The beauty of working with flash is that you can walk into any lighting situation and shape it to your creative vision and needs, and that frees you from relying on the sun to cooperate and to dictate your shoot's timing and location. Perhaps no scenario is more challenging than harsh midday light. This helpful video tutorial will show you how to use off-camera flash to work with that harsh light to create compelling portraits.

When you are working in a studio, you can enjoy all the equipment you own without having to worry about how to carry it all along with you. When you work on location, however, you need to balance the complexity of your creative setups with how easily you can transport all your equipment. This helpful video tutorial will show you an effective two-light setup for on-location portraits that will yield compelling images.

It doesn't matter how perfect your settings both in and out of the camera are, if your subject is posed poorly, the shot will be all but ruined. Here is a guide to some techniques on posing males for your next portrait shoot.

Golden hour, the time just after sunrise or before sunset, offers a unique and enchanting light that photographers love. This magical hour presents an opportunity to create images with a warm, soft, and dreamy quality that can't be replicated at any other time of the day. This helpful video tutorial offers 10 tips sure to improve your portraits.

Knowing when to stop is the hardest lesson to learn for those new to retouching. In this tutorial we will look at how to recover lost texture and over smoothed skin tones, even when your file has been flattened. In this image the texture has been over retouched resulting in a significant loss in the skin texture. The transitions between skin tones have also been slightly overdone. Frequency Separation is a term we see in retouching all the time its also a technique I'm working on using less and less and bring in as a last resort. By using frequency separation here we can borrow texture and...

Finding good portrait locations can be a bit of a challenge, particularly if you don't live in a sprawling metropolis with numerous options waiting to be explored. This helpful video will give you three tips to have a better chance of finding great portrait locations.

Shooting the different seasons of the year is great, especially now that winter has officially started. You can shoot the same locations with a completely different mood and look. What happens when you want to shoot snow, but there isn’t any? Perhaps it’s too cold for the wardrobe styling and the subject. You can always fake it, right?

A chilly September morning. The crispness in the air added weight to the solemn moment. My composition was all figured out. I patiently waited for the final elements to come into place.

Portrait photographers don’t always have the luxury of working in a nice large studio with loads of room to shuffle strobes and modifiers. If you’ve ever wondered how to get classic, timeless results when shooting in cramped, often improvised spaces, check out this short video.

Swimwear Photography with Joey Wright Behind The Scenes continues today with Episode 3. In last week's episode we started filmed the first lesson of the entire tutorial but in this episode we cover 3 full days of filming.

Photographer Jason D Page was invited by Wango Tango festival 2019 to create a series of light painting portraits with some of the acts playing over the weekend, including Halsey, CNCO, and The Jonas Brothers. The photos were shot in a single take, with a team creating the surreal effects using light-painting brushes.

Working with models can be an exciting part of photography, as each model can lend a different look and unique perspective to your vision. Casting a model appropriately for each project is an important part of a photographer’s job, as it speaks to their ability to manage their ideas and make them a reality. Just as a casting director will carefully select the best actors for appropriate roles, the same is true for casting the right model for the right photoshoot. Below we will review some guidelines for making the most out of working with models, in order to produce the best photographs...

You can absolutely create professional-level portraits using nothing but a single key light, but once you move into multi-light setups, you get a bit more creative and technical control over the final image. One of the first ways to do this is by adding a fill light, and this excellent video tutorial will show you what it is and how it can be used to create better portraits.

Elle Mexico is determined to continue working throughout COVID-19 by finding creative and safe ways to do so. For their latest issue and cover story, a photographer took to using a drone to capture the editorial from above, while respecting social distancing guidelines.

There are lots of people who like and prefer a natural light look over flash, but sometimes the conditions outside may not cooperate with you to produce great results. Sometimes you have to grab a flash, here's a few ways you can get a more natural look when you do.

Fast glass is more affordable than ever before, with brands pushing quality and lowering prices to attract photographers away from the big names. But how good are they?

Today I’ll be talking about the Sigma 50mm 1.4 Art lens for Sony E mount. As with my prior review of the 35mm version, I will be going over the topics that are relevant to me which are sharpness, focusing, bokeh, and usability.

As a fashion and catalog photographer moire is an issue I am all too familiar with. These days, as more and more cameras opt to do without the low pass filter, you might find yourself dealing with moire in some unfortunate places. Adorama has put together a wonderful video that explains moire, how to avoid it before taking a shot, and how to deal with it after the shot has already been captured.

Their title may mislead you into think this is just another step one, two, three, posing tutorial but lifestyle and wedding photographers Rachel Gulotta and Daniel Inskeep along with Carlton Banks (a.k.a. Mango Street Lab) are quick to point out that it's directing, as opposed to posing, that gets results. If you follow the wisdom provided in these five simple insights you'll find your subjects falling into their own natural rhythms, resulting in more meaningful images with little to no need to tell subject "A" to put their hand here, and subject "B" there.

Most people don't like their photograph taken. So if, as a photographer, you've taken an image of someone and they don't like it, is it your fault?

In this video, Karl Taylor and Urs Recher experiment with and demonstrate the uses of a Parabolic reflector. Using a model who is wearing white against a white background, they produce a number of portraits demonstrating how to shape the Para light to separate the model from the background. The versatility of this practice is quite astounding as the photographer is able to stand in front of the light and have it still perfectly illuminate the model and is a simple one light set up.

Being a good photographer often means knowing where to position your lights to create the desired effect. However, the placement of your lights is only part of the equation; sometimes, it's just as important to set the color of your lights as well. In today's video, I'll show you three different lighting setups that also use color to alter the final images.

Update: The results are in. Patrick and I are once again competing to see who can photograph the same model best. It's up to you to decide.