Fujifilm Instax cameras are now the most popular instant cameras on the market. From these instant cameras, the Instax mini series holds the largest portion of the market. And the latest Instax mini camera is the Fujifilm Instax Mini Evo. With its retro camera-like design, how does this new Instax camera compare against the previous Instax Mini LiPlay?
As a sort of part 2 to my last video, I'm taking the black and white film from that same shoot and jumping into the darkroom. It's been a while since I've ventured in, so I thought it would be fun to take you along with me while I kicked off the cobwebs.
Anyone who shoots film (either stills or motion) knows the frustration of an ever-shrinking pool of available equipment. Finding a quality, tested and working 8mm system can be particularly difficult. Danish father/son company Logmar Camera Solutions, founded in 2009 in Aalborge, DE has the dream of reviving and reinventing the 8mm movie camera. Enter the Logmar Super-8, an 8mm system for the modern world.
Unlike digital photography, where pretty much all the style is added in the editing process, in film photography, you are making a significant creative decision the moment you choose which film to put in your camera. So, how do you know which to choose? This interesting video follows a photographer as he discusses shooting the same area with several different films and some of the decisions that go into each shot.
With Kodak's release of another discontinuation notice, one more high profile film bites the proverbial dust. BW400CN has a reputation for being a creamy toned, tight grained film. The smooth grain is a nice balance to the Tri-X stock, admittedly I prefer the latter but still sad to see it go. A collective sigh was seen throughout film shooter groups, some even soliciting Kodak reps for stockpiles of the film.
Instant film cameras have seen a resurgence in the past few years, with their blend of instant, tactile satisfaction and nostalgia making them appealing for photographers and casual users alike. The SQ1 is the latest entry into the series, and this great video review takes a look at what you can expect from it in practice.
Reduction of single-use plastic is increasingly on the minds of conscientious consumers, and the practice of shooting with physical film in preference to digital does bring with it considerations in the area. But fear not, Ikigai Film Lab is here to recycle, reuse, and repurpose, to put our anxiety at ease and help us keep shooting with a clearer conscience.
Whether you’re shooting for fun or for work, in the rush of modern life it can be all too easy to lose sight of the joy of photography. In this short, meditative interlude with no words, there’s plenty of inspiration to be found in just watching another photographer enjoying their own photography.
Most of the time, when photographers are buying equipment, they choose the piece of gear that will accomplish their goal using some set of typical parameters: price, weight, build quality, warranty, size, speed, etc. These days, for shooting Formula One car races, you’d probably choose a fast-focusing, high frame-rate camera such as the Nikon D5 or Canon 1DX — if you had the budget for it — because F1 cars are fast and crazy. But that’s not what this photographer did; he decided to step back 100 years and break out a camera that was definitely not designed for shooting a modern-day race track. And the images are awesome.
The popularity of toy cameras has waxed and waned over the decades. The novelty factor for plastic cameras like the Diana and the Holga is often in friction with the dependability and overall image quality, but that’s not necessarily a bad thing. In an age of corner-to-corner perfection, the stray light leak or vignette can provide shooters with a way to stand out from the crowd.
Being referred to as a "fingerprint of the photographic process", this video essay produced by Daylight Multimedia displays images of John Cyr's work, which are a series of stills of famous photographer's developing trays. Each tray has it's own unique look, and seem to provide a thoughtful display that makes one think about the iconic images possibly produced in them.
A new product is hoping to make its way into the market in the near future, New55 Film. This product has been making waves, and is supported by those who still shoot film. New55 Film was founded by Bob Crowley and is managed by Sam Hiser, project CEO.
You might remember Brooks Reynolds, we have featured him and his amazing photography on here before. Recently I had a chance to catch up with Brooks and discuss his latest project, Footsteps, a short film based on a story he was introduced to via the internet.
The guys over at Cooridor-Digital just released this sweet video using a combination of drones and visual effects to create an awesome dogfight between an X-wing Starfighter and several TIE Fighters. Drones + Star Wars = Nerd Love.
I have to admit, I really enjoy the bands, artists, photographers and other creative professionals I discover watching Carson Daly's show Last Call. One such artist is Los Angeles based photographer Alex Prager. If I had to describe her work, it would be very editorial in nature with a lot of retro clothing, fashion wigs, and classic Americana references. What I find most inspiring about her work is that she holds nothing back when creating the bright and simple world found in her photographs. Almost every one of her images looks as if it was actually created in 1967 whether it be the hair style, the makeup, the clothing, the cultural references, or even the lighting and film grain. What's even more remarkable is her humble story on how she became a photographer with no formal training at all. If you enjoy this interview from MOMA then click the full post to watch more candid video of Alex talking about her work.
Check out Chris milk's interpretation of what a man's life flashes before his eyes looks like in Last Day Dream. Filmed in a 1st person POV, this intriguing video did a wonderful job of high lighting someones life and showing it in under a minute. I've always been fascinated by POV videos and this video has a such a awesome story line. This video shows that you don't always need a expensive equipment to create such a inspiring and unique video, but that creativity can go a long way. Chris filmed all of this with a Canon 5D mk ii and Lensbaby lenses.
A few days ago, Fuji unfortunately announced the end of one of its finest films, Reala 100. I've used it myself exclusively for a particular project -- very recently, in fact -- but now that the 120 format is kicking the bucket (35mm already did a while back), it's time to say goodbye to another film that will be remembered for its superbly accurate rendition of color.
The beauty of digital photography is that once you have paid for the camera and storage, you can take as many images as you want at essentially no additional cost. Of course, on the other hand, when it comes to film photography, every press of the shutter incurs an additional cost. So, a film camera that promises to double the number of images you can take with every roll sounds quite intriguing. This neat video will show you one such camera.
There’s nothing quite like the solitude of my darkroom at dawn, the hum of my enlarger in the background, and the image slowly appearing on paper in my hands. For me, photography is more than capturing a moment—it’s a meditative journey into light, shadow, and form.
Shooting and developing film can be equally rewarding and a major headache. See two photographers develop film for the first time and decide for yourself if you think it's really worth the effort.
Large format photography is a vastly different way of shooting compared to 35mm or even medium format, but its results can be well worth the extra work. This awesome video follows the process of shooting 8x10 polaroids of strangers.
Photographer Mark Zimmerman creates some stunning tintype work. For the making of one of them, he strapped on a GoPro, allowing us to follow the entire process from the photographer's point of view. It's a slow, methodical, and deeply satisfying video to watch.
The Fujifilm INSTAX line of instant film cameras has been a runaway hit for the company, tapping into the nostalgia of instant photography and introducing a new generation to the technology. The INSTAX Square SQ40 is the latest entry in the line, and this excellent video review takes a look at the sort of performance and image quality you can expect from this fun and affordable little camera.
A unique behind the scenes look with Joe McNally in his Sense of Sight cover story (A National Geographic Production - circa 1992). Talk about a blast from the past. It's great seeing his thought process and work ethic through the entire process. It shows that no matter how old this video is, there's still a lot to be learned from watching the master at work. Check out the full post to see the video.
Just a couple of weeks ago, Ilford Photo released a video on how to develop your own black and white film. Now, they've followed it up by giving you everything you need to know in order to turn those negatives into beautiful, tangible prints.
Thrift stores aside, this is probably the cheapest way to dip a toe into the world of film photography: a build-your-own camera for $35. What could possibly go wrong?
If you're into tinkering gear and customizing things to the way you like them then this might be your kind of video. Be prepared though as it requires quite a bit of technical know-how to fully understand and that's before we even start talking about trying to replicate what he achieved! However even without trying to attempt your own version I am sure you'll find this to be a rather interesting video to watch.
While there are plenty of aficionados still shooting film, there are very few capturing images onto small sheets of glass, and then playing with potassium cyanide, naked flames, and lavender oil varnish as part of their post-production, techniques which date back to the mid-19th century. In this short video, documentary photographer David Gillanders discusses the collodion wet plate process and explains why he loves creating these unique images.
How many of us picked up our first camera because it was a way to make a buck? For most videographers, the hustle of media production work gradually evolved from a passion for filming into a business formula based on our strengths, reputation, and market necessity, but fun was the kickstarter.