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Don't get me wrong, natural light and golden hour are gorgeous and a huge part of what we do. But, in addition to these types of photographs, we have built our name on imagery that differs from the typical wedding or couples photograph. Our studio (Lin and Jirsa Photography) has become known for unique and epic environmental portraits. While almost every client wants golden hour imagery, these stand-out epics help draw clients to our brand in the first place.

Seven years since inception, I have shot over 250 weddings across the world and it all began from that first itch to capturing someone’s special memory and putting a smile on their face. Looking back is always fun; a lot of mistakes made and lessons learned. As a wedding photographer, I sat by and thought over what I’d say to myself if I were to begin fresh now. Now, this post is not just to those who are raring to get started in photography, but also to the beginner in each one of us who loves to get started every now and then with a fresh perspective.

There are countless photographers out in the world who are producing truly exceptional work in the field of boudoir. Local to me in Utah, the field is one where most of the boudoir photographers are women. The ratio of boudoir photographers from female to male is really irrelevant, so I didn't even bother trying to figure it out. Starting to offer boudoir services as a male photographer was a fairly daunting idea to me, particularly because the community in which I live is fairly conservative and the boudoir genre itself is not as widely accepted as it might be in other communities around the globe. If you find yourself in a similar situation then here are a few ideas to hopefully help you get up and running.

When shooting fast-paced action or a scene with tons of movements, it can be interesting to add more drama by using speed ramping. The technique consists in having a scene that’s played at different speeds depending on what’s happening. It may not make sense for now, but if you want to make your videos more attractive or just add a new tool to your belt, be sure to watch this tutorial.

Photography is all relative to the creator and the viewers, so the decision of whether to underexpose, overexpose, or to expose your portraits evenly is obviously subject to personal preference. There is merit to any of the methodologies that you could apply to your own photography and it really just comes down to figuring out what works best for you and your gear.

Long before I ever picked up my first camera I was always fascinated by the subject of psychology. To understand some of the reasons why humans behave the way they do is rather useful in many areas of our lives. Once I started to get into photography more seriously I began to realize how the two subjects could be used together to make more powerful images.

I've actually had quite a few people request that I create a tutorial for my production processes wherein I add background textures into my studio shots. I know, it has taken me forever to get around to actually putting it together, but it's here now! The tools that I will go over in this tutorial are quite handy for a variety of uses. But for this tutorial, we will specifically use them to select and mask the background in a studio portrait shot.

If there is one type of photograph that you could call universally appreciated, I would say a properly executed cityscape ranks right up there at the top. While New York City often comes to mind when you think of skyscrapers and iconic views, Dubai in the United Arab Emirates now makes a very strong case for being the most amazing city to photograph in the world. Of all the photos coming out of Dubai on a regular basis, I'd say Daniel Cheong's are hands down the best of the best. He is ready to share his skills in an upcoming class on September 8 put on by 500px called "Shooting and Stitching Vertical Panoramas." Best of all, the class is free for 500px premium members.

There are many paths in professional photography. I have gone down the route of commercial photography, and whilst I am nowhere near where I want to be in professionally, I thought I’d share a few points that can go a long way to making it as a professional commercial photographer.

Traditionally, more involved edits such as dodging and burning are done in Photoshop, but it's often desirable to stay in Lightroom if you can. This helpful tutorial shows you how to dodge and burn a portrait all in Lightroom.

Understanding light is at the heart of photography. The topic of light is a vast one but there are some fundamental concepts which should be mastered before all others. One of those is the difference between hard and soft light.

Lindsay Adler is best known for creative fashion and beauty work, but aside from her stunning and unique photography, she’s a great speaker and educator. She recently gave a two-hour master class at B&H on how to create a portrait that is a work of art. Listen to her and learn how to elevate your imagery and improve your workflow from pre- to post-production if you wish to build a portfolio that stands out.

Adobe Lightroom can be a powerful tool in your photography workflow. There are a lot of features that are included, but as a new user or even someone who has been using it for a while, there might be some useful tricks within Lightroom of which you are still unaware. How many of these are new to you?

Photographers often treat color grading as a trivialized aspect of their workflow. Something that they only worry about once the image is complete and with no greater attention than flipping through a series of filter presets in whichever their flavor of the month plugin happens to be at any given time. Instead, obsessive time and attention is paid to aspects such as cloning, dodging, burning, sharpening, liquefying, etc. Colorists in the film industry have known for years powerful color grading is critical to great filmmaking. Directors know this as well, which is why colorists often enjoy a massive, expensive, personal theater filled with an impressive array of tools to grade the latest mega blockbuster.

It doesn't matter if you shoot weddings, portraits, or work in the commercial world. With the smallest about of kit and a little bit of knowledge you really can dramatically improve the quality of your images. The guys over at Westcott have produced a fascinating video with Chicago-based photographer and educator Bob Davis. This demonstration is focused on how to enhance the look of your groom preparation shots, but I actually think these tips can be used in various genres of photography.

As with any craft, there are fundamental techniques which should always be considered regardless of the job, model, or location. Even working professionals overlook general rules from time to time and occasionally need to be reminded.

White balancing shots is not always as easy of a task as it seems. Sometimes, a gray card cannot be used, other times the lighting is too poor and the colors don’t come out perfectly. However, Blake Rudis from f64 Academy has found an extremely efficient and quick solution to color correct any shots in three easy steps.

Makeup artists are an invaluable part of the creative team for many photographers. In fact, there are certain genres of photography that rely so heavily on makeup artists that we simply couldn't work without them. Unfortunately, there seems to be a few serious problems cropping up between makeup artists and photographers.

In this article, I'm going to go through the settings I use to get the best results from my drone photography. These settings can be applied to all DJI drones, Phantom 3, Phantom 4, Mavic, and Inspire, as long as you use the DJI app or Litchi. Let me fly through the basic stuff.

Their title may mislead you into think this is just another step one, two, three, posing tutorial but lifestyle and wedding photographers Rachel Gulotta and Daniel Inskeep along with Carlton Banks (a.k.a. Mango Street Lab) are quick to point out that it's directing, as opposed to posing, that gets results. If you follow the wisdom provided in these five simple insights you'll find your subjects falling into their own natural rhythms, resulting in more meaningful images with little to no need to tell subject "A" to put their hand here, and subject "B" there.

Compositing images well is one of those skills that can really flex your photographic prowess by calling on a multitude of techniques, all of which you have to have a sound basis in to create a convincing final product. This great tutorial will show you all the steps.

Wouldn’t it be great to be able to walk into almost any photographic situation armed with a whole vocabulary of lighting techniques and be able to quickly select exactly the type of lighting you want for the main light of your photo? By understanding six key qualities of light you can create your own vocabulary of lighting to draw upon and apply for your desired effect in fashion photos, formal, and lifestyle portraits and beyond. Angle, Size, Distance, Shape, Duration, and Color are each qualities of light that photographers can combine and manipulate these qualities in setting the look of their photograph for impact beyond just illumination.

It’s that time of year again, and no, I don’t mean last night's Super Bowl. Tax season is upon us and for many creative professionals it can either be a joyous occasion or one filled with dread.

Over the years as a boudoir photographer, I have noticed a theme when it comes to new shooters about the "restrictions" they come across. Countless times I hear or read, "I wish I could upgrade my gear," "I just do not have a commercial space," or my favorite, "I just cannot afford to have all those set ups." Well quite frankly, that is a load of bull.