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Canon just announced the launch of the RF version of one of its most popular lenses: the 50mm f/1.8 STM. How does this nifty fifty compare when placed up against an f/1.2 lens that's more than $2,000 more expensive?
This fantastic looking Monster energy drink commercial was made in a fairly easy to replicate way. Here is a behind the scenes look at what went into creating the shot.
The moon is a fantastic subject both by itself and as part of some sort of nighttime scene, whether that is a landscape, a cityscape, or even something like a wedding portrait. If you are wondering how to improve your own moon photos, this fantastic video tutorial will give you a wide variety of tips and tricks for better images.
Portraiture is by far one of the most popular genres among photographers, both amateur and professional, and that tends to generate a lot of myths and misconceptions that can be harmful to your progress. This fantastic video discusses five common misconceptions about portrait photography and the truth about the genre.
When we do a search on the internet, we will find an enormous amount of tutorials and videos about photography. It is about settings, equipment, lenses, post-processing, and much more. These videos can be very helpful to achieve an end result. And that’s what matters.
Canon’s EF 50mm f/1.8 has near-legendary status as the definitive nifty fifty — i.e., a small, lightweight, affordable, fast 50mm prime lens. The news that its RF counterpart is going to be almost as cheap will be great news for owners of Canon mirrorless full frame cameras.
The new automatic sky replacement feature in Photoshop is a fantastic tool for quickly and easily replacing the sky in a photo, a task that is traditionally tedious and rather tricky. One issue arises, however, when there is water in an image, as Photoshop cannot automatically recognize the need for a reflected version of the sky and insert it. Luckily, this awesome video tutorial shows a clever technique that does a good job of leveraging the new tool to include a reflection of the sky as well.
I was recently in L.A. filming a new project with Mike Kelley, and I decided to sneak one of my photos into a critique we did together.
In this video tutorial watch as Abbey Esparza shows you the three tools you do not use enough in Photoshop.
Manny Ortiz loved shooting on the first iteration of the Nikon Z 6, but one of his big reservations was the consistency of the eye autofocus. He now has his hands on a pre-production model of the Z 6 II, so how will the autofocus cope in low light and shooting wide open?
In this video tutorial, watch as I show you how to create any change any color in Photoshop with the hue/saturation adjustment slider. It really is as simple as a few clicks and gives a really good effect.
A new photobook documenting the Sistine Chapel has just been released. Taking advantage of gigapixel photography the book shows the chapel in detail never seen before in print.
As photographers, we work very hard to make our photos as good as possible, ranging from investing in expensive, top-shelf gear, to learning a variety of techniques, to investing huge amounts of time and effort into the creation of and post-processing of our images. But that can be taken too far, and this great video discusses why perfect photos are not always better photos.
The Hasselblad 907X 50C is quite the unique camera, leveraging a powerful medium format sensor, but eschewing a viewfinder entirely in favor of a waist-level shooting experience. This excellent video review takes a look at the experience of working with the camera and the kind of work you can produce with it.
The Sony a7S III is finally here after a very long wait, but it seems the wait was worth it. This fantastic video review takes a look at the camera, its numerous improvements, and how it keeps up in real-world usage.
One of the simplest questions that could be asked of photography, but surprisingly difficult to answer. What is the type of photograph you most enjoy taking?
Street photography has been a staple genre of our craft since the camera's inception, and some of the most iconic images — and photographers — in history, were made on the street. Here's how you can emulate one of the greats.
There will always be a first time. Choosing the right camera for your purpose will help you with your first steps in photography. Here are some suggestions.
Oregon has one of our nation's most beautiful coastlines. Seeing it from the sky from someone who really knows how to frame a shot is a real treat for the eyes.
Photographers frequently buy and sell gear, whether that is because they like to try different bodies and lenses or because they would like to upgrade their equipment. So, what is the proper way to sell your old gear? I think I have found the best place on the internet.
We all make excuses as photographers; I will be the first to admit that I have been frequently guilty of this. But falling into the habit of making excuses can impede our work, growth, and even our bottom lines, which is why it is so important to break the cycle. This excellent video discusses five common excuses we all make and how we can do better.
The Sony a7S III is finally here, and it offers impressive video performance and a refined feature set for professionals. Can it be used as a hybrid camera for both stills and video work? This excellent video review takes a look at the camera from both perspectives and if it is a good all-around choice.
No doubt, snow can be a fantastic addition to a wide range of images, but not all of us live in a place that gets snow, or we might be shooting in the wrong season. No problem, though, as we have Photoshop, and this excellent video tutorial will show you how to use it to add snow to any photo.
I'm always trying to learn from other people's mistakes or experiences. It's served me well over the years, saving me much heartache, healing, and money.
Photoshop's latest release included such things as sky replacement tools and the ability to change the expression of faces. This is in line with what other software platforms offer. Are these features helping or hindering creativity and the future of photography?