as they can be quite cumbersome to assemble. Umbrellas tend to be a lot faster to set up. Thanks to Elinchrom and its Snaplux range, you won't have to choose between the light quality of a softbox and the ease of use an umbrella.
It is no secret that a picture will rarely look the same on every media. Even from one screen to another there can be a huge difference! Blacks that might look like pure black on your laptop might be a very dark grey on your phone. Having so many media support and manufacturers makes it really hard for a photographer or a retouching to have a picture that will look great despite of it.
Recently I felt a bit let down when looking at my work. It seemed to me like I had not improved much during the last year and that I had hit a plateau. Then when asking friends, fellow photographers, and other people from the industry, everyone told me it was just in my head. Creating new things day in and day out is quite difficult, but creating new things that are better each time you shoot is even harder! Sounds familiar? I know for a fact that most photographers have felt like that at some point in their career. We all have periods in our lives where we feel disappointed with our work. That same time when we also start looking at others work and wonder why we are not better. But all we really should be doing is looking at our work to see how far we have come and how we could get even better.
Retouching can vary from photographer to photographer. But it can also vary depending on the genre you are shooting. I know it does for me. My wedding retouching is far from being as refined and time-consuming as my portrait retouching. When dealing with hundreds of pictures, you have to find techniques that get you close to a perfect result, but as quickly as possible. One thing I had trouble getting my head around was maximizing my dynamic range in my wedding pictures without stacking multiple raw developments. That was until I made a lucky mistake when sharpening an image using a high pass filter.
Before Capture One 9, no raw editor software on the market could create a mask based on color. With their recent update, Phase One created something unique with the improved color editor panel. It is now possible to select precisely one color – or a range of – and then create a mask to adjust only the parts needed.
