I’m outdoors a lot and I post images and video of my adventures to social media all the time. But one of the biggest problems I have is if it’s anything more than a snapshot on my iPhone, or a video on my GoPro I can pull over to my phone via WiFi, I have to wait till I get home to edit on my laptop, slowing down the time it takes from getting the shot to sharing it with my followers.
Just last week, GoPro announced a new a camera in their ever-expanding lineup of action-POV cameras. The new camera is called the HERO4 Session, and as Doug Sonders posted last week, it's smaller and lighter than the previous series of HERO cameras. In this video review, WIRED's Brent Rose takes the Session out on several different adventures, comparing it to the HERO4 Silver along the way.
In September of 2014 Patrick and I met Elia Locardi totally by chance in the basement of a German beer house during Photokina. That night we learned that Elia had sold all of his possessions and had been traveling the world nonstop for 3 years taking landscape & travel photographs. Soon thereafter we decided to team up on the biggest project any of us had ever worked on.
The revived Meyer-Optik-Gorlitz has been on a mission to bring innovative and high quality optics to the public in keeping with the companies long standing history of doing exactly that. They have recently launched a very successful Kickstarter campaign to bring back the Trioplan 100mm F2.8, a lens renowned for its rather interesting "Soap Bubble" bokeh.
Nikon has just issued a service advisory for owners of the D750 DSLR, specifically those manufactured in October and November of 2014. The shutter in affected bodies has been shown to "not function normally," sometimes resulting in shading of a portion of images. Nikon will repair affected cameras free of charge, even those with expired warranties. There has been no official word yet on whether grey market bodies are eligible for the service as well.
Jay P. Morgan of the Slanted Lens has recently created an image for Dynalite that is being used in their advertising. The concept for the image was to showcase a lot of motion, and the Dynalite Baja's motion stopping power. As part of the project Jay has created a behind the scenes instructional video that explains what it takes to properly freeze motion and action when working with studio lighting.
While looking for a new shoulder bag to use for family sessions and travel assignments, I came across Gura Gear's Chobe 19-24L expandable bag. It checked all the boxes I needed; airline carry-on-friendly, reasonably lightweight, laptop sleeve, configurable dividers, plenty of storage pockets, and room for things other than camera equipment. I have now taken it on several sessions here in Korea, and on my recent trips to Myanmar and Malaysia. For carrying a small kit, it has been a great bag. Here are my thoughts so far.
The morning of a shoot has arrived and you are running around frantically loading gear trying to make sure that you haven’t forgotten a lens, power cable, or battery that will be the key to making the shoot a success. In the haste of focusing on gear, it can be too easy to forget to load a few simple tools that can come to your rescue and make sure everyone is as happy as possible throughout the shoot.
Those lenses we all dream of owning but that only few truly need (and are able to afford) just got a refreshed introduction with a focus on weight reduction combined with the implementation of the latest lens coat and crystal technologies. With the new additions, however, come brand new price tags in excess of $2,000 more than the predecessors for the AF-S 500mm f/4E FL ED VR and AF-S 600mm f/4E FL ED VR lenses.
Nikon's latest DX-format lens offering is its most interesting and promising yet. Covering a 24-120mm full-frame-equivalent focal length, the lightweight 16-80mm f/2.8-4E features relatively fast apertures, an incredibly useful and dynamic focal length range (already proven with the popular full-frame 24-120mm f/4G ED VR), and professional treatments such as nano coating, an electromagnetic diaphragm, and even a fluorine coating on the front element.
Smell that? It's the once yearly aroma of cut grass, processed meats and the aftermath of a lit firecracker. And as the sun sets on July 4th, you're probably gearing up for an evening of fireworks to celebrate America's independence (unless you a reading this in one of the hundreds of other countries around the globe and then it's just 7/4 and a regular weekend).
As a former IT worker and all-around nerd, I was used to firmware updates having small changes to increase compatibility with new hardware and software; often allowing older BIOSes to support newer hardware, etc. Fujifilm's engineers have turned this concept on its head with their firmware updates, which have routinely introduced new features to existing cameras, and giving users the best that Fujifilm have been able to pull from their existing hardware. These changes have brought huge improvements to already great cameras. Fujifilm's new X-T1 Firmware 4.0 may just be the mother of all updates seen on an X-series camera yet.
After using the new firmware for just under 24 hours, on a job yesterday, and in the streets on the way out, I would like to share my thoughts on the changes so far.