When National Geographic calls and asks you to take on a project that involves capturing one of the most photographed places on the planet, how do you come away with something new or unique? Six photographers took on this challenge and shared their stories and images in this short video.
Spring is wrapping up and Summer is almost upon us. Fstoppers wants to celebrate the onset of Summer breaks and time off work with a big sale on our photography tutorials. Take a few days off and kick your feet up with a cool glass of lemonade and hours of incredible photography education in front of you. From now until midnight on May 31st, most of our tutorials have fantastic discounts. To see a full list of the savings, check out the discounts below.
It happened. After years upon years of drooling over large format photographs in books and on the internet, I finally pulled the trigger. I got a 4x5 camera. Many of the masters I've looked up to used large format for their portraits and I've always wanted to try my hand. Here are my first observations of trying to tame the beast. First thing I noticed: this isn't easy.
Shooting in a photography studio can seem a bit daunting. A lot of photographers choose to shoot outdoors due to budget constraints and the fear of stepping into a studio. There are, however, some real benefits to shooting in a studio and they apply to both new and experienced photographers. If you have not had a chance to try shooting in a studio I highly recommend the experience.
Photography, at its core, is a tool for communicating meaning between human beings. We use it to advertise, share memories, and occasionally Photoshop an aeroplane in to add to the meaning we've already captured. In the right hands, photography can be an extremely powerful tool to do good in the world. It can bring about change, help people, and communicate ideas we couldn't otherwise communicate.
In November 2015, my mom came up with some old photos of my deceased grandfather, which were negatives printed on film. She said that she had asked several photography studios if it was possible to get normal prints from the printed negatives, but the answer was always no. As those were some of the only photographs left of him, she had kept all of them with a hope. Years after, it was my turn to try. The process to get some decent prints and move my mom to tears was ever so easy.
Nearly 300 years ago, the infamous Pirate Blackbeard's flagship, the Queen Anne's Revenge (QAR), sank off the coast of North Carolina near Beaufort Inlet. A private salvage firm, Intersal, found a cluster of cannons and other artifacts in late 1996 on the seabed near the inlet. State archeologists later confirmed it was the wreckage of the QAR. What appears to be an unprecedented legal battle over who owns the copyright to a treasure trove of video footage and photographs documenting the recovery of the QAR over nearly 20 years is underway.
The Canon EF 200-400mm f/4L IS USM lens is nothing short of remarkable. With an internal 1.4x teleconverter matched specifically to the lens' optics, it's a unique piece of gear known for its stellar quality. Now, Canon has released a video showing just what goes into making one of their top lenses.
The jump from hobbyist or part-time to full-time photographer can be a daunting experience. About four years ago, I took the plunge into full-time photography. Overnight, I dropped my career as a teacher and decided to pursue this creative art. It was one of the most difficult decisions I have made and one of the most rewarding.
There are few shoots where everyone involved gets to have a great time, but this is one of them. Sony Electronics teamed up with Tony Hawk and Aaron "Jaws" Homoki to conduct a photo shoot of skateboarding in zero gravity. I had to take a moment when I first read the video's description to quash my simmering jealousy at how unthinkably enjoyable some people's lives are. The official press release doesn't hold back on inciting jealousy of both the content of the shoot and the tools at hand (for both Sony shooters and camera nerds with less allegiance).
The ultimate movement; adventure, experience, and escape rolled into one single word. Travel. The word itself, a title to encompass all of life's passion and emotion in transit. Life is frustrating, funny, and challenging; an endless series of events in random order, asking us to interpret meaning and understanding. Travel allows us to put the randomness into perspective, the daily events elaborated as just blessings from the road that eventually tally up to what amounts to be a life fully lived. Travel Photographer Christian Sorensen Hansen does an amazing job capturing highlights from six years on the road, with the camera he always has with him: his phone. His short movie, "Know This," will stir the fire of escape from deep inside and have you planning your next trip in no time.
Four years ago I purchased my first set of studio strobes in an attempt to learn how to shoot portraits like the ones I saw in my favorite print magazines. Having shot most of my portraits using available light at f/2 and under, I thought this would translate over easily when I switched to shooting with strobes. As I snapped my first frame and realized that even at the lowest power setting on the strobe the image was overexposed, I set out to find a way to be able to accomplish the effect. The answer was high-speed sync.
If you follow big name photographers or pages like FamousBTSMag on Instagram or elsewhere, you’ve likely seen a parabolic reflector. Even more likely is the prestigious names that are Broncolor or Briese plastered on the side. The results that these modifiers produce are absolutely gorgeous, there’s no doubt there. They offer the most even light spread of any modifier, a large range of sizes, and incredible versatility. If you’ve done some research, however, you’ll throw the idea of shooting with one out the door because of their incredibly steep price. A few months ago, I stumbled on a company by the name of Parabolix. What I found seemed entirely too good to be true.