In many artistic disciplines and sports, people are told they should concentrate on one thing and one thing only. Being specialized seems to be the trend and what most industry leaders appear to believe in. However, there are exceptions to this. First, those industry leaders themselves that are more often than not great educators as well. But then, there are those people that truly shine in different domains such as Micayla Gatto. Watching her recent video where she rides her bike on mountains and her drawings is just an amazing experience, one you should see with your own eyes to believe it.
Phase One announced a couple of new medium-format digital backs this year, the Trichromatic and the Achromatic. The latter is available for a whopping $63,000 in a kit with the XF body, and for that price it only shoots in black and white. At least that’s the way many seem to consider it. However, it’s much more than that. It captures black and white images like no other camera, and for the photographers that like black and white shooting film, this gorgeous beast offers a very similar workflow. See how it works and performs in this video.
Colors straight out of camera vary greatly between brands and sensors. Canon has been known for a long time for its great skin tone reproduction, while other manufacturers have created more troubles for colorists and retouchers to get perfect tones without a solid post-production workflow. In this tutorial, Chrystopher Rhodes from YCImaging shows how he uses 3D LUT Creator to get perfect colors out of his Panasonic GH5 and goes further by quickly demonstrating how you can color match your footage to any picture or video you like.
After getting into the video world, you quickly realize that being able to stabilize your footage when needed can make a significant impact on the result and quality of your video. While you can buy an expensive gimbal or rely on a not always so practical Steadicam, there is also the possibility of improving the stabilization in post-production. The tools included in most video editing apps aren’t exactly perfect as it will give you a weird effect and make you feel sick. What if I told you there is another way that works better than the warp stabilizer VFX filter and gives your footage a cool effect?
Ever had to edit legs or arms with patchy skin or with very visible veins? If you have but are not sure how to retouch it, be sure to watch this tutorial by Michael Woloszynowicz to learn the process.
Processing raw files accurately drastically reduces the amount of time spent in Photoshop. On June 23, learn for free from one of the top beauty photographers and retouchers, Tina Eisen, how to use Capture One to get as close to the final image as possible.
The Retouching Toolkit is, without a doubt, the best Photoshop extension I have tried yet. It helps streamline one's editing workflow, improves Photoshop's interface, and with the latest update, it's getting one step closer to becoming the only Photoshop plugin you could ever need.
About a year ago, Pratik Naik wrote an article about a video the guys at FX-Ray made regarding hair retouching. At the time I found the video very interesting and quite educative. The only problem I had with the technique described was recreating a realistic looking texture. Since then I have found a perfect solution with Aaron Blaise's custom brushes. Best of all they work with almost any hair texture you could possibly be up against.
In dealing with bigger paid jobs lately, I've had to find ways to refine my retouching workflow. I used to do most of my skin cleaning by dodging and burning problem areas. It then had to be color-corrected of course. Negative dodge and burn gives you excellent results when mastered, but it eats up a lot of time. For some clients or projects, justifying 1-3 hours of postproduction per image is simply not possible. Being confronted more and more with this real-world issue, I have taken the time to look into my workflow and see how I could spend less time in front of my computer. Here are some of the things I have changed as well as a few tips I could give anyone facing similar issues.
Capture One has been known amongst high-end retouchers and commercial photographers for quite some time, the main reasons probably being its powerful tethering and color editing tools. Wedding photographers seem to think Capture One is not tailored to suit their needs. At least, that is what I thought. After a full year using only Capture One to process my raw files, I wanted to share with you why I stopped using Lightroom.
Phase One released Capture One Pro 9 just a little over two weeks ago and announced today its first update. This new version includes a couple of bug fixes and adds support for the DxO One camera.
Beauty photography is a very technical genre. It requires substantial lighting knowledge, as well as interest and taste for the subject photographed, and a solid team of creative professionals. The learning curve can be quite steep. Therefore having someone teaching you the ins and outs for the genre is crucial if you want to make beauty your specialization, and save years of learning on your own. Lucky us that is exactly what Julia Kuzmenko offers through her latest video training: Go Pro Studio Beauty. This week only, Fstoppers readers save $50!
Since its transition to digital, medium format has been thought of as bulky and heavy systems for high-profit commercial jobs or for wealthy photographers. Despite the attempt of Leica to create a smaller camera with the S series, no real alternative to the Hasselblad H and Phase One DF/XF has found a place on the market. However, this might change today with the brand-new Hasselblad X1D.
Yesterday, Profoto announced their Air Remote TTL-S and mentioned an unknown Pro-10 in their press release. It was not long before it was made official as the press release came in today. It’s a 2,400 Ws studio pack, and it’s fast — extremely fast! Not only that, but it’s the first of its kind, as it offers TTL and HSS capabilities.
