I get questions like these daily, mostly from inexperienced or new photojournalists who want to get into documentary photography. I often repeat the same answers, so I figured it might be useful to put it all into a single article. So, here are the bare basics of high-risk documentary photography.

Masses gathered around the country to march in support together for women's rights. While each had their own unique story, most of what was heard was from adults in response to the new administration. One photographer wanted to go back to the youth of our nation to see how young girls and boys felt about these current issues to get to the root of the innocent take on the rights at hand.

Are you like me? Do you look for entertainment with some elements related to photography and is more than merely "behind the scenes" or "how to type" of videos? Something that provides a different insight into photography and the photographers who create world-class images? If so then perhaps, or maybe not, the documentary "Jay Myself" is for you.

There is an old saying that "you only find what you are looking for." It's critical for any artist, including we photographers, to know what it is that we are working to create. To have a vision and stay true to it so that it will become a reality. When you go out with the intent of creating images you know what you want, right? You choose the location, the time of day, maybe the lighting, certainly the subject, and of course what gear that you need to bring it all together. We tend to be control freaks to make sure that we get what we want.

Photographer Knut Egil Wang documents the annual migration of Norwegians to sunnier destinations, as they look to escape the darkness and cold of Norwegian winter. Wang captures the strangeness and bliss that comes with transplanting oneself for a few months each year in a series titled “Southbound” or “Syden.”

You take photos, you write books, you're published in weekly and monthly newspapers and magazines, and travel the world with the sole purpose of... traveling. You sound like one of the early social media influencers of the 2010s who was "living the dream," constantly on the road, distributing a drip of photos and articles to the travel-enthused general public. However, it's 1888, and your name is Frank Carpenter.

With the Black Lives Matters protests attempting to trigger a shift in attitudes towards race around the world, the role of black photographers in documenting the demonstrations is crucial, as outlined by this short video from PBS NewsHour. (Warning: This video contains graphic imagery.)

We might feel confined during the pandemic, but it does not compare to the dark realities of those locked up in forgotten prisons. After 40 years of media shut-out, we get to visually experience the life in prison in Brazil thanks to the "Locked Up" project.

If there is one type of news story that is a recurring theme in journalism it is the protest. Think "Tank Man", "The Burning Monk", or "Taking a Stand in Baton Rouge" (with Ieshia Evans). They stick in the memory, their iconographic status forming a peg from which we hang related memories. So why then are we more interested in riots as opposed to protests?

In this video, MIT Associate Professor Ramesh Raskar says that photo-realism is dead. They're discussing machine learning and technologies working to give us evenly exposed night-time images on our mobile phones. If these technologies are not available in professional cameras today, will they ever be, and would you want them as a professional photographer?

Strange times provoke strange projects. I’ve become somewhat obsessed with my neighbors’ doors in our tiny French village. It's far from groundbreaking, but it's proving a lot of fun.

The United Nations High Commission for Refugees (UNHCR) has just released a campaign short based on the work of photographer Brian Sokol. In the brief production, A-listers such as Cate Blanchett, Kit Harington, and Neil Gaiman recite the rhythmic poem “What They Took With Them" by Jenifer Toksvig. The poem, along with the accompanying video and still imagery, urges us to sign the #WithRefugees petition to help ensure that refugees across the world have the basic necessities needed to rebuild their lives: education, a safe environment, and work opportunities.

Do you ever feel challenged by the creative energy of your subjects? The pressure to create something unique when you're walking amongst giants? I had a chance to talk with renowned music photographer, Denis O'Regan about shooting some of the biggest names in modern music history.

One of the most exciting topics for me to cover during my time as a professional newspaper journalist was fires and firefighting, and the potential for great images is there for anyone who approaches the matter with a little preparation and knowledge.

Vincent Laforet's latest AIR series blankets the City of Angels with a farewell series of shots before the project will head to Europe for the first time starting mid-May. As Laforet continues shifting cities (from the previously covered New York City, Las Vegas, and San Francisco projects), his aesthetic slowly changes in response to the varying challenges and differences between shooting each city. Fstoppers caught up with Laforet to discuss the ever-present surprises in shooting AIR and its transformation as it grows into a larger project supported by G-Technology and pre-orders for Laforet's "AIR" book.

The International Center of Photography in Manhattan, New York has displayed a new exibit reimaginging the work of Norman Rockwell's "Four Freedoms." The images are geared to display the diverse modern family compared to the orignal iconic work.

No doubt you are familiar with some of Lewis Wickes Hine's work. He is the guys who took the iconic photographs of the workers who constructed the Empire State Building in New York City. But what you may not know is that he first shot for the National Child Labor Committee, documenting the child workforce of America during the industrial revolution. And that his work went on to influence politicians and law makers by drawing national attention to the harsh realities of child labor.

I created a photobook with captions, for my sister, featuring her two daughters. I had never created an album or photobook before, so I wasn’t sure how to organize the shots. Added to that, the photos were taken over a four week period. So, how did I combine all these to make a cohesive narrative? I wrote a bedtime story.

We say, "never forget" when we think of the terrorist attacks of September 11, 2001. And while none of us will forget the event itself, it's easy to lose sight of the individuals who lost their lives in the attacks.

As I began my interview with Fabian Wagner DOP, he sits there, totally relaxed and easygoing. Describing himself as just an ordinary guy, it quickly becomes clear that my conversation was going to be a very relaxed affair, without pretenses, and totally open to all questions I threw at him.

Marc Silber, of Advancing Your Photography, sits down with three renowned photojournalists to talk about the stories behind some of their incredible images and how they approach their craft.

Have you ever heard someone say: "you have to watch it at the cinema"? This is usually when it's a movie loaded with action, special effects, and sound design that captures your imagination. Is this all that gets the cinemas to sell seats? If your answer is yes, this video might make you consider your opinion.

When you think of the elements of an image that make it successful and interesting most photographers immediately refer to the powers of color, form, texture, light/dark, and visual rhythm. There is another that is often overlooked: gesture. Unlike the other elements, gesture can't easily be preplanned into your composition; it's a fleeting thing. However, when you add in an interesting gesture to your frame, it's transformative.

A few weeks back, I posted an interview with photographer Damari McBride about his project in South Africa with Nourish and Photographers Without Borders. This week, the resulting documentary was released which gives us a deeper look into how our arts can help support change.

As creatives and photographers, it's essential to study imagery for education and inspiration. The national archive is a wealth of archival and historical photos from America's history.

If you ever get the feeling that photography is not valued today, it might interest you to know that Getty Images is offering $85k in three new editorial grants to support photojournalists and organizations, with an emphasis on supporting photographers whose work shines a light on important issues of our time.