Opinion

So you might have heard the rumblings this week that Photobucket is holding users' photos ransom after a recent change in their Terms of Service. The long and short of it is that free accounts can no longer embed their images on third party sites. Photobucket's failure to inform users with anything besides the quick blog post linked above has caused an uproar amongst their millions of users; many of whom have relied on the image hosting service for years to provide storage for anything from photos for blog posts to online sale listings on Amazon and eBay.

Allow me to put on my curmudgeon hat for a moment, but do you ever feel like photographers shooting for big publications will sometimes go for wild off-the-wall creative concepts that seem to just fall flat? That's how I feel about these portraits of "Game of Thrones" actors for Time magazine from British Photographer Miles Aldridge.

Would you work on a project where you as a photographer who creates the final images will take about 10 percent of the production cost? That's a tricky question.

Best-selling Author Steven Pressfield is educating others on how to break through creative roadblocks with his novel “The War of Art.” After reading this inspiring book, Photographer Sean Tucker decided to make an online video to share his new insights about dealing with creative mind blocks with the world. Tucker's video focuses on the idea of overcoming personal resistance and overcoming negative internal monologues. By highlighting his own roadblocks and proposing solutions to counter-act them, Tucker is able to offer hope and encouragement to every photographer out there who is suffering from the inability to motivate themselves to get up and create.

Yesterday Canon announced the 6D Mark II, the long awaited update to the almost five year old original 6D. Although a massive update from the original, some of the features (or lack thereof) are leaving many scratching their heads. Chief among them is the omission of 4K video. The internet has noticed.

Are photographers artists? This question causes endless debate and, up until now, my answer has always been yes. I've begun re-thinking that answer though, and now my answer is a bit different and, unfortunately, more vague, but I think it may be closer to the truth than my self-aggrandizing, knee-jerk reaction. Now, I believe that photographers are craftsman and, sometimes, artists.

After losing almost my entire photo kit due to blatant stupidity on my part (yay insurance), I was put in the unenviable position of rebuilding a camera system from scratch. Being a portrait photographer, I immediately gravitated towards full-frame bodies. I was close to pulling the trigger on one when it hit me: Why not try a crop sensor? I'm glad I did.

A casual conversation leads to an interesting question. There I was again. Spouting endless drivel at the beginning of a date. Trying desperately to impress her with my chatter. Listening to her and responding with what I hoped were deep and probing questions that both relayed my interest in her personally and required a significantly lengthy response which would provide me the necessary time to catch my breath and subdue my nerve-induced racing heartbeat.

There's something I've always loved about the photography community and in the age of the internet, it's nearly a unique quality: we give constructive feedback and rarely tear in to a photographer unprovoked. It is a welcoming environment that cultivates growth, for the most part. One particular area in which all previously mentioned qualities are magnified many times over, is young photographers. Their successes are fawned over and their mistakes excused, as they should be. Unless, of course, you're called Brooklyn Beckham.

We've all done it. We've rewatched movies that we knew were bad. I watched the 1995 classic "Waterworld" with Kevin Costner two weeks ago. Maybe we do it to reflect on our past or to get in touch with ourselves again to some degree. This video analyzes bad films and why we keep watching the worst movies. Its main argument is that these bad films actually have some intellectual merit. The video focuses on "The Room," which came out in 2003. It's a movie with bad acting, a low budget, and terrible accents and dialogue.

A little handshake can go a long way.

Strobist. Natural light shooter. These words are at two opposite ends of the spectrum of photographer that seem like they're always a hair's breadth away from starting a photographic civil war, both sides preaching their philosophy as if deviation is blasphemy. One side is derided as being "afraid of learning to use flash" and the other side is jeered at for creating "flashy," "fake," or "contrived" images. Both sides seem immovable in their adherence to their preferred light source. Despite this disagreement, a popular saying in photography is, "light is light." So which is it? Is one better and the other worse, are they just preferences or are both sides cutting themselves short?

Video cameras' resolution war has already started. So has the frames-per-second race. Current DSLRs shoot high resolution stills and lower resolution video. What if you can have an 8K video camera that captures both raw stills and raw video in 8K? Would you replace your stills camera with it?

I worry about becoming stagnant. I'm quite sure lots of us share that worry and conversely, most of us will know people who don't have that worry at all. I envy them in many ways; they want an easy life and concentrate on enjoying things. As far as I can tell, that sentiment isn't compatible with self-employment, or if it is, it's so far away on the horizon I can't make it out yet. In my efforts to always grow and always be moving forwards, I invented a minor way to achieve this and I'd like to see if it works for other people.

I'm going to open with a somewhat obvious statement: Women make up roughly 50 percent of the world population. But when it comes to Hollywood, and frankly many other industries, we don't see those numbers reflected. Women In Film, an organization promoting increased roles for women within the entertainment industry, is trying to shed light on this issue through comedy.

Sometimes the who, what, and how is surpassed by the when. Timing can be everything. It’s a fact of life, even if a rather cruel one.

There’s no question that the New York Times photo of James Comey during his Senate Intelligence Committee hearing, where he detailed his uncomfortable and suspect dealings with President Donald Trump, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.

Photographers tend to bemoan that everyone's seeming belief that they are a photo critic. Event though the vast majority of people aren't really experienced enough or aware enough of what makes a good photo to be taken seriously. This position is often weakened by the fact that even top photographers generally can't agree on what makes a great photo. I'd propose the argument that the average viewer actually is quite aware of what makes a great photo while the nit picks of us pros more often than not have little to do with photographic greatness and more to do with photographic elitism.

As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.

Sometimes 30 seconds can change your life. Has the following story ever happened to you?

With the upcoming release of “Off the Tracks,” a documentary that chronicles the seismic shift that Final Cut Pro X introduced to the video industry in 2011, there been some chatter, even here on Fstoppers, about the video editing software’s place in history. I don’t have any qualms about its place in history: Simply put, it deserved better than what it got, which was heaps of shame, blame, and ultimately denial.

I don't know about you but I've been a little overwhelmed about the power of artificial intelligence and the speed it's replacing jobs that can be automated. Elon Musk and Mark Zuckerberg have recently stated that a basic salary should be paid to every citizen in America to make sure that people who have lost their jobs due to automation can keep on their feet and do whatever it is they've always wanted to do.

At what point do we say something is too far? My opinion is that using photography as a medium to gain fame, be it good or bad, isn’t a new thing. But as time goes on, seemingly, these things are lacking in taste more and more.

There's one question photographers should ask themselves everyday, and that is: What did you do today to build your business? Emphasis on the word “today.” Simple words I first heard while taking a business of photography class a few years back from a noted photographer. And while the class itself droned on a bit and may not have been as compelling as I’d initially hoped for, those simple words stuck with me then as they do today.

Bokeh, it’s something that we all love, whether we like to admit it or not. It seems like every other client I work with asks me to "make the background blurry" or tells me "I want everything behind me to be out of focus." The obvious solution would be to shoot wide open, but the truth is, having your aperture wide open can actually have a negative impact on the quality of your image.

There’s an interesting documentary in the works if you’re a video editor. With an obvious pun for the title, "Off the Tracks" interviews professional editors, trainers, and application developers to dig into why Apple made such a shift, when their existing app suite was already successful. I’ll provide some background, but also some editorial commentary below, as I feel like this documentary has potential to either be very interesting or completely pointless.

Perhaps this article is a risk to my career by virtue of being too honest, but it's a subject I have wanted to discuss publicly for some time. In the era where social media is the backbone of perception, it's all too easy to feel you can never measure up. This isn't new information and in fact, it's a rather well-trodden path. Even armed with the knowledge, however, I still feel I walk in to the trap of taking the world that is presented to me as the only facts worth knowing. I want to sacrifice my self-consciousness to do my bit to rectify this.

For just about the past year now, I have been working in real estate and aerial photography. I mainly work with the agents directly and the most important thing for me to do is be able to establish a good relationship with each and every agent I work with. These agents are my clients and I want to be able to keep them as clients so they continue to come back to me for any photo, video, or aerial work they need to market their properties. Within this short little year I have been working, I've dealt with so much and learned more than I ever could have imagined.

When you’re starting out as a photographer, it’s natural to lust after the lenses at the top of the food chain. You know the ones. Sometimes they have red rings around the front, or they are the portrait lens that can obliterate a background. Maybe you want the zoom lens that can survive a monsoon.

As a professional photographer, money is never too far outside of the frame. But even as the budgets and day rates continue to rise, it is important that an artist never forget why it all started in the first place.