Stefano Carnelli is an Italian photographer living in London and Berlin, shooting socially-engaged, documentary images on medium-format film with a particular interest in the relationship between people and landscapes. His recent project, “Transumanza,” explores the lives of shepherds and their flocks in the Po Valley of northern Italy, examining how their historic traditions have changed in response to globalization and an ever-shifting landscape.

If you're just starting with film photography or are interested in it, processing your own film can seem a bit daunting, but it's really not that hard, especially with black and white film. Furthermore, it can be immensely satisfying. This great video will show you everything you need to get up and running as well as the entire procedure.

Without doubt, there is a sub-culture of photographers who adore Lego. Count Benjamin Bezine among them. Bezine has used Lego, a Raspberry Pi personal computer, and an integrated LED to create an automated film to digital, erm... contraption, scanner.

Filmmaker Matt Mangham has been working on an ongoing series entitled “Analog: Stories of Film Photography,” and I’m very excited to share episode four with the Fstoppers community. In this episode, Mangham explores creativity through the eyes of San Diego native, Matthew Lawless.

Created for cinematic use under Tungsten lighting, Cinestill 800T is arguably one of the most highly sought-after films on the market. Should you manage to get your hands on some, what are you going to do with it?

Sean Lotman photographs the people of Japan's streets and beaches. One of the main reasons he shoots film is because he shares a darkroom with his wife, Ariko Inaoka. For him the advantages of physically printing the images has it's advantages, he can lay them out on the floor, rearrange them and figure out what the project is about and where to take it. You can do the same with the digital photography workflow too, but I must say, it's something I have never done.

Some may be dubious of the merits of ENG cameras over their sleek and stylish film counterparts, such as the 8K F65 Cine Alta or Arri Alexa, and they wouldn't be entirely wrong. While ENG cameras have long been pigeonholed for their clunky construction and weight, much of network television depends upon their workhorse-like live sports coverage capabilities.

Much like the famous Schrodinger’s cat thought experiment, certain facets of film are both its best and worst qualities, and you won’t know until your film is processed.

For a huge Japanese corporation that’s thought to be incredibly conservative, it’s easy to forget that Canon hasn’t been afraid to try out some radical designs over the years. This one is up there with the best of them: a point-and-shoot that looks like a video camera and featuring a flash where you'd never expect it.

Tintypes continue to fascinate us. Despite the process being over 150 years old, its methodical, almost meditative procedure and striking results have kept it alive. It's also a fairly scientific process that involves a good bit of chemistry. Check out this video to learn more about the technical and practical aspects of the practice of shooting tintypes.

For many people, starting a YouTube channel can be a creative outlet, an opportunity to educate, or a job. For Matt it was a chance to share his thoughts and opinions about something he loved – the lasting impact on the film community was just a bonus.

As I delve deeper into teaching myself how to print in the darkroom, I find myself constantly scouring YouTube for videos on the subject. In trying to relay the things I've learned to you, I realized that there's a lot about printing in the darkroom that I had no clue about. In this video, Andrea Calabresi, an educator based in Italy, does a wonderful job of giving an overview of what it takes to get a good print.

In a world where digital photography is ever-present, film photography often takes a back seat. But this analog medium actually has some crucial lessons to teach all of us, if only we're willing to listen.

Polaroid enthusiasts who have long missed Type 55, that unique black and white 4x5 emulsion famous for providing a usable negative along with a positive print, may soon be in luck. The film may return to production but it depends on the likelihood of New55 project, a four year effort aimed at resurrecting it, having success as a Kickstarter campaign with a funding goal of $400,000.

Film photography has its unique charm, but it comes with its own set of challenges. One of the most common hurdles for those who explore this medium is navigating through mistakes, often with no easy fix like in digital photography.

It's been going on for decades. Film chemicals that coat the film and react with the various colors coming through the lens weren't made to cope with a diverse set of skin tones.

Old film cameras captivate so many people in the photography industry, but they are a depletable resource that will naturally dwindle. This 22 year old is working on countering that trend.

Photography gear is constantly evolving, redefining what it means to be “professional.” Once, carrying massive DSLRs and powerful flashes was the mark of a serious photographer—now, smaller, more efficient setups are taking over.

If you still shoot film and don't develop it yourself, you probably mail it to a processing lab. But have you ever wondered what actually happens to your negatives once they arrive? Watch this video to find out.

It’s no well-kept secret that cell phone cameras have made digital photography ubiquitous. Over the last few years, film has regained popularity. In her video, Madison Beach shares a few reasons why you should be shooting film!

Fujifilm has launched its latest instant camera the Instax Mini 40 along with a the new Contact Sheet instant film. The new film has been described to mimic the look of classic contact sheet film.

Jonathon Keats is an American conceptual artist based in San Francisco. This year Jonathon began a new project he calls Century Camera in which he (and the people of Berlin) hide 100 pinhole cameras with the hopes of creating the first series of century-long exposures. Jonathon was kind enough to make time to speak with me and share the details, inspiration, and process behind this ambitious project — you don't want to miss this.

Kodak is sadly just a shell of what the company used to be, but the majority of the infrastructure that once made up the film giant is still very much in place. You can take a casual tour of the Kodak complex in this great video.

My photographs are hardly ever representative of objective reality, but they are representative of my vision, my artistic interpretation of the scene. In this article, I will talk about why I made a particular photograph, what was done in the camera, and then what I did in the darkroom to realize the finished image—or at least the image as it is right now. Realizing that I hardly ever reach a final conclusion on a photograph, especially when I am working on it in a wet, traditional darkroom, everything remains a “work in progress.”

Few camera brands have ever been able to achieve the same reputation that Contax film cameras managed to achieve during the height of film. A large part of that reputation came from the Contax G1.

Making a film takes many talented people working in varied areas, a fact I've recently come to fully appreciate as they film "Fast and Furious 8" here in Cleveland. The Foley artist is one of the unsung heroes, for if their work is done well, we don't notice it at all. This film is a lovely look inside the world of Foley.