Fujifilm's X-H2S has been receiving most of the attention the last few days, but along with it, Fuji released a few compelling lenses, the XF 150-600mm f/5.6-8 R LM OIS WR and the XF 18-120mm f/4 R LM PZ WR. The latter lens offers a very versatile focal length range along with some useful features, and this great video review takes a look at the image quality and performance you can expect from it.

Breaking for just a moment from the expensive mirrorless hype, Nikon just introduced the D3500, which is a solid, but simple update for its entry-level DSLR photography offering.

When Canon's RF 100-500mm f/4.5-7.1L IS USM lens was announced, it raised a few eyebrows over its maximum aperture, but as the reviews have started to pour in, it seems like the company has created a winner. This great review takes a deep look at the lens and how it compares to one of Canon's most expensive supertelephoto prime lenses.

Today the guys over at Canon Rumors confirmed an issue that may affect the Canon EOS-1DX and Canon EOS-1DC, Canon's flagship DSLR bodies. Turns out they might not auto focus in the cold. This issue first started popping up in the forums nearly a year ago (April 20, 2013) and have largely been unconfirmed until now.

Fuji's medium format system has proven wildly popular, and as the company has expanded the lineup, they have released some quite impressive lenses. The GF 80mm f/1.7 R WR is one of those lenses, and this great video review takes a look at it and how it performs in practice.

Centralized composition might be an older technique, but it still offers one of the most powerful ways to create immediate impact in your images. If you’ve struggled with feeling like your subject gets lost in the frame or your composition seems unbalanced, this approach could be what you’re missing.

It may be a statement that you've heard many times before, but it's the photographer that makes the picture and not the camera. Here's how a little bit of knowledge along with some cheap kit can turn your images from looking amateur to professional in a few simple steps.

Just recently, I was able to test out the Venus Optics 105mm f/2 STF lens. After having it and using it here and there for a few months, I came to the conclusion that it would not be a bad addition to my photo bag. There were a lot of things I enjoyed about this lens considering I've never really had a prime telephoto lens before.

It's that time of year again when you've suddenly realized there are less than two weeks to Christmas and Santa's stocking is looking sadly lackluster. So, what can you do to rectify the situation? Here are 20 ideas.

Tamron's 28-75mm f/2.8 lens has been a runaway hit for the company among Sony users, with its combination of a useful focal length, f/2.8 aperture, light weight, image quality, and affordable price making it highly popular. The 17-28mm f/2.8 Di III RXD is the accompanying wide angle zoom, and this great video review takes a look at the lens to help you decide if it is right for you.

The Nikon NIKKOR Z 50mm f/1.4 is generating buzz for good reason. This lens offers a bright f/1.4 aperture at a price point rarely seen for full frame lenses. How does it perform, though?

Olympus has just recently announced its newest edition of the TG underwater series of cameras. While not a gigantic step up from its predecessor, it comes with enhanced features sure to grab interest to anyone interested in underwater photography.

The Fujifilm X-S20 is the latest entry in the company's highly respected X Series line of mirrorless camera, and it offers a nice balance of price and features, making it a reasonable option for a wide array of photographers and filmmakers. This excellent video review takes a look at the new camera and the sort of image quality and performance you can expect from it in usage.

The Fujifilm XF 56mm f/1.2 R WR promises users some of the best and most extreme optical design and performance on the platform, including an especially wide aperture, pleasing bokeh, and sharp images. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Certain tools, including lenses, are often intended to be used in specific ways. However, by working in an unintended manner, you can create something unique and unexpected.

For those in search of an affordable and versatile solution for your telephoto needs in the Nikon Z system, it may be time to rejoice.

Samyang has long been known for creating very sharp and affordable manual focus lenses, but in the past few years, they have started offering autofocus-capable options while still keeping those budget prices. One such lens is the AF 135mm f/1.8 FE, which offers a lot of bokeh at a popular portrait focal length, and this great video review takes a look at if it can unseat first-party options with its performance and image quality.

It seems as if we have new cameras released every month, and that can make it harder to pick the right camera. Sony's newest announced camera has turned some heads, though it has a few divisive entries into the spec sheet. The question is, is it right for you?

One of the most important traits of being a successful photographer is creating a style that is unique and original. There are many ways to do this, and one of them is to use unconventional equipment. This lens may be one of the weirdest you'll ever see.

It is great just how many cameras are on the market right now, but at the same time, the number of options can be a bit overwhelming. If you are looking to invest in a camera and a bit unsure of what is right for you, this helpful video will run you through a range of things you should consider and understand before you pull out your credit card for that shiny new toy.

The Sony FE 85mm f/1.4 GM costs $1,798, while the FE 85mm f/1.8 costs $573. Is the f/1.4 really worth $1,200 more than its f/1.8 cousin? Check out this video for a comparison of the two lenses.

The Sony a1 is undoubtedly one of the most impressive cameras ever released, and it offers photographers and filmmakers extreme performance and the sort of versatility to tackle just about any project you need to. This excellent video review takes a look at the camera's video performance and if it is the right choice for your work.

Sony has released the new a7R V camera body. It's laden with some incredible specs that you couldn't even have dreamed of in a camera a few short years ago, but is it really a game-changer?

We all know that if something seems too good to be true, then it probably is. Even though many of us have learned that lesson the hard way, the lure of a cheap deal can sometimes be too strong to resist. If you've ever been tempted to make a sketchy photography-related purchase online, this video is a must-watch.

Do you calibrate your screen? If you don’t then there are good reasons why you should. If it’s something you decide to do, then Datacolor Spyder X2 Ultra may be the perfect solution.

Olympus has just announced the launch of a new lens, the M.Zuiko Digital ED 12-200mm f/3.5-6.3 (35mm equivalent 24-400 mm). It features the highest range of zoom of any lens available for mirrorless systems, giving users more than 16 times magnification. At just $899, it goes on sale at the end of March.

Although the Sony a9 takes direct aim at the flagship bodies of both Canon and Nikon, one of the most prominent issues has been the lack of wide-aperture super-telephoto lenses. The Sony FE 400mm f/2.8 GM OSS directly addresses that need, and this great video offers a first look at it.