Scott Rankin’s calmly stunning photographs initially caught my eye on Instagram, and I reached out to him to talk a little about his process. Like so many others in the digital age, Rankin’s interest in photography was sparked after joining Instagram, where the ease of shooting prompted the couple to start spending weekends going on photo walks. Drawn to landscapes involving human elements like silhouettes or a lone figure, Rankin says, “I love the idea of small people surrounded by big nature.”
Polish photographer Emil Stankiewicz’s has created a unique, handmade Talbotype camera nicknamed Idlozi, which means “window to your heritage soul.” Each unique image captured by the wooden camera starts as a paper negative which is then rephotographed with the same box camera to yield a positive print. The camera also known as a “street camera” or “á la minute camera” are inspired by Henry Fox Talbot’s calotype, the British inventor who was able to create a paper negative from which positive prints could be contact printed.
There are a few behind the scenes videos out there that show photographers working with ice climbers, but often the climbs are right next to the road, making it convenient to bring tons of gear, power, and spend all day getting coverage. So what does it take to create those images when you're miles deep into the woods, and can only take what you can carry on your back? In this behind the scenes video, I'll show you the challenges of such a shoot.
The night sky is an astounding phenomenon that fascinates almost every individual. Stars have been around for thousands of years and yet, humankind is still mesmerized by their beauty. Despite the distance, we have such a strong connection and love for these great unknown entities. Capturing the magnificence of the night sky is highly rewarding and can be an exciting process as well.
I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.
Jeffrey Mckee is a Lawrence, KS-based photographer and a graphic designer for the Spencer Museum of Art at the University of Kansas. His colorful portraits, created with Polaroid instant film, evoke a sense of dreamy playfulness.
Like so many 20th century processes, Polaroid photography is a format far less common than its digital counterparts. However, equipment and film for instant photography have been made more accessible in recent years.
It's been 3 years since Fstoppers' Patrick Hall posted on the Midway project, where Seattle-based photographer Chris Jordan made us aware of the horrific plight of albatrosses living on the Midway Atoll in the North Pacific Ocean. Since then Chris and his team have put together this short film documenting the tragedy that plagues the inhabitants of the island, where the Great Pacific Garbage Patch continues to kill. This short is a bit of a teaser for their featured film due to be released later this year.
If you are a lifestyle photographer one of your jobs is to make your images look natural- not stiff, not awkward, and definitely not staged. Your audience should see your images as moments that were going to happen regardless of whether or not you were there to capture it. The imagery that Roxy uses in their advertising is a spot-on example of this. Their photographic brand is made up of images of surfer girls living their carefree, summer lifestyle. Each image is a moment.
You probably know that getting your uploads to look sharp on screen, in print and on social media goes beyond resizing. Now, resizing is incredibly important in order to retain the optimum quality for sites such as Facebook, but there is an element far deeper than that and it is not often discussed. This is the secret to getting your images looking “sharper” no matter the medium.
When I first picked up a DSLR and got a taste of artificial lighting, I loved shooting in darkness. I felt like I could control light a lot easier without having to fight the ambiance of a location or sun. Using an array of speedlights, I would light the location and subject how I wanted. Sometimes, that included putting speedlights in lamps or mounting them in the background. Eventually, that style took a sharp 180 degree turn, now I love using natural light in my favor to create a dramatic portrait.
One of the most important things to know as a photographer is how to balance available light with controlled light. Unfortunately, many in the industry lack the knowledge and the techniques of how to do it. Watch this short video to learn the basics on balancing light bulbs (constant light) with strobes (controlled light) - simple and important.
I would like to wrap up my Secrets to Crafting Top-Quality Beauty Portraits series in a quick roundup on the most common mistakes I have been noticing beginner Beauty photographers make.
I will sure talk more about Beauty photography in the future, but I'd like to summarize a few things at this point.
This year's most notable ski film, "Into The Mind" wasn't just your average sports reel. Camp 4 Collective and Sherpas Cinema put together a visually striking feature, along with a narrative that is filled with symbolism. In this behind the scenes video, the filmmakers discuss how certain shots came about, and how the story elements came together serendipitously.
I am continuing my series of articles about creating stunning Beauty portraits and I would like to talk about on location lighting today. Please note that not only are we talking about advertising Beauty photography, examples of which you may see in the cosmetics section of a department store, or in fashion magazine ads, but we are also talking about simple female Beauty portraits that many of you are probably often hired to photograph for your female clients locally.