Opinion

Why Do Photographers Hate Photoshop?

According to what I've been noticing in a lot of the comments posted here on Fstoppers, there seems to be plenty of photographers who absolutely hate Photoshop. So lets have a bit of a discussion.

Technology has become part of everything in our lives. Cars get better and better. Phones have become portable and are now the size of a credit card.

Breaking Through The Imposter Syndrome To Become Successful

Have you ever felt inadequate as a creative artist? Have you internally credited luck to your success rather than give yourself credit for the hard work you put in to get where you are today? Maybe you even just feel like a fake? All of this even though you have worked your ass off to become the successful artist you are today. I know I personally have felt this way on numerous occasions. It wasn't until photographer Sascha Reinking shared a post he got from Brian Friedman in a Facebook group that I realized there is a name for this condition.

Stop Holding Yourself Back

I wrote recently about the importance of developing your own style. One of the worst things any creative professional can do is to get sucked into thinking about what work we should be doing or how we should be doing it. When was the last time you looked at someone else’s work and thought “Wow that’s really good. I really need to be doing something like that”? For me, it was earlier this morning. It’s totally normal and intuitive behavior.

How To Change Your Lighting Setup (After The Shoot)

When was the last time you looked back at an image and noticed something about the lighting that you wished you could tweak or alter slightly? I’m sure most of us have been in this position at one time or another. Up until now, it’s simply not been possible to even imagine being able to do this. Welcome to the strange new world of “computational lighting design”

Choose Your Clients Wisely

When this post is published I will be on my way to Moscow, Russia somewhere above the North Atlantic Ocean. I have a couple of shoots booked with my regular clients there, and my relationships with those clients are so great and long-lasting that they inspired me to write this article.

Confessions Of A Pro Photographer: Corey Rich’s Top 4 Photo Bombs

As a fellow commercial photographer I know that clients come to us for consistency and reliability. They hire us because when they are spending the big bucks on advertising campaigns they don’t want to leave things up to chance. It is part of our job to deliver the end product on time and free of flaws, but even a professional at the top of their game still battles with human error.

The Best Video Combining Stills and Motion We're Going to See All Year

It’s interesting times for those of us shooting photo and video. I enjoy highlighting photographers or videographers who are utilizing elements of both stills and motion work, and are pushing the creative envelope by integrating them so that the end result is more than just the sum of the individual parts. I'm going to go all in and lay my cards down here and say that the video in this post is going to be the most innovative, creative use of combining stills and video together that we’ll see in 2013.

Kodak to Exit Bankruptcy As Commercial Printing Company

A plan which cuts about $4.1 billion of debt for Eastman Kodak was approved by US bankruptcy judge Allan Gropper yesterday. The plan allows Kodak to reorganize itself into a company that will actually provide no consumer products but will instead focus on printing technology for corporate customers. This is good news for the company on the whole by saving it from extinction, but it does nothing to compensate shareholders.

The Little Business Practices That Make a World of Difference

So you know your business inside and out and your image quality is top notch, but there's always room for improvement. A factor that many people overlook is the experience that a client has when they work with them, being on one side of the operations gives you a very different perspective and because of this you could be overlooking little important details that make the world of difference. I've been working as a full time commercial photographer for a year now, and in that time I've learned a lot from not only my own client interactions, but the other businesses I've worked with as well.

The Only Thing You Need To Do To Become a Better Photographer

There is nothing I love more than when someone takes the gloves off and drops a serious dose of truth. Especially about getting better as a photographer, and even more so in the age of "I'll fix it in post." In this video from 30-year veteran documentary photographer John Free offers some great advice for becoming a better street photographer, and absolutely perfect advice on becoming a better photographer overall.

One Of The Best Online Photography Resources You Might Not Have Even Heard Of

In continuing to bring you low cost or free resources to improve your photography, I’d like to introduce you to The Candid Frame (TCF), a podcast that features interviews of different photographers that’s been running since 2006. TCF is hosted by Ibarionex Perrello, a photographer, writer and educator based in Southern California. Regardless of what you shoot, I consider it one of the most outstanding resources for photographers. Did I mention it’s also completely free?

34 Ways to Stay Creative

A while back I was struggling with a creative impasse in my work. I wasn't inspired by anything, and really wasn't motivated to do anything related to photography. So I did what any self-respecting creative would do. I asked Google to help! What it gave me was a poster that listed 33 ways to stay creative! I have no idea who created this nugget of amazing, or where it was originally posted; if you know, fill me in because this person deserves some major credit!

The Changing Face of the Music Video and What We Can All Learn From It

The music we use in our work, whether for videos or slide shows for stills images, is an integral part of the narrative and story we are trying tell. The genre, artist and music track we choose, sets the tone for the entire story we wish to tell. I treat music as the keystone that underpins the visual story of a BTS video, commercial work, documentary piece or creative editorial shoot that I am working on.