WPPI is less than 4 weeks away! The largest annual industry event for photographers and filmmakers that draws in over 13,000+ people to learn new techniques, build relationships, experience new products and find solutions for their business. This will be my 6th year attending WPPI and so I wanted to use my experience to share some valuable tips I have learned throughout the years.
With modern technology within Adobe Camera Raw, you're limiting yourself considerably when shooting in JPEG. However, by shooting in Raw, you're removing the purpose of many of the features within the camera. Settings such as 'Picture Style' serve no real purpose when shooting in Raw, because all the adjustments added to photos, will be stripped when put on your computer. Regardless, I shoot in monochromatic, and it has helped my work considerably.
Photographers and artists alike are extremely passionate people. With strict deadlines and hectic schedules, we all have the tendency to jump the gun and act or open our mouth before taking a step back from the situation. There is one word which you will be hearing a lot throughout this article. It is a trait at the core of what we do and it’s very much a necessary virtue: patience.
I love photo books but you’ll rarely catch me with my nose inside a book by a photographer. Then there are short bursts of frenetic reading interspersed throughout the literary vacuum. So when I’m trying to desperately get advanced copies of a 700-page book written by a photographer, something weird is going on.
I don’t know about you guys, but when Sigma announced the 24-105mm f/4 lens last year, I got very excited. The Canon 24-105mm f/4 was one of my favorite video lenses early on. It’s an extremely versatile focal length that, besides the slow f/4 constant aperture, was largely pretty usable in nearly any environment. Sadly, the lens was only good for video because it just wasn’t very sharp. That’s why Sigma’s attempt got me so jazzed. Based on prior experience with their Art line, I had high expectations for Sigma's new zoom lens.
Last month we posted an article about a unique LED lighting solution called “Strahlen” that was crowdfunding. On paper, the specs of these lights look great, but how well do they perform in a real production setting? I got my hands on a kit of Strahlens, and after an interview shoot with them I found out that they were the real deal.
I recently came upon an exhibit entitled “Faces In The Crowd” by photographer Alex Prager and it really got me thinking. Not about the creativity, the concept, or the message. I wasn’t even thinking about any of the technical aspects that would have gone into creating these images. As my eyes wandered across the sea of people represented in her images I had but one thought in my mind; it took one amazing director to pull this off.
As wedding photographers we are hired to show up and photograph one of the most important days in the life of our clients. So what happens if you get sick, or even die, with weddings jobs under contract? Do you have a plan? This week I had an eye opening experience that made me rethink my own plan. Here's my story and some tips to help you develop a plan of your own.
“There was a sniper, he was trying to kill me, and he hit my camera which was by my face, and I still have that Nikon camera with a bullet hole in it". So begins one of the most compelling interviews I’ve ever seen. Welcome to a rip-roaring three minutes and twenty seconds of a wonderful journey into the mind of Don McCullin.
Boston Magazine’s May 2013 cover image by photographer Mitchell Feinberg depicted running shoes from Boston marathoners shaped into a heart. It was a fitting, smartly conceived statement to a city recuperating from the terror of the finish line marathon bomb attacks. To promote the upcoming Bath Half Marathon 2014, Bath Magazine in the UK printed a cover image almost identical to the Boston edition, sparking an internet controversy.
If there was a camera that really got people talking in 2013, it was the Sony a7 and a7R. Hailed as a “game changer” and “camera of the year” by both PDN and PopPhoto, it’s gotten a lot of attention. A full frame, powerful and purportedly pro-level mirrorless compact, what’s not to love? Many Sony fans were quick to hail it as the beginning of the end for the DSLR, and even many DSLR shooters seemed ready to join them. I’ve been shooting with the a7R for a few weeks now, and it’s time I laid down my personal verdict on this camera.
Your quickest way to becoming a better photographer is real world experience from a seasoned photographer. As studio manager for a busy studio servicing the commercial advertising world we have a crew of assistants in multiple cities that we rely on heavily. All of which need to understand the following rules, mores, and tips to get you to become the best assistant in the industry.
Whether you love or loathe Instagram, today's post looks at just how powerful a tool it can be. Last week, a friend took a simple shot from his bedroom window. Within an hour, it was picked up by the AP, and began appearing in major publications nationally. Depending on how you treat it, Instagram can be a firecracker or a stick of dynamite for your business and social presence. The punch it packs is up to you.
This year, Leica turns 100. The “Leitz”, the first camera for 35mm film, was brought to market back in 1914 by Oskar Barnack. Just what is it it that makes Leicas so special in the eyes of so many great photographers, and does this justify the often insane costs of ownership?
About 15 years ago, the first DSLR was introduced. The Nikon D1 showed consumers that digital was the future, and was quickly superseded by the Canon 1D. Sporting just 2.7 megapixels (and 4.15 megapixels for the Canon D1), the technology wasn't quite there to make the DSLR groundbreaking. 15 years later, the DSLR has become the staple for photographers everywhere. So where will we be in say, another 15 years?