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Landscape photography is the often stigmatized genre of it not communicating anything other than display of beautiful imagery at best. In this epic arc series, I strive to provide an integral resource for working on your own landscape images. We’ll cover planning, shooting, and post-processing, and talk about anything from composition to colour theory. And for the more advanced photographers, we’ll include the use of shapes, tropes, and negative space to aid in compelling visual storytelling. This week: A composition primer.

One of the most commercially viable careers as a photographer can be fashion or beauty photography. In fashion photography, you are mostly shooting people, and you have details like clothes, makeup, and mood that you can capture in creative ways. You can create fantasies, capture a personality, and really build a name if your images are unique, and you will get people asking for you if you’re able to portray a certain feeling or mood. How to get started is often most aspirational photographers’ stumbling block. I can tell you that it is the ones who "show up and shoot" who build the careers and names for themselves from it. So, how do you do it?

With little exception, every time you agree to provide raw images to your client, you are hurting your own brand and doing that client a disservice. Although it might be easy to feel, it may be hard to understand exactly why this is. Even more difficult is how to then explain your decision to your clients in a way that also makes them feel good about receiving 'less.' Thankfully, Austin-based commercial photographer Caleb Kerr has all of these answers.

Email etiquette. Nobody tells us how it should be done. Much like taking photos, it's something we tend to learn as we go along, and our individual email style can take several years to shape. Here are many of the things I’ve learned through dealing with a multitude of different clients, including how best to address and engage with those with whom you’re doing business.

Back in October I posted a portrait of myself that quickly became the most popular photo on my entire Facebook feed for 2015. The image was never meant to be anything other than a test shot for a few lenses we were reviewing but people kept asking how I created it. In this Fstoppers video, I will show you a common lighting setup every photographer should know and how you too can achieve this simple look with your clients.

Working with models can be an exciting part of photography, as each model can lend a different look and unique perspective to your vision. Casting a model appropriately for each project is an important part of a photographer’s job, as it speaks to their ability to manage their ideas and make them a reality. Just as a casting director will carefully select the best actors for appropriate roles, the same is true for casting the right model for the right photoshoot. Below we will review some guidelines for making the most out of working with models, in order to produce the best photographs...

There are dozens of "How To" articles when it comes to portrait photography. Very few, if any, focus on things to avoid. With these quick tips you can steer clear of unwanted experiences and take your portraits to the next level. Here's a list that the professionals in the industry never share with you.

A great portion of my business is spent on architectural photography. My technique involves using a mixture of ambient light, flash, and tungsten hot lights blended and masked together in post to create well lit images that are time consuming to shoot and often frustrating to edit. I'm always looking for other techniques and resources to incorporate that will allow me to work more efficiently and/or improve my images. This week I found such a technique right under my nose.

People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.

I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films. A couple of the most well known photographers of this genre are based here in New York so I got them together and challenged them to not only come up with a dynamic personal project on the fly incorporating this cinematic look, but to share with us how it is achieved. Read on to find out how it all went down...

Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I've been asked dozens of times about the coloring and process behind my imagery. Well, I've finally broken it all down in one quick tutorial.

The night sky is an astounding phenomenon that fascinates almost every individual. Stars have been around for thousands of years and yet, humankind is still mesmerized by their beauty. Despite the distance, we have such a strong connection and love for these great unknown entities. Capturing the magnificence of the night sky is highly rewarding and can be an exciting process as well.

As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month's article, I've invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers.

Whether you have been using Adobe Lightroom for years or are brand new to it, there are always little efficiency tricks or subtle features you can use to make your editing more efficient. As a long-time Lightroom user, I even found a few of these tricks new to me!

Landscapes are often the gateway drug into other genres. Be careful; it can be addictive and lead you to harder photography. Here’s how to get high from what might seem a benign habit.

Capturing great photos in low light can be a serious challenge, but it’s a skill worth mastering.

Light is the cornerstone of photography. Without it, there are no images, and in landscape photography, the light's quality, direction, and intensity can make or break a shot. As a landscape photographer, understanding how light works is key to capturing the beauty and drama of nature. Over time, I’ve realized that mastering light is among the most crucial skills a landscape photographer can hone. Looking back, there are insights about light I wish I’d known earlier—knowledge that would have significantly boosted the quality of my early work.

Creating magical light in your photos can turn a good image into something truly captivating. If you’ve ever struggled with making a bright, contrast-rich scene feel more dynamic and visually appealing, this tutorial might be exactly what you need.

Light plays a crucial role in landscape photography. While many believe the best light comes during sunrise and sunset, you can find stunning light at any time of day. Understanding how to work with different lighting conditions can transform your photos.

Using Lightroom's masking tools, you can bring out details and create depth that makes objects look strikingly real. This tutorial will guide you through the process.

The 85mm lens is a favorite among portrait photographers for a good reason. It's versatile, provides excellent subject isolation, and offers natural-looking results even at close distances. In this video, you’ll learn why the 85mm should be part of your gear, regardless of whether you're a professional or an enthusiast.