Photography Gear

The Sony a7R V was released just last week, and one of the interesting features about it is the AI autofocus feature. What exactly is that, and how is it going to affect how we shoot? 

I've always been a fan of seascape and waterfall photography. I love these dynamic environments and don't shy away from getting myself wet while closing in on the subject matter. The only thing that could hold me back was the intense spray I had to face while getting close to a stormy sea or a thundering waterfall. But no longer.

The 24-70mm f/2.8 lens is one of the most popular and important options out there, found in a huge range of genres and applications, where its combinations of a wide aperture and commonly used focal lengths make it a prized choice. That being said, such lenses tend to be rather expensive.

Alongside the new EOS R6 Mark II mirrorless camera, Canon recently announced the RF 135mm f/1.8 L IS USM lens, an update to one of its most respected and loved lenses, the EF 135mm f/2L. The company's RF portrait lenses have set high standards — very high, in fact. Can the 135mm f/1.8 L keep up? This great first look video examines the lens and the sort of images it can produce.  

Fujifilm has released the highly anticipated Fujifilm X-T5 camera featuring a back-illuminated 40.2-megapixel X-Trans CMOS 5 HR sensor, 5-axis IBIS, native low ISO of 125, X-Processor 5, 4K and 6K video capabilities, a whole host of other features, plus the return of the three-way tilting screen from the X-T3. So, who is the camera aimed at?  

Canon has just released the new Canon EOS R6 Mark II, and it looks like a rather impressive camera. Check out these first impressions to see if this new, upgraded model is a genuine step-up and worth your money. 

Sony has released the new a7R V camera body. It's laden with some incredible specs that you couldn't even have dreamed of in a camera a few short years ago, but is it really a game-changer? 

There are two kinds of light sources for video: LED lights and panels. Both have advantages and drawbacks. Which is the best choice when you’re on a budget? Should you choose an LED light or an LED panel? I made my choice, but now, I have my doubts. 

Fujifilm fans, rejoice! The company has announced the X-T5, the latest mirrorless camera in their popular and respected X Series, and it comes with some impressive new features and upgrades. They have also announced the Fujinon XF 30mm f/2.8 Macro lens, offering a versatile focal length and high magnification capabilities.  

Nikon has just announced their new Z 600mm f/4 TC VR S for the Z system. 

The Nikon Z 9 has proven itself to be an incredibly capable piece of gear for both stills and cinematography. With the announcement of the MC-N10 Remote Grip, the system just got better. 

In the last few years, I've found myself using my smartphone more and more as my video camera to capture life's moments. On an actual shoot, it's also not uncommon for me to use one as a b-camera. If that's you as well, here are nine great tools to help improve your smartphone videography (and a bonus tip). 

Color depth (also known as bit depth) is one of the properties of photos and video that is discussed less often than marquee features like resolution, but it has a deep impact on the quality and appearance of your work. If you are new to photo and video work, check out this great video tutorial that will show you everything you need to know about color depth.  

There are increasing rumors that the Canon EOS R6 Mark II mirrorless camera and RF 135mm f/1.8L IS USM lens are on their way soon, and now, more info on both has emerged, including expected prices.  

Canon Rumors is reporting more information on the upcoming Canon EOS R6 Mark II mirrorless camera and RF 135mm f/1.8L IS USM lens.

On-camera monitors are an essential tool for anyone doing video work, but a proper display is often quite expensive. Modern iPhones and iPads have spectacular screens, however, and in those displays are a ton of potential for filmmakers.

Camera filters have improved a great deal over the last decade. It wasn't that long ago when it was completely acceptable for filters to produce blue-cast images with a significant loss in detail. We now have manufacturers producing highly innovative filter systems, such as the new Kase Wolverine IV Magnetic filter system.  

The new OM-5 camera may, at first look, take you by surprise. However, you may have noticed that OM Digital Solutions (OMDS) knows what they are doing. As their first anniversary arrives, they yet again deliver another excellent camera for a specific type of photographer. 

It is no secret that photographers like wide-aperture lenses, and with the advent of mirrorless cameras, we have seen the release of many 50mm f/0.95 lenses, offering photographers ultra-narrow depth of field and loads of bokeh. One such lens is the Meike 50mm f/0.95, which offers that extra-wide aperture for a variety of APS-C mirrorless mounts and does so at a very affordable price.

Perhaps no accessory is more strongly associated with landscape photography than the tripod, and for good reason. That being said, some photographers insist on using them for every shot, no matter the circumstances. Can that actually be a hindrance? This great video dives into the use of tripods in landscape photography and why sometimes, it is better to just hold your camera.  

If you want to know how good your camera is, pushing its abilities as far as they will go is the way to find out. Combining speed, vibration, and low light stretches its photographic capabilities, and flying mud, rain, and thick fog help too.

Recently, rumors emerged saying that the Canon EOS R6 Mark II's release was imminent. That story continues, and it seems that in addition to the new camera next month, we will also see a mirrorless version of one of Canon's most legendary lessons.  

The OM System OM-5 mirrorless camera is here, and it brings with a lot of the company's innovative features and technology at a relatively affordable price. This excellent video review takes a look at the new camera and the sort of performance and image quality you can expect from it in practice. 

A wide-aperture 24mm lens is useful for a huge range of applications ranging from astro work to event photography, and when you add in macro capabilities and image stabilization, it becomes all the more versatile.

The AstrHori 85mm f/2.8 Macro & Tilt lens is one of the weirdest options you will come across, and at $329, it is also surprisingly affordable. So, what all can you do with it, and does it offer the performance and image quality needed to make all those strange functions worthwhile? This great video review takes a look at the lens and what you can expect.  

Venus Optics has established themselves as a company that produces unique and high-quality lenses that enable new and interesting creative approaches. Their newest lens is the Laowa Argus 25mm f/0.95 APS-C APO, made for a wide variety of APS-C mirrorless cameras.

The latest and greatest from Sony is finally here and the Sony A7RV has the latest in autofocus technology 

After a promising launch and a massive update with version 2.0, Nikon has announced the release of version 3.0 for their flagship mirrorless camera. 

Delivering an updated product once a year every year guarantees a spike of hype and sales, but brings with it some challenges — challenges that continue to get bigger as a product matures and competitors arrive. The GoPro HERO11 Black launched last month, but what do the latest upgrades mean for a company whose value has fallen by 90% from its peak just a few years ago? 

iPads have evolved from fun content consumption devices to seriously powerful creative tools, and they are fantastic options for a wide variety of photo and video work. The latest generations of the standard and Pro models are here, and they bring with them a wide variety of new and improved features.

The 24mm focal length is popular for offering a versatile wide angle of view, but not one so wide that significant distortion starts to become an issue. For Sony photographers and filmmakers, the FE 24mm f/2.8 G offers a very portable design meant to pair with company's lightweight mirrorless cameras to offer easy run-and-gun shooting.

Sony's recent ZV line of compact cameras has caught many people's attention for a number of reasons, particularly vlogging and video. But which is the best option for you and why? 

Each one of us has a favorite go-to lens, be that a prime, a wide angle, or a telephoto. There's always one lens we will tend to use more than the rest. But what if you could only take one lens with you on travels? What one would it be?  

Viltrox has earned a reputation for producing very affordable lenses whose image quality often surpasses what you might expect at their respective prices. And at $429, the AF 13mm f/1.4 lens continues that trend, offering a wide focal length and wide aperture for Sony, Fujifilm, and Nikon APS-C users.

If you dive into flash photography, it is said that manual flash is the only way to go. It offers full control over the amount of light. Although this is true, there are situations when TTL flash measurement is the better choice. I’m talking about on-camera flash photography. 

The Fujifilm X100 series of mirrorless cameras has long been popular for both its image quality and for the shooting experience it provides. If you have never used one and are curious about what it is like, check out this excellent video review that discusses just why it is such a fun camera to work with.  

The Sony a7 series has become one of the most highly respected and popular lines of mirrorless cameras, well known for offering an excellent balance of photo and video features that allow creatives to produce professional work in just about any situation. So, is the a7 IV still the hybrid camera to beat?

It seems like 2022 saw a big upgrade from the big three phone makers as far as cameras go. Google's Pixel 7 Pro, Samsung Galaxy S22 Ultra, and iPhone 14 Pro all made huge strides from previous iterations when it came to making images, but which one had the biggest improvement? 

GAS (Gear Acquisition Syndrome) is a real problem for most photographers, especially as we enter the holiday season. 

While Canon initially focused on full frame cameras and lenses with the RF mount, the release of cameras like the EOS R7 and EOS R10 and associated RF-S lenses has shown that the company also intends to develop APS-C options in tandem with the full frame line.

Tamron has established itself as a maker of both pragmatic lenses at practical prices and more unique designs that the photo world has not seen before. The new 20-40mm f/2.8 Di III VXD is one of those more unique designs, offering an interesting focal length range that sits between two more traditional zoom ranges (16-35mm and 24-70mm).

Macro lenses with short telephoto focal lengths are some of the most useful and flexible optics a photographer can own, giving you access to a world of detail all around us, but also doubling as a fantastic option for tack-sharp portraits and more.

With autofocus achieving superhuman heights in recent years, its ability seems limitless. But when narrative filmmaking, nothing beats the human touch. 

Canon makes some really impressive lenses, but of course, they come at prices that match that stellar performance. Do you really need that to spend that much, though, or would you be better off going with a more affordable option? This interesting video compares two 50mm options from the company to help you decide.  

Today, Blackmagic Design announced that its prominent post-production platform, DaVinci Resolve, will now be available on the Apple iPad. 

The new Tamron 20-40mm f/2.8 Di III VXD is one of the more interesting lenses to come along in a while, offering an intriguing focal length range that sacrifices reach at the long end compared to a 24-70mm for the ability to go wider than the usual 24mm, putting it somewhere between a standard zoom and an ultra-wide angle zoom.

One of the most consistent opportunities we have as photographers to earn money with our cameras is photographing real estate and hospitality properties, such as Airbnb rentals, and contrary to popular belief, it doesn’t take a huge investment to offer quality images for this purpose.  

When the Rotolight package was delivered to my doorstep, I was apprehensively excited. I was apprehensive because light is everything in photography, and LED lights are notorious for disappointing me. But I was not disappointed. To say I had to rip myself away from playing with it in the studio to type up my review would not be an exaggeration. This light is prodigious. 

The definition of a “cinema camera” seems to be ever evolving. So what are some of the things that set them apart from mirrorless? 

24mm lenses with wide apertures are some of the most versatile out there, offering a reasonably wide (though not overly so) focal length in tandem with a lot of light-gathering and subject-isolating power. The Canon RF 24mm f/1.8 Macro IS STM takes that versatility and adds in macro capabilities and image stabilization, making it quite the intriguing option.

Wedding photography generally requires at least two and often several lenses to get through the entire day, and as such, any lens that can take the place of a few offers a significant increase in convenience.