Opinion

If you’re a videographer that runs your own business, you know that you have to be a jack of all trades. You know that your skills can’t be limited to just creating great images. You need to be good with business, networking, and a whole lot more. What you might not realize is that for the vast majority of self-made videographers, you’ll need to be good at conducting interviews.

Sure, I dig gear reviews, image processing tutorials, and seeing what others are doing with photography just as much as the next person, but today I want to talk about something a little less tangible yet possibly the most important thing when it comes to landscape photography: how does the location feel?

In the grand tradition of turning lemons into lemonade, I thought I would share with you a quick story about how a less than desirable situation for me this weekend turned into a chance to improve my business and my approach.

Today, Fstoppers was at the DJI Event in NYC where they announced the Mavic Air. After learning about this drone and seeing examples of photo and video it had produced, I knew that I had to get my hands on one of them to try out. As a current owner of a Mavic Pro, there is no doubt that I questioned whether or not I should get one of these drones. So I went and flew them around a bit and got a little taste of what's to come.

No matter your camera brand of choice, there are always some details that will still bug you. Max Yuryev loves his Sony cameras for work, but he’s got a bone to pick with these five video-related issues.

Erik Almas is an inspiration to many of us not only with the work he does as a commercial photographer but also as a person who shares the struggles and successes he had in his career. No doubt that he works with many companies and brands we can only dream of, but in a recent interview he confessed that despite that there wasn't a moment in his life when he could say he "finally made it." It is exciting to hear what his measure for success really was.

As a minimalist (read, "simpleton"), there's something that appeals to me about prime lenses. Unfortunately, the other side of being a minimalist (read, "cheapskate") means that I tend to avoid using gear that doesn't offer flexibility. When I randomly treated myself to Canon's budget, plastic 40mm f/2.8 pancake, little did I realize how much joy it would bring me.

To many of us, it's become apparent that mirrorless is the future for cameras. The huge advancements in short period of time have made them very popular. Companies like Fuji, Sony, and Panasonic have developed some fantastic cameras, and their respective ecosystems are growing fast with new lenses and accessories. Currently, Canon and Nikon have remained behind when it comes to effective and professional mirrorless systems and many disappointed professionals have already jumped ship to other manufacturers. As it becomes clear that Canon is developing their own model, here's what I think it needs to compete with those alread out there.

Back at it again, the charmingly abrasive but always informative Jaren Polin (or as most of us know him, Froknowsphoto) released a new real-world review on Sony’s newly released a7R III. Love him or hate him, Polin always puts out the some of the most in-depth camera reviews in the photography YouTube space, and this video is no exception.

After a few months of dipping my toes in the water with the Sony a7R II, I finally sold both it and my Canon 5D Mark IV and consolidated with the a7R III recently. It's a top-notch camera that can excel in almost any genre, but it's still lacking in one area: the menu system. This video examines why a lot of pros aren't fond of Sony menus and how they can be improved.

There is a reason people say that your price range usually determines what kind of clients you attract, and this also often holds true for photography workshops, not just for weddings or photoshoots. I found this out in the hard way; I burned out, made hardly any profit, sometimes even loss. So, how did I end up in this situation and why did I keep going instead of learning from my mistakes early on?

We live in the Information Age. There is no doubt a ton of information on the Internet about photography and just about any other subject you’d care to know about. While the Internet is a great place to learn and e-books are convenient, there’s still something special about holding a printed book in your hand. I have e-books and printed books alike. For me personally, I notice that I’m more inclined to actually read a book if I’m not reading it on a screen. I prefer to put away my backlit digital devices in favor of reading a printed page. With that out of the way, I’d like to talk about five books that have helped shape my business as a professional photographer.

Would you agree that no one likes the idea of the slimy used car salesman? Have you ever stopped to think about and analyze why no one likes that person? It's because that person has no vested interest in the product they're are selling or the people they are selling to. He or she has no interest in the customer or in the car. As a photographer, how do make money selling a service and product to your customers while never treating them like the car salesman would? The answer is pretty simple: take time to find the products that you're actually passionate about and then share that passion with your clients.

New and shiny gear from Apple is always good looking and always sounding good on paper. We've seen lots of paid reviews on various products of theirs and lots of boring laboratory benchmarks showing soulless numbers we had to believe in. How about ditching all that and making a real-world test in workflows that demand a good amount of hardware resources? You guessed it: video processing. The guys from cinema5D got an iMac Pro and decided to see if it could get the work done better than what they already had.

I’ve pondered posting this article since I started writing for Fstoppers over a year ago, but it never seemed right. I thought about sharing the story on Veteran’s Day, on Memorial Day, on either the anniversary of my friend’s birth or of his death. None of these timings ever seemed right. Maybe that’s because it was still so fresh in my heart. Maybe I felt like it was too personal to share. But I figure it’s a story that needs to be told, especially on the heels of President Trump’s signature on an order that aims to improve mental health options for our brothers and sisters returning home from the “playground of war.”

As I set up to shoot an assignment last week, I found myself in a casual conversation with the owner of the location. He was also a photographer, and as I opened my Pelican case and began to set up my strobes, he commented on the fact that he owned the same one. He then lamented the fact that this particular kit was no longer made by the manufacturer. It had been discontinued and replaced by a new line of photographic debutants. I had no idea.

I love movies, but I don't particularly care for movie theaters. I'd much rather be on my couch with popcorn I didn't pay $14 for and all the comforts of home. Nonetheless, the way movie channels choose to broadcast films often ruins the experience.

One of the toughest personal self-searching processes a photographer will go through is defining their style. Many of us will latch on to a composition or a color palette, sometimes by accident, that isn't really defining but is a part of our learning process as photographers. Eventually we learn what we like or value in a photograph and as we create, this becomes our style. But, can you define your style and explain it to someone else or even yourself?

For landscape photographers, a tripod is essential tool for creating those amazing photos showing the movement of rivers and streams. When the dynamic range of a composition is in the double digits, a sturdy tripod will help to blend bracketed images in post. Also, for those who want to create incredibly large panoramas or nighttime imagery, the tool kit begins with an excellent tripod. Zion National Park has become even more restrictive for 2018 and removed the ability for photographers in workshops from using any tripods on any trails within the park.

I think we all tend to figure out, one way or another, what works specifically for us as individual photographers. There are some styles that I simply don't shoot, some subjects that simply don't interest me, and elements that I simply would not put together for a shoot. I don't know about the rest of you, but I have many times found myself in a creative rut. You know, that mental state where you can think through the mechanics of most your shoots and it's just not as interesting as it has been in the past?

Evan Ranft is a freelance photographer and short-form video maker based out of Atlanta, Georgia. While he has only been shooting professionally for a short time in the grand scheme of things, he has amassed quite the client base by shooting for brands such as Clif Bar, Mountain Dew, and Budweiser. Through his four years of shooting he has learned many things but in this video, he breaks down the three biggest mistakes he has made throughout his career.

Intentional or not, there’s a substantial amount of messaging that occurs when you create a “Top 100” of anything. The International Society of Professional Wedding Photographers released their list of the Top 100 Wedding Photographers in the World, and when you scroll down the list you’ll notice there’s a group that’s incredibly under-represented: women.

I think that it is fair to say that photographers have probably been doing bad things to public lands, popular landmarks, and other natural resources since around the time that the camera was invented. There’s no way to keep ignorant people from acting irresponsibly. But, with the power of the crowd and the reach of social media, photographers need to think twice before staging shooting sessions that could result in damage.

At CES 2018, DJI released details of the Ronin-S, a one handed gimbal system with modular add-ons for creative filmmaking. This is already a crowded market, with Zhiyun-Tech and Moza offering some of our favorite options, but given DJI’s proven track record of building top class gimbals, should you wait for the Ronin-S before investing in a new one-handed gimbal system?

Producer, director, writer, editor, actor, and researcher, Sarah Burton has to wear many hats while working for BuzzFeed Video, but can she answer the question, "Who Invented the Selfie?" Spoiler alert, she can't but as the adage goes, it's the journey not the destination. Watch as Burton humorously struggles to discover who took the first selfie, and struggles even further when the very definition of selfie comes into question.

Almost every hobbyist photographer has considered making the transition to full-time professional. Similarly, almost every professional photographer has made that transition from hobbyist to professional. There are myriad factors why that career move isn't always possible and a great deal of them stem from the central notion of money, or lack thereof. Whether you want to organically build your photography from hobby to side-hustle and then to a career or you merely want to improve you earnings in any of those categories, developing a niche can make a crucial difference.

For the next episode of Critique the Community, we would like to invite Fstoppers members to send over their best Family Portraits for feedback. Your submission can include families, kids, or babies. We will keep submissions open through Friday, January 12th, at midnight and will release the feedback from Lee and Patrick early next week. Make sure to check out the guidelines below to make sure the picture you provide is eligible to be chosen.

Kodak made a number of surprising announcements Tuesday regarding its involvement in cryptocurrency, including the creation of its own, KodakCoin. But nothing risks its name more than the actual Bitcoin mining operation that is rather misleading to likely unwitting consumers, and all at a potential benefit to the company that’s rather uncertain.

Social media recently blew up over H&M's controversial hoodie ad, which features a black boy modeling a sweatshirt stating "Coolest monkey in the jungle." Other sweatshirts from the same line, stating "Survival expert," were modeled by white children. Clearly the images of the young models are filled with racist undertones. But is it realistic to think that H&M didn't even think of a possible issue? How does this reflect the photographers who took the image? And why have we yet to learn from our mistakes in the industry?

I’ve written extensively about it before, but, like most business lessons, the message bears repeating. In a marketplace simply inundated with competition from around the globe, it has never been more important for photographers to find their specific niche in the marketplace.