Opinion

We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.

In the fight against online image theft there is a new player and they are coming into the arena with a bang! Pixsy is a new copyright infingement software that looks to help photographers around the globe tackle an issue that plagues the industry and for the most part goes unresolved. Fighting copyright infringement can be a long and costly ordeal and Pixsy hopes to be your one stop solution for fair compensation.

Anthony Duron and Mark Rainwater were one of the first same-sex couples married in Indiana on June 27th, 2014 after a federal judge overturned the state's ban on gay marriage. Unfortunately, a federal appeals court put a hold on the ruling and they have been waiting in a sort of limbo ever since. The U.S. Supreme Court is currently deciding whether to hear the issue of gay marriage from several states, so many couples like Anthony and Mark have been waiting anxiously for vindication over the last three months. I was honored with the opportunity to take portraits of these two gentlemen and I learned a lot about love and life along the way.

I'm always moving around, which can make doing work on the road an absolutely nightmare. Between travel for photography, workshops and the general need for some decompression, I find myself packing for travel much more often than I expect. After years of just shutting off while on the road, I've finally developed to ways to make traveling as a photographer easier.

Perhaps it's only my opinion but I believe that one of the fastest ways to fail in business is to try to do too much, for too many people. Right behind that is producing a product that nobody wants, but we'll get to that beast later. When I talk with photographers looking to go pro, the first thing I ask them is what they intend to shoot. A solid 80% of the time their response is something like "well, some weddings, family portraits, maybe kids, and seniors too."

Retouching problems start well before we sit down in front of the computer and begin pushing pixels around. I know this because as I reflect on my past work, I realize that I’m as guilty of making countless mistakes as much as anyone else. Rather than talk about techniques like dodging and burning, frequency separation, etc. let’s focus on more high level problems that might be leading you in the wrong direction.

Finding clients is a challenge all by itself so when we are fortunate enough to have some in our corner it is a natural reaction for us to go above and beyond the call of duty to keep them happy. While this is admirable from a customer service point of view it is not always feasible to say yes to every request. Here is how I have learned to overcome my fear of saying “no” to a client.

What sets you and your work apart? Having a clear idea of this is critical if you want to develop your work but when was the last time you actually thought about it? Shane Hurlbut is a veteran Director of Photography and today shares his thoughts on his career and success. Whether you work with stills or motion, his approach sets him apart and we can all learn from him.

“How to Market your Photography” is a wonderful resource which was written by the marketing specialists at Photoshelter.com and MadMimi.com. I found this guide to be very user-friendly, with just the right amount of information you’ll need to get going, weather you are just starting out in the industry, or a more established photographer, who is looking to update the approach you’ve been utilizing to generate business. I will quote some excerpts from Part 1 of this guide, which contains the most fundamental advice to those of us who find words like “strategy” and “marketing” as intimidating and stressful.

When it comes to the quantity of lights that one needs, opinions are often heavily polarized and a hotly contested debate often rages. There are those that are staunch supporters of one light while others claim that a handful of lights are needed before anything meaningful can be done. Ultimately neither group is right as there is no definable minimum or maximum number of lights that one should use.

Earlier this year at WPPI in Las Vegas, I stopped by the Benro/MeFoto booth to tell the team how much I loved the MeFoto tripod... but it was lacking in just a few places for a traveling videographer. Yes, the MeFoto was really compact, light weight and quick to set up, but I wanted clip locks and a smooth video pan head without sacrificing the size and weight the MeFoto offered. It seemed like an impossible request, until seven months later they delivered me the Benro Aero.

Over the past month I've been hard at work testing the Blackmagic Pocket Cinema (BMPCC) camera in a variety of situations for an Fstoppers review (since they updated the firmware, it's like an entirely new camera). While that review is still in progress as of today, I did want to talk to you guys about one piece of equipment that made shooting with it a great experience: the Metabones EF to Micro Four Thirds Adapter for the BMPCC.

If you’ve been following along, you may remember that back in July, I packed up my apartment, loaded up my car, and set off on a month-long cross country tour of the southern United States with my girlfriend Holly and my dog, Olive. Along the way we met and hung out with some incredible people, had the opportunity to take great photos, ate at some great local places and most importantly, got to experience first hand the freedom of the open road.

I still remember this conversation from several years back. A fellow photographer was about as stuck as you can get. He worked perpetual fourteen (or more) hour days, never got much of a day off and was struggling hard with a record-setting case of burn out. He was making good money, but it wasn't enough to justify the time being put in...and this had been the same story for years. From the outside he was a very successful photographer, but on the inside life was a dark and frustrating place.

Though they are excellent for photographers, Pelican seemed to fall into the industry rather than build specifically for it. But with options between the ubiquitous Velcro inserts and foam, there hasn't been a lot to complain about in the design and function. They do exactly what they claim to, extremely well. However after using Lowepro's first attempt at hard cases, I can now see room for improvement. I think the perfect hard case is somewhere in between the two brands' offerings, but Lowepro is closer to the mark.

A few days ago Apple released a new promo video titled "Perspective" which aims to send the message that Apple sees things differently. In an ironic twist, band OK Go is claiming that Apple has stolen the concept from their recent music video "The Writing's On The Wall".

RadioPopper just released their new mid-range set of triggers – the Jr2 system. It’s a complete overhaul of their much successful JrX system with some additional new features like 4 groups, stop-accurate remote power adjustments and 4 memory locations. The transmitter is completely backwards compatible with all previous RadioPopper products and can remotely power all Canon and Nikon flashes as well as Paul C. Buff and Photogenic monolights. Like me, you probably already have an off-camera flash triggering system you’re used to and using regularly… but the Jr2 may very well have you switching triggers!

What are certain photographers doing that make them popular? Surprisingly enough, things like gear, location, social media skills and post production have very little to do with it. Believe it or not, it's something far more important and it's not often discussed. Here is the common secret all five photographers shared that makes their work stand out.

This post is in celebration of simple ideas, executed brilliantly. Incredibly simple ideas demonstrate that simplicity, combined with brilliant execution, can result in incredibly powerful images that affect us far more deeply than those that are more complex and technically well executed, but are boring and bring nothing new to the table. To make better images, stop thinking big and start thinking simple.

Throughout my career so far I have failed over and over again. Although it’s the successes that I'm remembered and known for, it’s the failures that are always the catalyst. At the end of the day, the key to success lies in failure. This improvisational beauty shoot was only a success because I set myself up to fail.

Figuring out a fair rate for providing photography or video services can be a slippery slope, filled with pitfalls if you happen to price yourself incorrectly. But what's more complicated than setting a rate for services is how to approach setting a rate for someone who wants to license a piece of work you've already created. In this post I'll share my insight on the factors I look at, and my rationale for determining a fair fee for video and photo licensing.

How many times have you heard the saying "if you want it done right you've got to do it yourself"? Well, that is not always the best mindset. This business we are in is all about collaboration, and the sooner you embrace what others have to offer, the sooner you will put out work that is competitive. Collaboration has many benefits that can take your work to the next level.

A lot of my work is on the road, which is why I spent a long time looking for the best mobile storage options before eventually landing on the WD My Passport Pro and the LaCie Rugged SSD. But when I'm not on the road, I'm at my desk editing a wide range of video. It's here that I realized I needed not only a reliable backup, but also a powerful and fast working drive to burn through edits. What I found was the G-Speed Studio, and I love it.

I live in constant fear of either accidently formatting a card or having data corruption of information before I get back to my main workstation. Because of this somewhat totally rational fear, I tend to back up cards on location during or right after shoots. To fill this remote backup need, I tested the LaCie Rugged 500GB SSD which offers USB 3 and Thunderbolt 2 speeds in a tiny package.

I thought he was crazy at the time, but my college photography professor Richard Ross had little interest in teaching us the finer points of lighting and retouching. Instead he believed, “Anyone can learn those skills, I’m going to teach you how to think.”

Case Logic has been making bags, tablet sleeves and accessory holders for quite some time, but this was my first time reviewing, and using, a dedicated camera bag from the company. The Luminosity DSLR Split Backpack is a hearty, sturdy bag with a few neat compartments and a unique design that is aimed toward either the professional photographer or pro-sumer who needs to protect their gear while on the go. When considering this bag, know that protection was at the forefront.

We have been sold on the biggest myth of all time; In order to succeed at anything and have a lustrous career you must spend 4 years in an overinflated educational institution and spend a small fortune, which doesn’t include costly textbooks, supplies and living expenses. All in exchange for a fancy sheet of paper we call a degree… a piece of paper that gives us instant credit and a golden ticket to the gravy train. Right?

Let’s face it. From the first moment we decide to pick up a camera, call ourselves a photographer, and try to make some money at what we do, we are constantly trying to find ways to stand out from the billion or so other photographers in our our who are trying to do that exact same thing.

As many of you may know if you follow me on social media, I teach workshops and give lecture on photography and retouching all over the United States. Through prepping each workshop, I sharpen my knowledge and become fluent in the material I’m teaching. However, without fail, I always learn a million new things when teaching each workshop.