If you are content to remain at the same skill level, taking the same photos for the rest of your career, then please, ignore this article. If you want to become a better artist, read on, but be prepared to be uncomfortable.
Ever since the Canon 5D Mark II, it seems as though Canon has been dragging their feet when it comes to innovating. Their new announcements and releases tend to be met with quite a strong negative response, and although this may not be an overall consensus, it's prominent enough.
I went through some situations over the past four months that was making me question if I chose the right company in Sony. After hours of research and really weighing the pros and cons of all the big name companies, I chose to stick with them. In this video, I’ll give you my five reasons why.
Danielle King walks through the advances that we’ve seen from major lens manufacturers in recent years, and peers into what we’ll want the most from the future.
I will speak from a perspective of a non-American here. I find lots of U.S.-based photographers who are working on projects they hate, and they admit it. I tried to dig into the reasons for that, and here are my conclusions, and my advices.
You book a commercial job and the client wants a beautiful face to grace their next ad. The client relies on you, the photographer to help with the process of hiring the model. The crew you hire rely on you to select the right candidate for their needs. That's great, right? Get the most radiant face, possibly the one with the highest social media numbers for that extra bump and you're set! Is that how it works?
One of the most toxic poisons to continued inspiration is the sudden belief that your own work is hated by your audience. Online criticism can be a harsh weight on motivation that all photographers must face at one point or another and is something that should almost always be completely ignored.
Pressure to produce quality content for social media profiles is contributing to the unnecessary injuries and deaths of many adventure sports athletes, according to Marc Peruzzi, a former competitive rider writing for Outside.
It's no secret that we all have to start somewhere. Usually, that place is not very good. At the very least we all start out in the “room for improvement” category. Assuming that progressing with our work and improving our images, style, brand, knowledge, and skill set is the goal, how to we go about getting better at a quicker-than-a-snail pace? The answer is straight forward, but requires deliberate action. Intelligent investment of time and money is the fastest way to get improve quickly.
The Super Bowl isn't only a competition to find out who is the best football team in the NFL, it's also a competition between mega brands to produce the year's best commercials. This year, NBC charged at least $5 million per 30 seconds of ad time. Who do you think got the most for their money?
Why do we keep creating? Why do we feel the need to keep creating something that nowadays merely feeds to the largely insatiable society that craves new content, new trends, new visuals? Jakob Owens created a brief but thought-evoking video which gives an insight in how today's creative mind works.
Taking the leap of fate to freelancing is probably one of the first major milestones and commitments we can make to both ourselves and our career. Jeff Rojas has now been working as a full-time freelancer for roughly five years. This video helps breakdown some of the tough questions and quips of wisdom that can help us push forward to being able to stably work as a freelance photographer.
Some people say that you shouldn't work for free because it devalues your work, while others say that you have to do some in order prove your worth in a world saturated with photographers. I know, I know: doing free work has been talked about ad-nauseam on every site and forum across the web. But I know better than everyone else, so prepare to get more nauseous. Grab a bucket and strap yourself in, folks.
For me and many photographers that I know, compositing and post-processing is fine, even needed in many cases. The thing that we all seem to get wrapped around the axle about is when a fellow artist is not entirely forthcoming about how a work was produced.
A few days ago, I published a copycat video on my Vimeo account. After the video was first shared by DPReview, the file became viral and got shared hundreds of thousands of times all over Internet. How did I produce this little funny video? How does having 250,000 views per day affect your visibility and social network accounts? And finally, what does this video really mean?
Peter Lik, whom many believe is the world's most successful photographer, recently released an image that is pretty unbelievable.
The camera never lies — it doesn't, it can't, because it's an entirely quantitative device. It counts photons, collecting, recording the number that arrive at the sensor. And for the digital camera, this is an entirely electronic process that is digital end-to-end, producing a number as the final result. It's at that point that we convert it back to analogue (as brightness) for our eyes to interpret. The camera never lies.
There have been far too many occasions in the past where I've been holding back from either starting a project or completing it. I would start procrastinating, finding different reasons and excuses to do anything but the project at hand. This mostly came down to the fact that I was unhappy with the work I was producing. I wanted my work to look like the stuff I saw on Instagram or Fstoppers, however, no practice no progress. Fortunately, for the most part, I have been able to remedy that mentality, although the feeling does creep up from time to time.
With the new year now well underway, I took some time this week to ponder my motivations for doing photography in the first place. I think it is healthy to every now and again stop and evaluate where you are, what you’re doing, and whether or not it is worth spending your precious time on. Maybe there are some nuggets of useful information from this exercise that will prove useful for you. If nothing else, perhaps it’ll nudge you to reflect on your own photographic journey and help you get to where you want to go.
Every holiday season (and sometimes in between), we see the typical high-end pet photography shoots as excellent photographers put their time, money, and skill into creating impressive setups and wall-worthy images to help breathe life back into adoption rates. But it can be a lot to commit to a proper studio setup to shoot dogs every month, let alone every year. However, even with minimal effort, skill, and time, the difference you can make at any time of year in a foster dog’s life as a photographer is incredible. You just wouldn’t believe it. So I’ll prove it.
Yesterday, Instagram announced that they had made some changes in what they will now allow to performed automatically. With this update, Instagram business profiles have gained the ability to have posts scheduled and published without any additional manual work via third-party applications. Non-Business profiles will likely gain this feature in 2019 according to the announcement. This news has been very favorably received so far, but instead shouldn’t we be running for the hills? Hear me out.
After almost eight years of the freelance life, there are some things that I wish I had gotten sooner to make my life easier. Little things that might seem inconsequential at first but have a big impact on my well-being as a photographer. Here are 10 of them.
As I await the arrival of my new Nikon D850, I’ve spent more than my fair share of time over the past couple of months pouring over specs, B&H user comments, Fstoppers reviews, and YouTube unboxings. I’ve read all there is to read about my new camera, as well as its closest competitors, to get the best advice on the ideal use of my hard-earned money. Of course, one person's answer as to why I definitely should buy a certain camera is the same as another person's answer as to why I definitely should not buy the exact same camera. So which camera is right for me? And at the risk of sounding self-absorbed, the emphasis is on the word “me.”
The photography industry suffered a seismic shift with the advent of digital cameras, yet it may be the ubiquitous camera phone that sounds the death knell of the industry as we know it. Everywhere in every hand is instant access to high-quality image-making technology that has forever altered the landscape of photography from what it means to be a photographer to how the viewing public perceives the value of images and image creation. Are professional photographers aboard a sinking ship, or is it simply time for us to learn to swim on our own?
A trade show is an organized event for companies in a specific industry to showcase and demonstrate their latest products and services, meet with industry partners and customers, study activities of rivals, and examine recent market trends and opportunities. What this means for photographers is that if you're in the niche of the trade show this is your chance to be face to face and rub shoulders with the big names in your industry. To fully maximize the network and contacts you can make from these events you need a game plan and some guidelines to follow. These are my personal five tips to maximize your networking at a trade show.
What if instead of settling in on yet another evening of editing that overwhelming avalanche of photos, and half heartedly watching Netflix in your pajamas, tonight you excite your palette with a tasty libation while rubbing elbows with a group of like-minded photography enthusiasts. I don’t know about you, but I’m sold.
Adobe touted much faster speeds with the release of Lightroom Classic CC (essentially, Lightroom 7). However, results seemed inconsistent. Even so, these early inconsistencies seem to have gone away with subsequent updates and bug fixes. And thankfully, Adobe will soon release another update to Lightroom that promises even better speed increases. We’ve been playing around with it for a few days to get a better idea of what to expect.
I just watched Justin Timberlake's "Say Something" video, and then, I watched it again. No doubt that's professional production work. Knowing the technical challenges of such a video, for me it felt like I was watching a reality show. The almost "unplugged" vibe of the song was so right for that video that the rest of my senses could be focused on how those guys pull that work off (pun intended). This article will be a humble attempt to reveal how they shot the video.
When it comes to filming, using a fast shutter speed is generally a bad idea. For most applications, you'll probably want to keep your shutter speed somewhere around 1/60 of a second, maybe even slower, depending of course on what frame rate your shooting at. The reason for this is because it allows for more smoother and cinematic looking footage which isn't choppy or harsh looking. Faster shutters speeds generally can be a little jarring to look at. The problem with this is that to compensate for this slower shutter speed you may need to stop your lens down. This, in turn, prevents you from getting that shallow depth of field, especially when filming outdoors.
At one point or another, we all end up questioning our decisions to pursue a creative career over more “traditional” options. If you've never questioned yourself along the way, then congratulations, you're an outlier. It's far too common that we find ourselves creating stress when dealing with self-doubt. Whether you're just beginning to think about a creative career, you're just starting out, or you've been at this for decades, this video might be able to offer some perspective on addressing some of the tough questions that we ask ourselves.
