Paris-based Photojournalist Maya Vidon-White on Saturday called it "good news for photojournalism." But in a New York Times article, she is quoted as saying: "I don't feel a total sense of relief." Vidon-White was facing criminal charges in France for a photo she took of a victim of the November 2015 terror attacks in Paris, which was then sold to United Press International (UPI), a news agency, which in turn sold it to a French news agency. The image was ultimately published in a French magazine. The victim's family pressed charges under the nation's privacy laws, which are much stricter than U.S. laws.
One of the biggest concerns about drones is their usage around airports. Several recent close calls have left the government scrambling to continue to catch up to the quickly evolving capabilities and usages of the flying cameras. The FAA is now testing a new system for detecting unauthorized drones near airports.
Despite the explosion of interest in drones with cameras, one place you're not likely to see them used in the near future is commercial television newsrooms. A just released annual survey by the Radio Television Digital News Association and Hoftsra University reveals most stations have not used drones with cameras and don't plan on using them. Why you ask? That makes no sense. From a photographer or producer or reporter's perspective, it doesn't. These Unmanned Aircraft Systems (UAS), as the FAA refers to them, are far cheaper than a news helicopter to acquire and operate and can get closer to the action.
Seventeen years ago, when digital photography and the Internet were still very much in their infancy, Michael Reichmann and Chris Sanderson started The Luminous Landscape. With his no-nonsense approach, vast experience and technical knowledge, and objective, even-handed approach, Reichmann shaped how we write and think about photography in the modern age.
MacPhun is a popular à la carte Mac photo-editing software company that offers a variety of solutions for various editing needs. For the next week and a half, they're offering their entire suite of products for a price of $129, compared to the $2,000 that it would normally cost. Is $2,000 a little steep for all of this? Sure. But at $129, some will find it hard to pass up these standalone, subscription-free editing tools. Creative Kit customers can save even more.
Nikon Rumors reports that Nikon has added several professional DSLR bodies to a list of those allowed to be serviced at authorized thirdy-party repair centers in the United States. This means that for many, both your grey market and USA model bodies can now be serviced within the U.S. for the first time. The list of service centers offering repairs on these bodies is still limited at around seven or eight total, but that's still seven or eight more than it was yesterday.
Let me get to the point: Adobe Spark could be the company’s biggest release yet. For veteran Adobe users, it might not seem as exciting as a new Creative Cloud update; but the combination of its ease of use, ingenious functionality, and truly professional results give it the potential to aid far more people than Photoshop ever will — no, really. This is helped immensely by the fact that Spark’s launch is amongst the most impressive I’ve ever seen, as Adobe Spark launches today with the maturity of a decade-old product. And it’s completely free.
Imagine a world where a simple blink will simply freeze time; where the amount of blinks you take are the amount of photos captured. Well Sony is making this possible with their new patent of camera lens contacts. Yes a contact lens that enables us to just blink and captures the moment. The images may be individual still photographs or sequences of images, depending on your blinks. This might be straight out of a movie like "Mission Impossible" or "Minority Report," but the future seems to be around the corner for this kind of technology.
Google's Cultural Institute was founded in 2011 with the goal of having "important cultural material available and accessible to everyone and to digitally preserve it to educate and inspire future generations." In their pursuit of said goal, Google has just announced their new Art Camera; a robotically controlled gigapixel camera specifically designed for photographing some of the finest works of art in existence.
Broncolor announced two battery-powered strobes today. Coming in 400-joule and 800-joule variants, offering flash durations of as little as 1/19,000s, and in a similar power option, the new Siros L strobes are clearly aimed at the 500-watt Profoto B1 with nearly identical features in all but one area, depending on what's most important to you.
A number of iOS and Android apps rake in huge sums of money by promising heavy Instagram users access to a multitude of account information and analytics. It's no secret that Instagram could capitalize on this in a huge way. Naturally, they don't plan on charging for the service. Instead, they're likely counting on it to boost user interaction. But we do finally know what the new "Insights" feature will offer and how it will look.
You have to be really into iPhonography if you're going to share your pocket with awkwardly bulgy lenses. Finally, we can thank BLIPS for their micro and macro lenses that are so thin, you can still slide your phone into your pocket after you literally just stick on the lenses.
Canon has announced the Speedlite 600EX II-RT flash and EF-M 28mm f/3.5 Macro IS STM lens. The 600EX II-RT improves upon Canon's flagship Speedlite with faster recycling times and other features, while the EF-M 28mm f/3.5 offers a unique new feature and gives us some very interesting insight into the future of the Canon brand.