Natural Light

Stanley Kubrick was one of the most acclaimed producers and directors in American cinematography (the Shining is one of my all time favorites). Back in 1975, Stanley directed the three hour masterpiece Barry Lyndon. From a photography standpoint, the film is most noted for Stanley's use of Mitchell BNC cameras mounted with NASA Zeiss f/0.7 50mm lenses.

Kevin Winzeler, a commercial photographer based out of Salt Lake City, Utah, had an amazing opportunity this summer to travel to New Zealand for one of his advertising shoots for Altra Footwear. He shot both in the studio for the initial product shots, but he also took the shoot outdoors in some amazing New Zealand locations for some actions images, as well.

Lighting Asylum has brought us this informative look behind the scenes of a sunset portrait shoot, and it gets pretty in depth with how the photographer handles over-exposed back lighting, poor color in the clouds, and flash positioning. The photographer gives some insight on his process for camera settings, and even shows how he gels a flash to get the sky to change colors.

Alright, seriously. I keep telling myself that I'm sick of timelapses, that I don't need to watch five minutes of clouds, or that I don't need to watch a million cars stream past at lightspeed. We get it, we've seen a million sunsets, we've seen the stars pan overhead as the camera moves on a dolly. And then I watched 'Very Little Stars' by Ben Wiggins, and I took it all back. Oh my goodness. This movie is

Giuliano Bekor is an amazing commercial and advertising photographer based out of Los Angeles. Recently he traveled down to Australia to produce a short editorial film for the clothing company Merchant 1948. The concept involves a set of short films based around the idea of models finding a ton of cash and avoiding the police by flying away in vintage airplanes. As ridiculous as that sounds, Giuliano's execution makes for a really entertaining editorial spread.

FS Reader Clifford Pate brought these images to our attention, asking if the DSLR Russuian cosmonaut Gennady Padalka was using on the International Space Station was a Nikon or a Canon. That legendary DSLR battle aside, it's cool to see how the cosmonauts work with a DSLR, and the kind of equipment that goes into the process (beyond just the camera).

Talented Magnum Photographer, Christopher Anderson, experienced something that completely changed his life. In June 2000, while traveling in Haiti, he met writer Michael Finkel and together they documented a group of 44 Haitians on their journey to the United States. A few days after they set sail, they realized the handmade boat was sinking. Anderson’s first reaction was to continue taking pictures – even though he knew there was a chance they may never be seen.

Idaho photographer Jim Harmer over at ImprovePhotography.com takes the time to give you the low down on shooting the night's Milky Way. All you trolls out there be nice cause Jim froze his butt off on this one and he is just so damn likable.

Besides being an excellent photographer, Blair Bunting (who you may remember from our Lamborghini Aventador video) is an avid aeronautics hobbyist. He recently had the opportunity to photograph a U.S. military F-16, which was an honor in itself. But when he was offered the chance to fly in the jet, the experience was once in a lifetime. Check out the GoPro madness!

Trey Ratcliff, the world's foremost HDR guru, recently relocated to Queenstown, New Zealand, which is quite possibly the most beautiful little town in the world. He just released a timelapse video of his first thirty days and thirty nights spent in the town, and it is definitely worth a watch - especially in the native 4k format. Wow! Whether or not you like Trey's work (we all know how polarizing it is) this little video

Specialized lenses are tricky things. Since they are built for a set of specific purposes in mind, they really need to follow through on that small list of tasks lest they be discarded as an unnecessary expenditure. That is a lot of pressure to make an outstanding lens, so how did Sigma fare with their new 180mm f/2.8 macro? Is it a good addition to your lens collection?

In this behind the scenes lighting lesson, Jay P. Morgan of The Slanted Lens does something we might not often think to do: he uses the natural sunlight and turns it into moonlight-like light for this 1920's "speakeasy-themed" shoot. Believe it or not, he was able to achieve moonlight all in the camera - no post processing involved. So with a couple of tungsten lights, gels and sunlight, Jay P. has shown us a great idea that can easily be mimicked in your own shoot.

If you watch TV shows through any medium, there's a decent chance you've seen Geico's new Money Motorcycle Man. DCP Productions was kind enough to give a little behind the scenes on how they utilized 3D capture technology to video the money man and give him an HDR look. While the HDR effect has been explored extensively in the arena of stills, using it in video with 3D technology is quite innovative.

Since he posted this image on his facebook profile, Shawn Heinrich's image has drawn a lot of attention. Many have stated the the shot is just a little too perfect to have happened all at once. Upon first glance, what do you think?

Everybody know's Hawaii can be a dream vacation. Aaron Feinberg shows us how beautiful it actually can be. In three days, he traveled around the island of Kauai and spent the best hours of the day photographing some of the most beautiful places of the island.

Filmed on a Super 8 camera without audio or narration, this is a clip for the true Star Wars aficionado. Created by Jeff Broz, this series of clips affords us a rare glimpse into the making of an incredible blockbuster film that is adored the world over. There are a number of recognizable iconic scenes visible in their rough and unedited form.

Love him or hate him, you can't deny that Peter Lik's got quite the penchant for getting the shot. In this video, Peter takes us deep into some abandoned subway tunnels and high over the skyscrapers of NYC as he shows us some of the locations and setups that he uses to create his photographs. We get a nice look at the finished results, which, to me at least,

Film makers Deep Green Sea follow guitar maker Vassilis Lazarides through the entire process of making one of his beautiful handcrafted classical guitars. A lot of wood, love, knowledge and 299 hours of work are condensed into this 3 minute film. Enjoy!

In what may well be the most outrageous photo shoot that I have ever seen, Olaf Hauschulz was presented with what must be an incredibly rare opportunity to shoot a Lamborghini Gallardo for Lamborghini Magazine. The setting? High in the snow-covered mountain ranges of Romania, with the car drifting around corners, inches from guardrails

Tom Lowe's Timescapes documentary has been in the works now for over two years, and it is finally complete! Timescapes is the first movie to be sold to the public in full 4K resolution. Shot on the Red Epic and with Canon Lenses, Tom's outdoor documentary features some of the most amazing scenes I've ever seen from Yosemite, the Joshua Tree, and other parts of Western America. Tom has a great write up about the movie on Timescapes.org and you can buy the movie here. This was one of the first posts on Fstoppers and we are excited to see the final production; congrats Tom!

Skater Kilian Martin sets new standards in the world of skateboarding. Mb! joined forces with Killian and filmmaker Brett Novak to create his newest video "Kilian Martin: Altered Route". Aside from the fact that Killian does things with a skateboard that I have never seen anyone else do ... ever, Brett captures each trick and angle perfectly. I especially love the way Brett juxtaposed the nostalgic clips from the water park back in it's heyday to it's current ghost-townly state. Enjoy!

Most of us have seen some masterful camerawork when it comes to breathtaking time-lapses. Sean White sets a new precedent with this creation by gathering images from a total of 24 countries on all seven continents over the course of six years. The project was funded by Art Wolfe.

Wow, I just ran across this short on Vimeo and was so impressed with the concept and execution of James W Griffiths' "Splitscreen: A Love Story". James shot the entire video on a Nokia N8 cell phone as the short was created for the Nokia Shorts Competition in 2011. "Splitscreen" won first place in the competition and was nominated for a vimeo award. The video quality isn't great, but they did a great job in putting it all together. Very cool stuff. Enjoy!

What have you done to get the shot today? Parked your car, walked into a studio? Plunked down a tripod on a sandy, tropical beach? Fiddled with some macro rails? South African aviation photographer Justin de Reuck unstrapped a good deal of his harness, slid open the canopy, and took photos at what I'm guessing is 100 knots, mere feet from the ground. I'm not sure how that plane actually took off with Justin's balls of steel on board, because man, they must be huge.

We recently interviewed LensRentals and asked them about humorous (or rather, sad) situations in which gear came back totally destroyed or rendered otherwise unusable. Turns out nothing could have prepared anyone at LensRentals for what happened this week in Yellowstone when a bear commandeered a Nikon 600 and D4.

Team Nine brings the greens, greys and sometimes blues of Iceland to you in the beautifully composed Shutter Ísland. Filmed with a Canon 7D, using a Sigma 30mm f/1.4 lens, the film short shows both the capabilities of DSLR HD video and the team’s eye for composition — proving one lens is all you need. For a photo-based tour, consider viewing Iwan Bigler’s Flickr set of photo stills here. I am already looking forward to their next trip. Great job Team Nine!

Matt Kleiner is currently directing RUSTY'S new signature film due out early next year. This short film is made up of just some of the "leftover" clips that the team filmed over a 4 day period while the light and surf was perfect. Man, I wish my leftover clips were this rad! Matt calls this surf short "LIGHT // The Natural Agent That Stimulates Sight". Enjoy!