I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.
Jeffrey Mckee is a Lawrence, KS-based photographer and a graphic designer for the Spencer Museum of Art at the University of Kansas. His colorful portraits, created with Polaroid instant film, evoke a sense of dreamy playfulness.
Like so many 20th century processes, Polaroid photography is a format far less common than its digital counterparts. However, equipment and film for instant photography have been made more accessible in recent years.
It's been 3 years since Fstoppers' Patrick Hall posted on the Midway project, where Seattle-based photographer Chris Jordan made us aware of the horrific plight of albatrosses living on the Midway Atoll in the North Pacific Ocean. Since then Chris and his team have put together this short film documenting the tragedy that plagues the inhabitants of the island, where the Great Pacific Garbage Patch continues to kill. This short is a bit of a teaser for their featured film due to be released later this year.
If you are a lifestyle photographer one of your jobs is to make your images look natural- not stiff, not awkward, and definitely not staged. Your audience should see your images as moments that were going to happen regardless of whether or not you were there to capture it. The imagery that Roxy uses in their advertising is a spot-on example of this. Their photographic brand is made up of images of surfer girls living their carefree, summer lifestyle. Each image is a moment.
You probably know that getting your uploads to look sharp on screen, in print and on social media goes beyond resizing. Now, resizing is incredibly important in order to retain the optimum quality for sites such as Facebook, but there is an element far deeper than that and it is not often discussed. This is the secret to getting your images looking “sharper” no matter the medium.
When I first picked up a DSLR and got a taste of artificial lighting, I loved shooting in darkness. I felt like I could control light a lot easier without having to fight the ambiance of a location or sun. Using an array of speedlights, I would light the location and subject how I wanted. Sometimes, that included putting speedlights in lamps or mounting them in the background. Eventually, that style took a sharp 180 degree turn, now I love using natural light in my favor to create a dramatic portrait.
One of the most important things to know as a photographer is how to balance available light with controlled light. Unfortunately, many in the industry lack the knowledge and the techniques of how to do it. Watch this short video to learn the basics on balancing light bulbs (constant light) with strobes (controlled light) - simple and important.
I would like to wrap up my Secrets to Crafting Top-Quality Beauty Portraits series in a quick roundup on the most common mistakes I have been noticing beginner Beauty photographers make.
I will sure talk more about Beauty photography in the future, but I'd like to summarize a few things at this point.
This year's most notable ski film, "Into The Mind" wasn't just your average sports reel. Camp 4 Collective and Sherpas Cinema put together a visually striking feature, along with a narrative that is filled with symbolism. In this behind the scenes video, the filmmakers discuss how certain shots came about, and how the story elements came together serendipitously.
I am continuing my series of articles about creating stunning Beauty portraits and I would like to talk about on location lighting today. Please note that not only are we talking about advertising Beauty photography, examples of which you may see in the cosmetics section of a department store, or in fashion magazine ads, but we are also talking about simple female Beauty portraits that many of you are probably often hired to photograph for your female clients locally.
This powerful timelapse video called "Wyoming Wildscapes II" was put together by photographer Nicolaus Wegner. Taking 14 months, this video covers the cycle of the seasons, the shifting of the landscape, and the ever-changing weather. To find out more about this project, I interviewed Nicolaus and asked about his gear, workflow, and experiences.
I’ve just had Selina’s answers back for this interview and feel sick. Some numbers - 80 hours shooting, 7000+ stills, 40+ hours of rendering, sleeping in shifts to meet deadlines. I thought my current project was tough - compared to her's, I feel like I'm sat on a beach drinking a piña colada. Her video “Limitless” has had 6+ million views in 2 weeks, so all her hard work paid off. Read on to find out how she put this beautiful video together.
One of the biggest niches in commercial photography today is food photography. We've all had the same experience, walk into a small local restaurant and ask to see their menu. The photos look atrocious and you wonder to yourself, "who took these photos?" You know you can probably do a better job, but how much better can you really do? "Photographing Food" an ebook series by Taylor Mathis helps you take ordinary food photos and makes them extraordinary.
Like many of us, Adrian Klein enjoyed photography while doing other activities. Once that became his primary focus, he needed to figure out how to document what he was doing at a higher level. Today, he is a successful landscape photographer and workshop instructor. In this video, Adrian tells his story of how capturing the journey is more important than just chasing the sunrise.