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No matter if you photograph headshots, weddings, portraits, or sports, one of the most important skills you can have as a photographer is picking out interesting yet non-distracting backgrounds. Many photographers prefer shooting with fast prime lenses but in today's short photography tutorial, I'm going to show you why I prefer the power and versatility of a telephoto lens.

People often think of Lightroom as the place where cataloging and basic editing takes place with Photoshop doing the heavy lifting. And while it's true that Photoshop is the more powerful editor, you can accomplish quite a bit using just Lightroom. This helpful video will show you five ways to edit more creatively using Lightroom.

A very popular and fun look for portraits and candid shots is a warm glow that seems to emanate from a soft, out-of-frame light source. This fun and easy tutorial will show you how to add that same glow to your images using Photoshop.

So you've got some upcoming travel plans, maybe to a new destination or maybe to a place you like to visit over and over again. A favorite city maybe, a real home away from home. Obviously you take your camera gear with you with the goal of making the most of your trip. Do you plan ahead of time or will you be flying by the seat of your pants? We're all different, some people want a detailed itinerary while others want to enjoy some spontaneity, but we all want to come home with some great images. Having a plan (even a rough one written on a napkin) can help you to make the most of your travels wherever they may be.

Hyperlapse is a variant of time-lapse where the camera moves between each shot in order to bring motion to the video sequence. The result is visually impressive, but this technique requires a high degree of precision and concentration. Furthermore, the entire process is tedious and time consuming. But thanks to the recent progress of gimbal stabilization, anyone can now produce decent hyperlapse with an entry-level gimbal. Photographer Matthew Vandeputte from Sydney shows us how to create an easy hyperlapse with a $550 gimbal.

Eric Flores Garnelo has made a short film using mainly cinemagraphs to create the scenes. The audio is well produced, and the production of the scenes are done with craftsmanship. Watching each of these shots with only one item moving opens up the capacity to contemplate. Being a photographer, the first phase was to think how he did it and what it must have taken to actually get the shot. Secondly, it takes you deeper, into the human condition and the small moments during the day that can seem insignificant, but holds so much beauty if we just opened our eyes.

The composition in photographs is something that could make or break your photo, and sometimes it’s quite overlooked as well as its importance in photographs. Usually starting off in photography, this is one aspect of shooting that many people overlook. Don’t worry, they are some easy to fixes to keep in mind while shooting.

Sometimes, a photo needs a little text to really complete the message or the look, but slapping it on without trying to blend it in just makes it look like a terrible watermark. This fun tutorial will show you how to blend text into whatever object you please to make it look realistic.

Beyond a slick website and a professional logo, and even beyond your incredible photography, your brand is what matters to potential clients. If you’re having trouble booking clients, or even defining where your business fits within the saturated photography industry, it may be time to reevaluate if your brand is strong enough to stick out. Having a photography business doesn’t mean you also have a brand. Brand building is a very intentional process. Here are a few areas to pay attention to if you feel like your brand may need a bit of work.

Color grading is one of the important parts of the editing process, as it can give your video footage a very personal look that differentiates it from your peers. This awesome video will show you not only how to color grade your footage, but how to create and save your own looks to apply down the road.

The irony of staring at an image forever is that it can actually become easier to start to miss things — a sort of photographic tunnel vision, if you will. This simple trick makes it easy to see every blemish on a subject, ensuring you won't miss anything in your retouching and making your work more efficient.

Hot spots and shiny skin can be a bit tricky to retouch, but they can also be rather distracting, so it's important to know how to reduce or eliminate them. This helpful tutorial will show you several ways to go about that in quick time using Photoshop.

Adobe just announced some major photography-centric updates to its Creative Cloud programs. Alongside a new release of Lightroom Classic CC (the new name for what we all used to call "Lightroom"), Lightroom CC is a brand new application that works across all platforms: desktop, web, and mobile. The new software offers nearly all of the same editing features we're used to, but with an entirely new organizational structure reliant upon the cloud. While there's a standalone Lightroom CC plan, the current Photography Plan includes both the CC and Classic CC applications. So which should you use?

In many of the photography groups I am part of, I constantly come across the question of which lens should someone get as a portrait photographer. We all have different styles, and depending on what type of portraits and what other genres of photography we usually shoot in, we could all recommend you a different lens or pair of lenses.

In Part 1 of this series, I explained the basics of how Lightroom works, the best way to import your photos, and the different options you have when culling your images. In Part 2, I want to show you the essentials of the Develop module. This module is the area of Lightroom where you can color correct, crop, straighten, sharpen, and perform several other adjustments as well.

If you're at all like me, your thought process when it comes to gear probably involves a constant battle in your mind between remembering that it doesn't matter as much as we pretend it does and drooling over that new body, because holy cow, it shoots so many frames per second and has enough dynamic range to shoot the sun and the inside of a dark cave in one exposure. Here are five things to think about instead the next time gear pops into your head.

One of the reasons I love art is that is it the most effective way not only to entertain us, but to help us reflect on life itself. A well-placed verse or a well-timed press of the shutter can connect the world in ways that a thousand politicians simply can’t.

Do you have a great shot but wish you were able to get a little more depth of field background blur in the photo? It is always better to get it naturally in camera with a fast lens, but what if you are not able to? Well, if you want to spend the extra time post-processing your photos, you can add some extra background blur to your shot. Colin Smith from PhotoshopCAFE demonstrates how he added background blur to simulate the lovely blur without adding halos to your photo.

Rim lights can be some of the most underappreciated yet important parts of a setup. They can add definition and drama to an image and are the main source of subject-background separation in many scenarios. This helpful tutorial will show you how to add a lovely rim light effect using Photoshop.

Boudoir photographers know that collaborations with vendors that fit their brand can be extremely beneficial for all parties involved. It alleviates some cost of the product for the photographer and it gives the vendor professional images for their sites. Getting connected for shoots such as this is not as difficult or impossible as it may seem.

The vast majority of photographers often flounder in a state of perpetual mediocrity wondering why their photos aren't getting better. They invest thousands of dollars in gear along with hundreds of hours of practice only to see what amounts to the most minimal of improvements. One of the most often overlooked characteristics of great shooters is that they never complacently accept that "good enough" is an acceptable metric in relation to their photography. Being picky enables great photography.

Clay Cook recently photographed Jennifer Lawrence for the Jennifer Lawrence Foundation, which "assists and empowers charitable organizations that fulfill children's vital needs and drive arts awareness and participation." In what's perhaps the most unique twist, Cook has always wanted to professionally photograph Lawrence, who he and his family actually grew up with in another lifetime. But he describes wanting to earn it, and finally did.

Last week I was asked to shoot some model polaroids and create a comp card for my friend and a fantastic model, Mallory Mims, for her to take with her when meeting with agencies in LA. Before starting I did some research and gathered some examples so that I could give Mallory the best results and ensure she’d make a great first impression when meeting with potential agents. I got a little nervous during my Google search because I wasn't finding consistent standards or templates very quickly. Since I had such a hard time in my own research I am sharing what I found and a template to make this easier on you guys than it was for me.

We've all heard it hundreds of times: unless you're a journalist zooming off shots to an editor as the action happens, you should be shooting in raw. But why is it so vital to the quality of your images? Watch this video for a great explanation.