Recent Gear Articles

Adobe's Explosive Profit Boost Could Help It Give Creatives the Leg Up They've Been Begging For

Adobe’s last quarter results are out, and they’re better than ever. Adobe’s Creative Cloud and media business rose 35 percent thanks to a 23 percent beat on subscriber expectations, while the company’s overall net income more than doubled from $88.1 million to a staggering $222 million. Adobe’s fourth-quarter earnings report shot its stock to all-time highs. On one hand, that’s good business. But what does this mean for creatives who have felt an increasingly rocky relationship with the software giant?

Is the Tamron 28-75mm f/2.8 Di III G2 RXD One of the Best Bargains Out There?

Tamron has reinvented itself in recent years, making smart compromises to create lenses that are highly practical but that do not break the bank. The 28-75mm f/2.8 Di III was a runaway hit for the company, offering impressive image quality and performance at a price that significantly undercut comparable options. The second generation of the lens is here, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.

See How an Advanced Modern Lens Is Made

Modern camera lenses are small marvels, absolutely packed with technology and intricate, precise machinery. Rarely do we get a chance to look inside them, however. This neat video takes you inside one of Fujifilm's manufacturing plants to see how they put together one of their newest and most advanced lenses, the XF 150-600mm f/5.6-8 R LM OIS WR.

ZEISS Announce Milvus 35mm f/1.4 Lens for Full-Frame Canon and Nikon

This morning, Carl Zeiss have announced the tenth lens in the Milvus series for full-frame Canon and ZEISS DSLRs, boasting a new optical design that offers "practically no chromatic aberations". Previous Milvus lenses have been impressive, but often specialized, whereas this new addition is more of an all-rounder.

Affordable and Capable: A Review of the Sigma 24-70mm f/2.8 DG DN Art Lens

The 24-70mm f/2.8 is a bread and butter lens for a lot of photographers in a wide variety of genres, but they tend to be rather pricey optics, which is why Sigma's 24-70mm f/2.8 DG DN Art lens is such an intriguing option for lots of professionals. This great video review takes a look at the lens and what you can expect from it in practice.

Finally, You Can Buy Foldable V-Flats for Your Photo Studio

You've probably read how you can make your own foldable v-flats, but finding high-quality foam can be difficult and you're lazy, so you're never going to get around to it anyway. Luckily, you can buy them prebuilt and have them shipped right to your door.

Casey Neistat Reviews the Rylo 360-Degree Camera

Casey Neistat's latest vlog is a review of the Rylo 360-degree camera. What makes this different than the 360-degree cameras currently on the market is that it comes with software that makes it easy to pick your shot (in other words, the frame that'll fit your 16:9 or 4:3 frame) and compose your video like that. Rylo is a start up, and although Neistat can distinguish which market it is for, I think it definitely can become something many videographers, especially YouTubers, and travel shooters will use.

Canon Announces the EOS C700 FF 5.9K Full-Frame Cinema Camera

While the video resolution war is still ongoing, there is one more battlefield: sensor size. Canon is fighting on that ground with some new heavy artillery: the EOS C700 FF cinema camera, which boasts a full frame sensor, almost a 6K frame size, and 15+ stops of dynamic range.

Canon Announces Third-Generation EOS M3 for The US Market, Available for Pre-Order

Canon's EOS M was a good first-try mirrorless, compact APS-C camera that fell a bit short. After withholding the EOS M2 for other markets, the M3 comes to the United States after two generations of much-needed improvements. Those features, however, just might launch the platform into best-in-class territory -- at least on paper.

Skydio R1: A Virtually Crash-Free Drone

Flying a drone through a tight forest is not something even an experienced pilot would willingly do. The Skydio R1 makes it shockingly simple, and you don't even need to be a drone pilot.

RAW Timelapse Tutorial Part 1 Breaks Down All Your Gear Needs

A few weeks ago Rebecca posted "How To Shoot A RAW Timelapse: New Series By Preston Kanak" which was an introduction to this series. This video is part one of Preston's free tutorials on making compelling timelapses, which covers hardware options. Intervalometers, batteries, motors, sliders, and bears, oh my! Very informative stuff from Mr. Kanak.

Three Main Ways to Sync Strobes to Your Camera

When it comes to off-camera lighting with strobes, there are three main ways to sync your camera so the lights fire when you click the shutter. In this week’s video with Jay P. Morgan from the Slanted Lens, he goes over the three ways to sync your strobes.

The Great Debate: Why Gear Does Make You a Better Photographer

In the world of photography, the debate over whether gear truly impacts the quality of a photographer's work has been going for years. Some argue that it is the photographer's skill and vision that matter most, while others firmly believe that having the right gear can significantly elevate one's abilities. This article aims to shed light on the argument that gear does make you a better photographer, by exploring how advanced equipment empowers photographers, enhances creative possibilities, and enables the pursuit of excellence.

Versatile and Useful: A Review of the Tamron 35-150mm f/2.8-4 Di VC OSD Lens

A walkaround lens with a decent zoom range, reasonable aperture, good image quality, and an affordable price is something of a unicorn for a lot of photographers. The Tamron 35-150mm f/2.8-4 Di VC OSD lens seems to check all those boxes, making it one of the most intriguing lenses I have seen in a few years. This excellent video review takes a look at the lens and what you can expect from it in practice.

Real-World Performance of the Canon EOS R5 Mark II

If you’re considering the Canon R5 Mark II, you’re probably asking yourself how it measures up in real-world use, particularly with its new sensor. This review takes a close look.

A Review of the Fujifilm XF 23mm f/1.4 R LM WR Lens

A 35mm lens with a wide maximum aperture is one of the most useful and versatile optics a photographer can have in their bag, suitable for a huge range of applications, including weddings, astrophotography, portraits, and more. For Fuji shooters, there is the XF 23mm f/1.4 R LM WR lens, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in real-world usage.

Getting Started with Fujifilm Cameras: Essential Tips and Tricks

When you first pick up a Fujifilm camera, the sheer amount of on-screen information can be overwhelming. These cameras are packed with features, and while many of them are useful, others can distract you from focusing on your shots. Setting up your camera thoughtfully can make a huge difference in how enjoyable and effective it is to use.

Impossible Project Announces Their New Instant Film Camera

Impossible Project, the awesome folks that have been bringing you film for your Polaroid 600 instant cameras and even the ability to make Polaroid prints out of your camera phone images, have just announced their all-new instant film camera and it sounds awesome.

Sony 55mm f/1.8 vs Sigma 65mm f/2.0: Which Is Best for Portrait Photography?

Portrait photographers generally prefer focal lengths over 50mm. This is because these types of focal lengths help to produce a more flattering look. Personally, I find a 50mm lens to be slightly too wide and an 85mm lens just a tad too long. For this reason, I thought I'd compare two lenses that sit in-between these focal lengths.

The Nikon Z 35mm f/1.4: A Budget-Friendly Lens With Big Potential

Nikon has just released the Z 35mm f/1.4 lens, and it's catching attention for its bright aperture and affordable price. This lens is a compelling option if you’re looking to capture stunning wide angle shots without breaking the bank.

A Review of the Sony FE 50mm f/1.2 GM Lens

When it comes to 50mm lenses, you can spend anywhere from under $100 to well over $2,000, depending on the sort of performance, image quality, and maximum aperture you want. For Sony shooters looking for the best options, there is the FE 50mm f/1.2 GM, and this excellent video review takes a look at everything you can expect from it.

Using Apple’s Airpods on Set

You might think it’s rude, but there’s a time and a place that having a pair of buds in your ear can help you get the shot.

Nikon’s New 35mm f/1.2: Worth the Price?

The right 35mm lens can elevate your photography by blending wide angle versatility with striking depth-of-field control. Here's a look at Nikon's best.