Having the right gear for the job is essential in being able to handle the barrage of lighting scenarios that a wedding photographer will encounter on each outing. I, like many others, am constantly thinking about the next piece of gear. What lens, what camera, or what lighting system will allow me to take higher quality images and provide a better experience to my client? This led me to think, what do I really need to shoot a wedding? I mean in reality, to walk out my door and provide my bride with the images she expects, what are the bare essentials I really need?
In this latest installation of Format’s InFrame documentary series, the camera turns to fashion and beauty photographer Solmaz Saberi who speaks from her experiences in getting started with photography to how she conducts a photoshoot to why she founded her own magazine. Directed by Bas Berkhout, you’ll want to check out this short video for your daily dose of inspiration.
While some photographers stay close to home, others travel quite regularly. I’ve been traveling my entire life for one reason or another. And whether it was for a newspaper job I was essentially commuting to (living four days in Southern California and three days in Northern California every week) or a short trip on a personal photographic exploration, I quickly learned that it’s great to have some creature comforts to keep you company along the ride once whatever glamour of traveling that’s left these days fades away.
Maternity photos can be difficult. Shooting them isn’t different than an engagement shoot or senior portrait session, but the challenge is avoiding clichés. The typical husband’s hand on his wife’s stomach shot or the husband’s beer-belly imitating his pregnant wife’s are far too overused. Along those same lines, it’s easy to fall into the same category of clichés in other areas of photography. For example, with landscapes, Antelope Canyon is unlikely to gain you praise. Unless you’re Peter Lik, your photo isn't going to turn heads. With maternity photos, a new perspective is much needed.
While all photographers are unique and differentiate through their style and specialty, there is one constant throughout: client experience. All photographers must provide an excellent client experience in order to stay in business. When clients choose us to document their lives, they may love our style and even like the final product, but if they have a poor experience, they will not recommend us to others or refer us new business. Particularly in the boudoir genre, because we provide such an intimate service, the client experience must be a priority for a photographer to be successful and have a lasting career.
Due to the incredible amount of submissions, we decided to film a second edition of Natural Light Portraits! This time, Lee and I sat down in the Fstoppers studio and critiqued an additional 20 Natural Light Portraits. Check out the pictures we selected and feel free to add your thoughts in the comments!
Sometimes the time comes to say "enough is enough" and move on from something that has become a cancer in your life. That day has come for Australian model Essena O'Neill who over the last few years has accumulated over 500,000 followers along with myriad of modeling contracts, offers from major agencies, and an endless lineup of sponsors.
That’s right, I said it: If you aren’t sharing content on Instagram, you are shutting the door on a world of potential opportunities! With over 200 million users, this social network has the power to become one of your most important means of promoting your photography business.
Let me set the scene: I’m a 24 year-old photographer based in London. I specialize in portraits with actors, models, and musicians and I started freelancing almost three years ago. I didn’t know what to expect when I first started working in the creative industry, but I soon learned the extent of how many jobs are expected for absolutely no payment in return. But is it really all that bad? Speaking honestly, I don’t think so. Here’s why I think we should stop complaining and, within reason, keep saying "yes" to more free projects.
If you've been on Facebook or hopping around YouTube's popular videos lately, chances are you've seen the video advert for the "Squatty Potty," a step stool used to make, well, going poop much easier on your body. Sound like a tricky concept to sell? See how a team of creatives turned an ad about a dookie-easing product into an Internet sensation.
Photographer Davin Lavikka released this short and neat video documenting the shutter sounds of several popular camera's. It's a great comparison for those photographers who have a legitimate concern over shutter noise. The video also showcases the Olympus silent shooting mode, which as seen in the video, is virtually inaudible.
Photography is tough. There's no doubt about that. The gear and the numbers are the easy parts. These can be practiced, learned, and applied over time. Creativity is at the core of what we do as photographers and that's the tricky part. Jose Rosado's article here on Fstoppers talks about bridging the creative gap and pushing through challenges. Today, we're going to talk about something a little more introspective. Receptiveness.
You know, I always thought that Chatroulette was a place you went to speak to random strangers in foreign lands and sometimes see the unwanted privates of strangers in distant lands. Well, one director from Realm Pictures has used the platform in a revolutionary way to create one of the craziest choose your own adventure zombie and space adventure films, in which the viewers give our hero orders that will hopefully save his life and those of his shipmates. Read below to see parts one and two as well as the full behind the scenes content!
I have a confession, one that honestly seems to be a little taboo in this photographic world of “professional versus hobbyist” that we seem to have created. My confession is this: I am a part-time photographer. But there’s a good chance you are too, and that’s okay. We’re okay.