"What if I told you..." that every bot asking for followers is actually the social media platform service itself asking for money in order to get as much reach as you did organically several months ago. Jokes aside... I read more about bots on social media every day and it's time to give it the attention it deserves. The future of social sharing is about to change.
Snow, mountains, forests… The breath of Dracula down your neck. Well, maybe not vampires, but bears and wolves. Welcome to Romania.
We've previewed this very special filter before, and now come back with results from testing it in the field. The STC's Astro-Multispectra Filter blocks out artificial light of our modern world in the form of light pollution and increases contrast to reveal faint deep-sky objects. While available for Canon too, Taiwanese STC brings an exclusive filter to Nikon full-frame to capture wide-angle shots of the night sky.
By its (fabricated) definition, “Great Light” is soft, of an orange tinge, preferably at an oblique vertical angle and coming from a direction that shapes the subject enough without causing harsh shadows. So we’re essentially talking about sunsets and sunrises. But must we only whip out the camera at golden hour? Or are there more photographic opportunities to be had?
We've planned for the aurora and captured a ton of images in the previous episode. We've left the arctic and are back at home under the soft glow of our calibrated screen. It's time to process these babies. Be aware that there's advanced editing stuff ahead. If this goes straight above your head, I recommend that you stick with processing in Lightroom until you've got that under control. We have a lot to cover, so let's get started.
Ah, the crown of the (Ant)arctic. Known in the northern hemisphere as the Aurora Borealis (northern lights), and as the Aurora Australis in the southern hemisphere, these brightly colored bands of moving and waving light are a majestic display in the night sky. Who doesn't want to take a picture of this otherworldly phenomenon? Here's exactly how to do it.
Managing color in photography is one of the hardest things to master. A red berry in a green bush just jumps out at you, while brown skies don't often make for great looking images. Aside from color having a profound impact on any given scene, color has its own luminosity values as well, making it color theory something to pay close attention to before your next shoot. Professional landscape photographer and instructor Dave Morrow comes to the rescue.
We've established that the best method to reduce noise in your images is stacking. There's just no match to layering multiple exposures and taking either the average or the median of those. In the mean time, I've received tons of questions about how you actually do this with your own images and I came across this great tutorial video by no other than Ian Norman of The Lonely Speck.
We've briefly covered the release of this very special filter before. It blocks out the artificial light of our modern world, light pollution. STC's Astro-Multispectra Filter is designed to block out the orange and green hues from sodium and mercury street lamps. But what's really intriguing for any Nikon full-frame shooter is that this is the first and only option when you shoot wide-angle landscape shots.
When you’re in a romantic relationship and both of you are landscape photographers, it’s easy to make any travels central to photography. But should you? In the final episode of this series, four couples give their best advice on juggling photography and a romance like a pro. But first, here's how these couples handle their holidays.
As in any romantic relationship, photography couples too get to know each other better over time. You gradually learn to both adapt and thrive when you manage a photography business together. In this series, I explore the benefits to shooting and running a photography business together with your better half. Last week I introduced four astounding landscape photography couples. This week, I asked them how their past prepared them for the future of photography.
So how do you balance a romantic relationship with a life that revolves around photography? In this series, I explore the benefits to shooting and running a photography business together with your better half. Of course we'll tackle the common pitfalls and find out how you can shape the perfect photography holiday. Let's start by introducing the eight amazing creatives in landscape photography who will make you want to buy your romance a camera for Christmas.
So how do you make that mountain appear as large to the viewer as it does to you? How do you get rid of noise in your nightscape images? And how can you get everything in perfect focus, front to back? This might as well be titled “5 Things you can’t do in one shot,” since each technique in this essay relies heavily on layering multiple exposures of a given landscape scene. I’ll show you the techniques I often use to translate my vision to the image. Let’s go.
Tis the season. Around the time of December, photography websites worldwide recap last year with their selection of the cream of the crop. To many photographers, National Geographic is a well-respected media platform to get your work selected and exposed. And now they have made their selection curated from 91 photographers, 107 stories, and 2,290,225 photographs.
The London Natural History Museum is about to close entries for the 53rd Wildlife Photographer of the Year, and you can choose your own favorite right now.
Post-processing at the computer for hours on end often leaves me feeling nostalgic. Maybe there’s something tangible to film photography that I’m overlooking. After seeing a fellow landscape photographer working his 4x5 near a tree in the local dunes, his approach to our hobby had me contemplating my choice of hardware. There are so many analog-inspired pictures circling the web, that it’s obvious that I’m not the only one. Today, I want to share my thoughts on film photography with you.
As a professional photographer, you might be the go-to person for questions about the “best camera” of the moment. The camera is a tool right? Photographers are in charge of the best photo, not of the best camera. On top of that, every few months there’s a new contender, and it takes a lot of time to figure out which one has the highest resolution, the best color, the least amount of noise in low-light, or even the look and feel of a photograph… But as soon as you shoot in raw, half of that doesn’t matter anymore. Things are about to get subjective in this video. In this comparison, the guys from TheCameraStoreTV intend to find out what the best camera is for the budding photographer wanting to shoot in JPEG.
The rain washes heavily onto the window, and I’m sitting in the candle-lit windowsill with a pint of inky black ale and a good book. That book is Alexandre Deschaumes’ forthcoming “Voyage Éthéré” (Ethereal Journey); a collection of his work over the past years. Following the release of his Blu-Ray documentary, “La Quête d'Inspiration” (The Quest for Inspiration) by Mathieu le Lay, Alexandre looks to be on the path to becoming increasingly known for his work. And with good reason.
Landscape photographers know that there’s only so much you can plan. Today I want to introduce to you a fellow Dutch landscape photographer who recently came back from the volcanically active Kamchatka Peninsula in Russia. What Tomas van der Weijden captured there is truly extraordinary and he told me everything about the creation of this photo.
Good nightscape shots have to be captured under ideal conditions. Well, just a cloudless sky will get you started anyway. I’m always looking for the next best piece of gear and darkest location myself. And around the start of this month, a particular dark location got proper recognition as the Dutch second Dark Sky Park. So let’s put location and gear together in this review of the Samyang 12mm f/2.8 for full-frame cameras.
Our images are growing fat — so fat that the software we like to work with isn't able to cope with their file sizes. But along comes Sean Bagshaw with a great tutorial on how you can save files that exceed 4 GB in Photoshop that still retain editing capabilities in Lightroom and Bridge.
Inspiration time. These guys are the cream of the crop on 500px at the moment. Note that this selection of landscape photographers doesn’t necessarily reflect my own judgment. It’s based on an average of 8 past articles on 500px ISO titled: “This Week in Popular: Top 25 Photos on 500px This Week.” Of this initial group, I have selected only landscape photographers, and here are their most recent works. Let’s go!
Leo Babauta, the creator of Zen Habits, touched upon a deep-rooted aspect of our daily lives in this short story. As he hiked across the Sierra Nevada and came across a scene of great beauty, he found himself wanting to share what he saw. So what is this urge to share and does it add value to our life? Are we better off without it?
The clear night sky under a new moon is almost always the same brightness in the same location. I have blindly put my camera on ISO 6400 as a result. But after having read somewhere that Sony supposedly builds sensors that are ISO invariant, I wanted to test this claim with my own Sony-equipped Nikon D750.
There was this thread going on on Reddit, and I just had to ask the Fstoppers community. The question had me thinking back to about ten years ago, when a group of friends and I went to "investigate" signs of paranormal activity in a derelict castle in Belgium. What is the craziest place you've been and got kicked out of for trespassing while taking (or trying to) take a photo?
Everywhere in Europe, heathers are looking positively vibrant. I trust that it's a worldwide phenomenon along the northern hemisphere. They’re also blooming three weeks sooner than past years; a result of an early Indian summer, due to the changing climate. Ostensibly, purple heather is a magnificent subject in landscape photography, but there are many more things you can capture in what is arguably the best season for photography. So let’s get you ready to capture this herald of autumn.
Imagine a spectacular, rugged landscape. Pine forests that stretch for hundreds of miles, vivid lakes and countless waterfalls. This is central Norway; bear country. While I am packing my camera bag for a two week photography trip honeymoon to Iceland, I relive a memory that answered the question if we really need to travel for better photographs.
Full-time photography is a dream many of us have considered fulfilling. What could be better than to get paid for what you want do? A pursuit of passion is often a difficult start, but there’s one critical aspect that I think you should consider immediately: specializing.
The weather outside is heinous. Seemingly perpetual rain batters the windows as we fire up the computer. The northern autumn is definitely on our doorstep and one of the first signs of this change of seasons is the increasing number of mushrooms in the forest. We’ve bagged 69 shots of just one composition previously and this is a great time to post-process them. Let’s get into Lightroom before more fungi start to come up after the showers have passed. Let your imagination run wild with the post-processing of glowing mushrooms that are straight out of a fantasy film. Here is how I process my own little fantasy world.
As the northern autumn draws closer, bizarre little creatures pop up all over the temperate forest. On the forest floor, underneath hedgerows and on trees, alive or the ones who have fallen. Fungi are the cleaning crew of the forest as they take care of layers of fallen deadwood and provide nutrients back to the forest. Surely they are great subjects for macro photography. Like everyone else, I’m looking to find their reproductive organs: Mushrooms. They let our imagination run wild as these little toadstools hint of fantasy worlds when photographed in a certain way. This is how I recreate my own little fantasy world.
We’re living in a visual society. Every day, we see new ways of visual advertising. Some of the messages presented without the use of words can be very powerful, as if there's some subliminal code that makes us think. As photographers, we are used to delivering messages by solely providing the image. Or are we? This series is the go-to resource for compelling visual storytelling in landscape photography and closes this week with advanced communication techniques that help create spectacular images. Join me now as we dive into the deep end, far beyond compositional elements like lines and color and learn that secret code by heart.
The single most inspirational video I have found to date is this short film describing what landscape photography is all about. Since I've seen this, my local beach has more photographic potential than ever before and I've been out five times already. You've been warned.
This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.
There’s a handful of people on the Pacific Island group of Pingelap who can skip this episode. But if you don’t have achromatic vision like them, I suggest giving this bountiful reference a read, because California-based USA Landscape Photographer of the Year 2015 Ted Gore wrote all about color landscape photography.
Mental images, dynamic range, luminosity masking... This week's article in this series is chock-full of terms that will send your head spinning. But when we want to communicate through landscape photography, it is best to speak the language first. I'll show you a big part of my processing workflow, introduce you to a great alternative to HDR photography, and tell you why Ansel Adams' invention is still applicable in digital photography.
