As a photographer, nothing defines your talent more than your ability to capture, create, and place the right light. Award-winning portrait photographer Sue Bryce joins studio lighting wunderkind Felix Kunze for a free, live, lighting masterclass covering the universally most-used portrait scenarios. You will learn how to work with both natural and studio light — so that you are prepared to walk into any environment and take a gorgeous photograph.
When each of us picks up our camera, whether it be for the first time or the ten-thousandth time, our finished work is a product of everything which has inspired us. Everything we've seen, everything we've done, everything we've learned and grown from can be seen in our work in at least some small part. That's why, I believe, it's important to not only look back at our work on a regular basis with an eye critical to how technically proficient we've become, but to look back at our work from an influence-based standpoint to see how much of ourselves we can find into our work.
Photographer Sam Hurd is sharing yet another one of his artistic photography techniques with his followers. He mastered The Brenizer Method, he basically had all of Amazon on backorder for Prisming, he ripped the lens mount right off his 50mm for Freelensing, and then he did some convex Lens Chimping. This time around, Sam attached an old anamorphic movie lens to his 85mm in order to shoot a very cinematic wide field of view. Take a look at how it works!
When you combine an amazing landscape photographer, a stunningly beautiful location, the brilliance of a strong team of film makers and a luxury brand that is synonymous with craftsmanship and excellence, magic does indeed happen. Welcome to the ‘Defining Moment’ by Audemars Piguet - and a redefining of what it means to "shoot a “commercial".
Known for its top of the line outdoor adventure camera bags and backpacks, F-Stop Gear recently unveiled the Loka Ultralight, or "UL," a revision of the popular Loka backpack. In this review I’ll go over the differences between the UL relative to its older brother, and point out who this pack is and isn’t for.
About four years ago - or about a month or so after I picked up a camera and decided I was a photographer - I thought it would be in my best interest to start up a Facebook Fan Page (as they were called back then). I assumed that because a few friends were liking the random collection of photos that I was posting to my personal Facebook page, strangers - and eventually clients - would find my Fan Page, like it, and then money and fame would come rolling in.
What happens when two filmmakers get together, fill a suitcase with camera gear and hop on a plane? In the case of Preston Kanak and Brent Foster, a great work of digital cinema. With only a rough idea of what they wanted, much was left to chance as these two spent 8 days in Havana, Cuba. Read on for the final film and some insight from the creators.
One of the hardest parts of filming on moving sets such as moving cars or trains is to maintain perfect lighting in a way that makes sense to the viewer. There are many obstacles the filmmakers have to deal with when shooting on a moving set, like how to move the lights while keeping it on the same angle while the vehicle is moving and how to keep the camera shot steady and focused on the subject. Check out this great BTS video showing how filmmakers in China solved these problems.
Although it would seem like common sense, proper motivation is key toward not only getting things done, but getting things done well. This is true in any creative field and this is especially true, it seems, in the over-saturated everybody-with-a-camera-is-a-photographer world we live in.
"It is not about getting as close as possible, but to capture the feeling of being there. I don't want to just look into their world, I want to be a part of it." Asgeir Helgestad is a photographer from Norway whose wildlife imagery seems to step inside the world of the animal. In this short video, Asegir explains why he chose this pursuit, and what he hopes to convey with his work. Worth the watch in HD and fullscreen.
Always be positive. Always. Be. Positive. Positivity and genuine excitement about what you are doing will always move you forward. Not only will it affect your mood and work ethic, but it will affect your subject’s mood on set. Building the confidence of your subject through the direction you give will bring out the best that they have to offer.
Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I've been asked dozens of times about the coloring and process behind my imagery. Well, I've finally broken it all down in one quick tutorial.
Mary Ellen Mark is one of the world’s greatest and most influential documentary photographers. Next month, 65 years after she took her first photograph, she will be the recipient of the Sony World Photography “Outstanding Contribution to Photography” 2014 Award. What is it that earns a photographer such an esteemed accolade? Let's take a brief look at her work to find out.
"Oh, so you're a photographer now...?"
It's a question I'm sure each of us has heard. Coming to us from a friend and/or family member that we haven't seen in a while, maybe those who we're remotely connected to on any one of the social media platforms where we post our work. It rings of sarcasm, and while I don't believe it's meant to hurt us, truthfully, it kind of does.