Photography Gear

Gear isn't everything — but it's not nothing either. This section covers the cameras, lenses, accessories, and equipment that photographers actually use, with an eye toward helping you make smart decisions rather than just chasing the latest release. Expect news, analysis, hands-on impressions, and the occasional reality check on whether that upgrade is actually worth it.

Commons Myths About Mirrorless Cameras

The rise in stock of mirrorless cameras has been significant in the last decade, but there are a lot of misconceptions about the difference between them and DSLRs. 

Fstoppers Reviews Haida’s NanoPro Mist Black Filter: Softer Can Be Better

While many reviews look at how sharp a lens can be, for this review, we’ll be looking at a filter that does the opposite. Haida's NanoPro Mist filter is actually designed to add a soft glow, while still keeping fine details. Now, before you think about the JCPenney portrait studio shots of the past decades, this filter is subtler.

Canon's RF 85mm f/1.2L USM Lens Is Ridiculously Good

The Canon EF 85mm f/1.2L II USM lens is a bit of a legend, known for its insanely wide aperture and a favorite of numerous portrait photographers. Now that the mirrorless age is upon us, its natural successor, the RF 85mm f/1.2L USM, is here.

A Review of Sony's Impressive New FE 14mm f/1.8 GM Lens

Sony's new FE 14mm f/1.8 GM lens offers an extremely wide maximum aperture for such a focal length, enabling both photographers and filmmakers impressive creative capabilities and looking like a dream for events and astrophotographers. This excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in real-world usage.  

I Bought a DSLR in 2021: Why You Should Too 

I just bought a DSLR — the Canon 5DS. Yes, you read that right, and no, this article is not a repost from 2016. DSLRs are a very viable option that you should look into before buying your next camera. 

Three of My Favorite Things About the Nikon Z 7II

Having now had at least one of the second generation of Nikon Z cameras, either the Z 6II or Z 7II, in my possession for almost a year now, I thought I would share three of my favorite things about the cameras so far. 

A Look at the New M1 iMac for Photographers and Filmmakers

The new iMacs are here, and Apple has updated its popular computer with a variety of new features ranging from new color options to the company's lauded M1 system on a chip. For photographers and filmmakers, it is likely to be a good choice for creative work.

A Review of the Zeiss Milvus 35mm f/1.4 ZE Lens

When you buy a Zeiss lens, you do so because you want the absolute best in image quality regardless of cost, even if that means using manual focus only. At the 35mm focal length, the company's top option is the Milvus 35mm f/1.4 ZE, and this excellent video review takes a look at the sort of image quality you can expect from it in practice.  

A Comparison of the Sigma 28-70mm f/2.8 DG DN and the Tamron 28-75mm f/2.8 Di III RXD Lenses

The 24-70mm f/2.8 lens is a favorite workhorse of numerous genres across a wide range of genres, but such lenses are often quite expensive. Both Sigma and Tamron make much more affordable alternatives in the 28-70mm f/2.8 DG DN and Tamron 28-75mm f/2.8 Di III RXD, and this excellent video comparison takes a look at both and how they each perform in real-world usage. 

A Review of the Fujifilm XF 70-300mm f/4-5.6 R LM OIS WR Lens

Fujifilm X Series shooters have a few options when it comes to telephoto zoom lenses, with one of the more affordable being the XF 70-300mm f/4-5.6 R LM OIS WR. This great video review takes a look at the lens and the kind of performance and image quality you can expect from it in practice.  

A Review of the Canon RF 100mm f/2.8L Macro IS USM Lens

Canon's original EF 100mm f/2.8L Macro lens was widely respected for its combination of quick autofocus, sharp rendering, and impressive image stabilization that enabled more handheld work than ever before. The RF 100mm f/2.8L Macro IS USM is its successor, and it brings with it a bevy of improvements and new features.

The Differences Between DSLR and Mirrorless Cameras and If You Should Upgrade

No doubt, the industry is quickly moving toward a fully mirrorless age, but that certainly does not mean DSLRs are suddenly useless or that you should immediately upgrade to a mirrorless camera. This excellent video explores the differences between mirrorless cameras and DSLRs and if you should consider trading in your DSLR or if you can hold on to it. 

A Look at Fujifilm's Most Expensive X Series Lens

Fujifilm makes a wide variety of fantastic lenses for its X Series camera, and at the top of that pile in terms of price is the XF 200mm f/2 R LM OIS WR lens, which offers an extreme combination of focal length and maximum aperture along with other impressive features.

Would You Prefer the Canon EOS R5 or the Sony a1?

Both the Canon EOS R5 and the Sony a1 are amazing cameras. I have used both next to each other. If you could use one of these for one month with a 50mm f/1.2 lens, which camera would you choose and why? 

Why the Canon EOS R Might Be the Best Choice for RF Shooters

When Canon launched the RF mount with the EOS R, your choices were limited to that one camera if you wanted to buy into Canon's stellar new lens system. While it's a bit long in the tooth, it's definitely still a viable camera, and possibly the best camera to get if you're starting out in the system. 

Fusion TLC Raven Review: The Most Advanced Wireless Trigger

While many lighting brands today are trying to simplify their products, the Fusion TLC Raven arrives as the most feature-rich wireless trigger ever made.  

The Fusion TLC Raven is a remote radio trigger for wireless strobes or remote cameras. What makes it special? As far as I know, it does everything any other trigger can do plus way more. 

Fujifilm GFX 100s Versus Sony Alpha 1: Image Quality Comparison

For those of you that enjoy extreme levels of pixel peeping, you're in for a treat.  A recent video compares the image and video quality between the Sony Alpha 1 and the Fujifilm GFX 100s. Although both cameras sit in slightly different categories, it's interesting to see how both camera systems compare against one another.  

A Year With the Fujifilm X-T4 Mirrorless Camera

Now several generations in, the Fujifilm X-T series has become highly refined, powerful, and respected by a wide range of photographers and filmmakers for its ability to competently tackle a wide range of scenarios despite its compact and portable size. How does it hold up in the long-term? This great video review discusses what you can expect.  

What Does $30,000 in Sony Gear Get You?

If you are not keeping an eye on what you're putting in your cart, camera gear can quickly become jaw-droppingly expensive. Still, at those top-tier prices, you can get some absolutely spectacular equipment, and it is awfully fun to see what it can do.

50 Non-Photography Items You Might Want To Carry in Your Camera Bag

Everyone has a pocket or two in their camera bag filled with odds and ends that they might find useful. If you’re the type of photographer that travels a lot or is often on-location you’ve probably developed a list of non-photographic items for various scenarios, based on your own experiences.

A Review of the Sony FE 35mm f/1.4 GM Lens

A wide-aperture 35mm lens is by far one of the most popular choices for a huge range of genres and needs, offering a wide but still relatively neutral focal length combined with a lot of light-gathering and subject-isolating power.  Sony's FE 35mm f/1.4 GM offers the company's best optics in such a lens, and this excellent video review takes a look at it and the kind of performance yo

Blackmagic Pocket Cinema Camera 6K Pro: A Review You Need to See!

If you are looking for your first cinema camera or thinking of upgrading your current rig there are tons of options out there but if you are looking for the best bang for your buck. Then you will want to make sure you read this Blackmagic Pocket Cinema Camera 6K Pro review. 

Fstoppers Reviews Moment's Magsafe Mounts

Moment has always been the front runners with regards to developing tools and lenses for mobile phones, and with MagSafe now standard on new iPhones, they’ve knocked it out of the park with their mounts.  

Is Leica's Brand New Lens Actually Made by Sigma?

When Leica announced its brand new Vario-Elmarit-SL 24-70mm f/2.8 ASPH last week, it was interesting to note how similar it is to the 24-70mm f/2.8 DG DN Art released by Sigma last year. Has Sigma built this lens in Japan so that Leica can stick a red dot on it? 

How to Get the Best Colors From the Canon EOS R5

The Canon EOS R5 is a landmark camera from Canon. It's the first full frame mirrorless camera to shoot 8K raw video along with 4K at an impressive 120 frames per second. What we're really impressed with is how well this camera produces color. This is why in our latest video, we show you how to get the best color and image quality out of the Canon EOS R5.  

Creating Unusual In-Camera Effects Using Creative Filters

If you're striving to create more interesting and unique shots in-camera, one solution might be to use some of the creative filters on the market today. Here's how one videographer found using some and the results that came of it. 

A Review of the Pentax K-3 Mark III Camera

Pentax has always maintained a small but fiercely loyal set of followers, and the company is unique in that it continues to plow ahead with DSLRs with no intentions to get into mirrorless. The K-3 Mark III is their latest installment in its highly popular line of APS-C DSLRs.

The Best 35mm Digital Camera for Commercial Photography

With the recent trends in mirrorless cameras, and the price of medium format coming down to a point where they are actually financially viable for most of us, does the 35mm camera still reign over digital cameras for the best bang for the buck, and if so, which one wins the race?

A Review of the Tamron 28-200mm f/2.8-5.6 Di III RXD Lens

Tamron has become well known for their ability to create lenses that strike intelligent balances between portability, image quality, performance, capabilities, and most importantly, price. The 28-200mm f/2.8-5.6 Di III RXD offers an all-in-one solution that covers almost every focal length most photographers need in an impressively small and affordable package.

Is the DSLR Really Dead?

Being a Nikon DSLR landscape photographer who is anticipating the foreseeable demise of said cameras, I have been curious about the Nikon Z 7II. I wanted to see how one of these lighter, smaller mirrorless cameras functioned not only for landscapes but as a travel setup. Here are my initial thoughts.