Fans of Lensbaby's unique optics will be pleased to know that today, the company has announced a new lens, the Twist 60. Drawing on the resurgence in popularity of swirly bokeh effects, the lens is sure to be another interesting option for those who have recently jumped aboard the vintage optics movement.
The previous article about the processed image ended with similar arguments both for and against digital manipulation, and the artist’s disclosure of such actions. But how does the motivation for creating art through both photography and creative editing arise? I’ve gathered a panel of fellow international landscape photographers to expatiate on the power of the processed image. Professional landscape photographers Ryan Dyar, Felipe Gómez, and Simon Roppel are here to help us understand why certain decisions in editing process are made, as well as in the field.
It seems like at least once a week I find myself having a conversation with a filmmaker or photographer who is struggling to understand the current state of rules, with regard to the commercial use of drones. And who can blame them? Digging through the FAA's website to get clear information is a painful exercise, and things continue to change every few months. This video features Chris Newman, a professional drone pilot, to break the current policies down in a clear language, and he tells us what to expect next from the FAA.
It's strange to think that I have been a photographer for over 10 years now, yet I have never printed my own work larger than an 8x10. Unfortunately we live in an age where sharing low res digital photos on social media has become the end all be all for the majority of our images. Recently I decided to celebrate some of my favorite personal photographs by printing them LARGE and installing them in the Fstoppers Studio. The resulting 60"x40" acrylic prints I made through WhiteWall.com has me wondering why it has taken me this long to install fine art on my own walls.
Continuous light sources used to be preferred by videographers more than photographers. However, in the last few years, it has become common to replace strobes with LED, HMI, or tungsten equipment. Unlike flash, with continuous lighting, what you see is what you get. It makes it much easier to set up and thus a great alternative for fast-paced work environments. Even more useful is that no recharging time is needed between each shot. The only issue remaining is often either the lack of power or the portability. Find out how to overcome both with this DIY powerful dimmable LED light.
"Our machines are disturbingly lively and we ourselves frighteningly inert." The unsettling quote from Donna Haraway, Chair of the History of Consciousness program at the University of California Santa Cruz, scrolls across the screen as a network of drones patrols a city, scanning pedestrians, cars, buildings, and even people in their homes, monitoring them, tracking them, and assessing them fines and charges for breaking the law.
The Gustaf III airport in St. Barts is considered the third most dangerous airport in the world. Airliners of many sizes come roaring in for a landing only a few feet over a traffic circle that stands on a hill. The departure isn't much better as planes cast shadows over sunbathers by merely a few feet as well. On this particular landing, a private plane comes a little too close for comfort to an enthusiastic photographer.
“Who am I to tell people what they ought to do?” I taunted myself as I wrote my first article for Fstoppers. I wanted to convey how much of an impact that asking for what I wanted had had on me. Nevertheless, I was acutely aware of being condescending as I don’t consider myself old enough, wise enough, or successful enough to warrant people’s ear. As the post went up, I read and reread my work, even though I had proofread it several times before it was published. I tried to assume different characters to gain new perspectives and understand ways in which people might react badly to my advice.
I'm normally a huge numbers geek. I want to know every specification of every device because I believe in the power of statistics. But when it comes to hard drives, well, I just want them to work. I want ample space for my data, I want to know it's backed up without a second thought, and I want to be able to access it quickly and easily, no matter what device I'm on. Enter the Western Digital My Cloud Mirror.
I'm generally not a fan of the opt-out model. It's an easy way to push unwanted features, changes, or price increases onto an end user, often without them noticing until it's too late. It's like someone slipping a steak into my all-vegetarian cart at the grocery store when I'm not looking. Unfortunately, Zenfolio just slipped a big T-bone into its users' carts.
Capturing a good time-lapse requires patience and precision. Normalizing exposure in changing lighting conditions is an intricate task. Similarly, knowing how your final product is shaping up during the process is difficult. One company is seeking to solve both those problems with one device.
Adventure, outdoor, and eco-sports photography has had a surge in popularity over the last decade. Rapidly growing social media outlets like Instagram have narrowed a spotlight across specific arenas of interest. Many photographers are making a living on the outskirts of the grid creating mesmerizing imagery of U.S. National Parks, remote foreign territory, and backcountry destinations only accessible by highly technical off-road transportation or arduous hiking. With the flux of imagery and surge of outdoor brands promoting a simpler lifestyle more closely connected to nature, more photographers are taking to the outdoors to create imagery that communicates a love for nature.