We spend thousands of dollars on the best cameras and lenses, but we often forget about the smaller accessories that come between us and our subject. Switching out your eyepiece for something better is an extremely underrated and cheap improvement you can make, and from special coatings to magnifiers, you actually have a few more options than you may have known.
I shot and edited a narrative film in the last month. It was a first for me. I had this scene in my mind of a person burying a suitcase or bag in the woods, like it’s something he or she wanted to hide or get away from. I had a second idea about a guy walking down a long passage way and knocking on a door with no one opening for him. I decided these two contrasting visual ideas will be my story.
Last week I showed you how you can use just a DSLR and a few accessories to digitize your negatives. However, that article wouldn’t have been complete without explaining how to convert the scanned analog picture to a positive image. The process is quite easy and only a few steps are required to achieve a great result. Let’s dive in!
It is said that Instagram killed the personal photography portfolio websites, but having an online portfolio still matters. Even if your Instagram account or your Facebook page draws their attention first, serious art buyers or potential clients usually head to your website afterwards, and at that point, having an online presence with a decent portfolio makes a great difference.
One photographer attended the recent protest in Dallas that sadly turned deadly. His initial position when the shooting began did not allow him to immediately escape, and he spent more than two hours crouched beside a police officer who eventually shielded him as he moved to safety. He shares his harrowing story and photos in this video.
The recent fatal shooting of Alton Sterling in Baton Rouge has sparked numerous protests and calls for change, fueled all the more by other recent high-profile cases. In particular, the Black Lives Matter movement has gained more and more traction. One photographer took a remarkable image that helps capture the current climate surrounding police and race relations in the United States.
Ok, the last time I truly attempted skateboarding, I was 14 years old, and I dislocated my right shoulder (still have a beautiful, giant scar). Regardless of my lack of knowledge of the sport, or anyone's for that matter, I think we can all agree that this video of Skater Rodney Mullen shot by photographer extraordinaire Steven Sebring is just cool as hell.
As photographers, we have a never-ending, ever-perpetuating growth of photos piling up on our hard drives. Inevitably, whether that work is professional or personal, our photos end up taking space on cloud storage accounts that we keep upgrading whenever we reach the limit. But what if you could cut the size of these files in half without losing any visible quality? You could save a lot of headache, not to mention, money.
Hasselblad is touring the country (and the world) with prototypes of the new 50-megapixel X1D camera and the two lenses launching alongside it. Priced way below any other Hasselblad on the market (and in line with Pentax’s 645Z), the X1D ushers in unparalleled portability while creating a entirely new segment: the medium format mirrorless camera. Earlier this week, I got a few minutes with this interesting hybrid.
Pelican cases have long been an industry standard for top-of-the-line protection of cameras, lenses, lights, hard drives, and all other forms of fragile video or photo gear. Their new “Air” line of cases bring that same protection, but at a lower weight. I got to try the Pelican 1535 Air out and see how it performed on a travel video job.
There’s no question that if Sony wants their mirrorless system cameras to succeed, they must be supported with a vast and varied collection of lenses. Today they unveiled the FE 50mm f/1.4 ZA lens, a large aperture prime lens utilizing a Planar design that will soon be found in portrait, wedding, and street photographers’ bags. I was lucky enough to be one of the first people to see and use this lens for a day’s worth of shooting, so take a look at some sample images and my first impressions.
Today Sony finally announced pricing and shipping times for their upcoming release of the FE 70-200mm f/2.8 G Master OSS lens and teleconverters. First introduced in early February alongside the FE 85mm f/1.4 GM and FE 24-70mm f/2.8 GM lenses, the 70-200mm GM will be shipping in July and cost $2,600. The 1.4x and 2.0x teleconverters designed to exclusively fit the new 70-200mm GM will each cost $500 and ship in July as well. Sony allowed me to use one of the first retail production models off the assembly line and share my images with you, so let’s dive into sample images and my thoughts on how it stacks up.