Creatives are notorious for being unsatisfied with their work and for that translating to a general unhappiness in life. Hidden in that, though, is a real key to creativity, as long as one can find the proper balance.
As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.
This year’s Travel Photographer Society (TPS) competition culminated in a beautiful exhibition of interesting and unique work from travel photographers all over the world in Kuala Lumpur, Malaysia. Surrounding the exhibition, TPS also held a series of talks by prominent travel photographers. In his standout presentation and follow-up blog post, Pics of Asia’s Etienne Bossot questions us deeply about the ethics surrounding travel photography and just what constitutes the genre.
I used to always think that in order to take a good picture you needed a good camera. It never mattered how good these phone cameras were or how good they would get, I would always tell myself a photo from my camera is better. In the past few months, I've learned it's not and that the camera on my phone is the one that is always there when I need it. Though it may not be able to capture the photo exactly how I picture it, I am still able to use it to capture photos that are interesting to me without having to carry around an actual camera.
Art is subjective. No matter how many books are written. No matter how many advancements in technology tout how the newest device will turn you overnight into a photographic Picasso. At the end of the day, art comes from you. The individual. It is a reflection of your voice and how you see the world. What are your hopes and dreams? Your fears and obsessions?
Anyone who uses off camera lighting is familiar with the Profoto brand name; the Swedish company has been revolutionizing the market for years, continuously upping the ante with the products they release.
It’s happened to all of us – you’re driving, in a hurry to get to work and you pass by something you see every day and think “I’m going to shoot that." Except that you never do. Just like we’re always told to “stop and smell the flowers,” it’s something that’s also true for photos. Photos exist to show a moment in time – and if you wait too long, that moment will be gone forever.
As a photographer, your tool kit is filled to the brim; Your expensive camera, your collection of lenses, your years of experience, your boundless creativity. But there is one element at the root of it all that is essential to success: optimism.
Today on the Internet, I watched photographers draw analogies between a retouching technique and using nerve gas in warfare. While I stared, aghast at the immaturity, I began to wonder: "What would a customer think of this?"
In today’s world, the quality of work being put out into the creative space is as high as has ever been. Now with the cost of entry being low and the quality of technology being constantly updated, making a name for yourself is getting harder and harder daily. We are always looking for that “edge” as professionals that set us apart from the crowd or that little extra boost of energy needed to finish that late-night editing session. Lucky for us the answer isn't more caffeine (though it never hurts) or something we have to go out and buy. It's as simple as dedicating a few minutes a day to personal fitness.
There’s nothing worse than wrapping up a shoot that you’re really proud of only to have your client tell you that they’re not happy with the final images. If this happens, you really only have two options: either take the time to re-shoot or provide a refund. Either way, there’s about a zero percent chance that you will get a referral from them. By simply sharing your images with your clients on set, you can make sure that everyone is on the same page and you can begin the editing process with peace of mind and confidence that your client is going to be thrilled with your final product.
There is nothing worse than feeling the desire to create something amazing, only to look at the work of other photographers and feel that desire slowly fade into dejection and hopelessness. With the advent of social media, we have more access than ever to the work of our peers.
This will be short, because it has no reason not to be. If I've learned one thing in business over the past seven years of being a full-time professional photographer, it's that you should always, whenever possible, grant your clients some grace.
The film versus digital debate has raged on for over a decade now. Digital cameras are so capable that it seems silly for anyone to go back to an archaic medium like film. Film is slow, expensive (sort of), lacks many game-changing features found in today's digital cameras, and has lower resolution (sort of). But it has some qualities to it that make it an entirely viable medium for working photographers and enthusiasts alike. One of which that I firmly believe in is that it will make you a better photographer.
I'm guilty of it. Are you? Have you ever heard about a cool place nearby, and the photographer inside you can't help but search Google Images for it to see if it's photogenic? Based on a few photos you see that were taken there, you decide right then whether or not it's worth your time to check out. Couldn't this actually be a huge disservice to yourself in the pursuit of creativity?
Being good at photography or filmmaking doesn't automatically lead to a successful business. You have to make yourself known to the world. Making that possible doesn't always require a lot of money. In this article I will share my personal approach to marketing my photography and filmmaking business.
It doesn't matter if you work for an employer or run your own business, having one eye constantly on the jobs market will change your perception of the industry and help your career going forward. Your future self will thank you for this.
Photographers today are the first generation of image makers who are entering an industry completely dominated by social media. Over the course of the last decade, social media has utterly surpassed virtually all other forms of marketing and has quickly become a dominating factor in lives of a huge part of the population, especially photographers. Social media use, however, suffers from some pretty severe implications that can have a limiting factor on the quality of work a photographer creates.
I'm taking a second to reflect on the lessons I learned from working with the legendary Art Streiber. Part one in the series is the benefits of preparation.
As a full-time freelance photographer, we often ask ourselves why we should work for free, especially at the start of our careers. Are we being taken for a ride, or is it worth investing in our client for possible future returns?
If you are like me, and many others, you love photography. It is something you think about constantly and wish it could sustain you full time if at all possible. So you set out to become a photographer and then…
As one of our site's regular film shooters, I naturally tend to post a lot of articles on the subject. Without fail, I'll get a few comments to the effect of digital being so much better than film or vice-versa. I've always laughed off such remarks, but since they keep on coming I figured I'd address them. Maybe the mediums have more in common than some would like to admit.
Who here owns a drone? Who here knows every single minute rule, regulation, and flight path allowed to actually fly it personally or commercially? Probably not very many. As the market grows, we find the FAA expanding rulings and steps to go by to make sure you are being safe and responsible when flying these types of devices. Though, even with all those in place we can still find ourselves with a wild neighbor prepared to shoot the thing straight out of the sky with ease.
Alongside the highly-anticipated a9 announcement, Sony also introduced the FE 100-400mm f/4.5-5.6 G Master telephoto lens. After the initial buzz and excitement over something shiny and new being announced subsided, I began to question why Sony released this lens at this particular time of intense market expansion.
We've all seen the Instagram feeds where people post a daily painting, photo or post that displays their art. I've attempted it and lasted about a month before I missed a day or didn't have the time to post. As inspiration I follow the people who make it though, like the woman who made a paintings for ants and posted them to Instagram every day, and the guy who made a movie poster every day for a year, and then the daily vloggers like Casey Neistat who once posted a video once a day. The determination is what inspires me the most, and seeing the development of that person's skills and the following grow and the success coming from that.
Change is one of the hardest things people will have to deal with during their life time. Some people love it, others hate it, but there’s really no way around it. And one of those big steps that can really alter your path is a career-related change. Most people spend a third of their day at some sort of job. Maybe it’s temporary, maybe it’s a means to an end, or maybe it’s an amazing career with a path for growth that you find favorable. But most of us have to work the majority of our lives to get by.
Shooting fashion can be a whirlwind of activity as you try to corral a team of creatives into constructing an amazing array of images. More than with any other type of shoot, I find that things have tendency to go wrong during the course of the fashion shoot. As the photographer, it is your job to not only be prepared for these things to happen, but also to be fully equipped to solve the problems as they come up. Below you will find a series of things I like to keep in my camera bag that are often saviors during a shoot that seems to be going belly-up.
Earlier today, Sony released the a9, which basically reads like a dream list of specifications. It's a clear shot across the bow of Nikon's and Canon's professional bodies, but as much as I'd like to pick one up, I won't be buying it.
When you’re planning a trip to visit Iceland’s majestic countryside, chances are that you are probably following the ring road in one direction or another. And with good reason. Almost all the major sights are dotted around this single road. Or are they? Should we even be chasing these well-known compositions to get a copy of our own on the wall?
Everyone has what they would tell you is their favorite photo. The measure of why has changed quite a bit over the years and I think I might like the old way better. I only say this because Social Media is the main source of validation for a number of photographers today. Applying modern day metrics of likes, shares, retweets, and views creates a score of sorts that someone can use to justify why a photo might be their favorite. This score didn't used to exist. The old equivalent might have been a photo placing well in an art show or being used in a print publication.
