Popular unmanned aerial vehicle manufacturer DJI has announced the release of the new Phantom 3. With new features like a return to home button, the ability to start recording as well as playback, and exposure control all built in to the controller, the Phantom 3 is packed with a laundry list of new features all aimed at making the flying experience as simple and effortless as possible.
Pictured above is the newest addition to the Lensbaby lens family. However, this classic styled glass isn’t just another portrait lens... and how could it be coming from the Lensbaby camp? The Velvet 56 is a solid, beautiful piece of camera hardware with more than one trick up its sleeve.
The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
I, like many photographers out there, don't have a studio, or don't have the money to rent out studio space every time I want to do a shoot. While shooting inside my house or garage is always an option, I found myself wanting to experiment more with ambient and natural light. Although I love shooting in a studio, a completely controlled environment, I learned shooting outside with backdrops was a great experience and taught me a lot about light.
Some of you thought that my post last week about photography accessories brand Photoflex suddenly closing its doors without warning after 30 years of business was a possible April Fools' joke. I wouldn't blame you since it seemed to be annouced late in the day prior to April 1st and they seemed to be a fully-functioning business right up until the final moments. I did email Photoflex to inquire about more information and they did just send back the following press release:
I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.
The One Man Crew from Redrock Micro was a treat for small interview productions, whereby a fully automated slider could capture subtle camera moves and add tremendous production value. It wasn't without a few issues though, and for the last few years we had been hearing about a version 2 that would address these. Redrock has finally delivered.
Get ready to leave your jaw on the floor. Brain Farm Cinema, the production company that is one of the global leaders for capturing ultra high quality, pioneering action sports and documentary cinematic digital video, has done something no one else has. They have just released this stunning footage showing what happens when you strap a very expensive high speed cinema camera, to a very expensive drone, and fly around trying not to have a $250,000 mishap. The footage is glorious, and is .
If you are like me, you have always bought a UV filter for each of your lens because that's what you are supposed to do, right? With today's lenses having built-in UV protection and high quality coatings, are UV filters even needed anymore? Check out this video by Karl Taylor as he weighs in on his personal thoughts about UV filters.
Last year Sigma made history when they released an 18-35mm zoom with a wicked-fast f/1.8 aperture. Up until then, the fastest wide-to-normal zoom you could get for your crop-sensor camera was something in the neighborhood of a 17-55mm f/2.8 (more than a full stop slower than the current offering from Sigma). In this video from The Camera Store TV, the new Sigma glass is tested against Nikon's fabulous f/1.8G wide-angle prime lineup.
Do you have any old hard drives kicking around? If you fancy yourself a bit of a DIY'er you might be pleasantly susprised at what you can make out of those old storage devices! Youtube user, Rulof Maker, shows us how to make a Steadicam out of 2 old hard drives and a few pieces from the hardware store. How's that for a fun spring project?
Two weeks ago we saw Tony Northrup comparing the Canon and Yongnuo 50mm 1.8 lenses with his thorough video. Now Kai of DigitalRevTV has decided to bring you his own version of this same comparison. In typical Kai fashion, his presentation is perhaps more humorous than scientific, but in between the jokes are some real kernels of truth. Take a look at how his analysis compares with Tony's and whether the Yongnuo copy is really worth the savings.
If you are fan of DIY projects or are on a budget, this tutorial shows you all the steps for creating a simple yet effective globe light modifier for Paul C. Buff (RIP) strobes like AlienBees and Einsteins. Unlike many other DIY modifiers, this globe actually attaches the exact same way the retail modifiers do. Best of all, you can buy everything you need for under $25!
If you're into macro photography, Adaptalux could be your new best friend. The new Kickstarter project is aimed to solve a lot of the lighting issues macro photographers face and offer new ways to light objects in creative ways. The Adaptalux is a small device with five ports and five adjustable LED lighting arms with different color outputs. The device can be mounted on the camera itself for on-the-go outdoors shooting, or can be placed off-camera in more controlled environments.