This will be short, because it has no reason not to be. If I've learned one thing in business over the past seven years of being a full-time professional photographer, it's that you should always, whenever possible, grant your clients some grace.
The film versus digital debate has raged on for over a decade now. Digital cameras are so capable that it seems silly for anyone to go back to an archaic medium like film. Film is slow, expensive (sort of), lacks many game-changing features found in today's digital cameras, and has lower resolution (sort of).
Recently I found myself setting up lighting for a headshot session only to find out my flash was stuck on full power. The "on" switch for the flash worked just fine and it fired as normal but all its buttons simply didn't work, presumably because they were worn out.
In the image editing market, there is a clear separation between the assets management, editing, and retouching solutions. Most photographers rely on multiple apps to fulfill their workflow. Although we have grown accustomed to working with a few different software to get to the final result, it would be fantastic to have everything in one place.
There are many times in the automotive industry that when you're asked to shoot a car, you frequently cannot move the car either from where it is or far from where it's being stored due to its rarity, sometimes condition, and sometimes even questionable street-legality. This can definitely cause some problems when it comes to producing high-end images of the cars for a client.
One of the biggest hurdles I got over in my journey as a photographer was following too many rules.
As you probably know, Fstoppers has recently switched over our video system from Nikon D750s to Panasonic GH5s. The GH5 is absolutely perfect for our style of shooting and I really don't have much to complain about... Except the lenses. Why do they cost so much?
Last week Fstoppers released Mike Kelley's latest photography tutorial called "Where Art Meets Architecture: How To Photograph Hotels, Resorts, and the Business of Commercial Architectural Photography." It is the third installment of Mike's thorough educational series on shooting real estate, architecture, and hotels.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place.
Stock photography has been a main or side income for many photographers throughout the years. Contrary to general belief, stock photography is not dead, but rather stronger than ever due to the rise of the digital media. Rapid movement in social media urges companies to create new content on daily or even hourly basis, and the need of new imagery is unavoidable.
In last week’s article, I detailed my experience interning with photographic legend Art Streiber and how his extensive use of preparation has helped him to create some of the most iconic images in photographic history. In this post, I’ll attempt to take you through my own method of preparing creatively for a shoot so that I can get exactly what I want, and often a whole lot more.
Remember when GoPro was the innovative camera company? The fight was taken to the skies, and as we look back, it’s clear that DJI took over.
Ever wonder how you can elevate your senior portraits beyond the standard cap and gown pictures? Think about lifestyle photography the next time you book a senior portrait session.
I'm guilty of it. Are you? Have you ever heard about a cool place nearby, and the photographer inside you can't help but search Google Images for it to see if it's photogenic? Based on a few photos you see that were taken there, you decide right then whether or not it's worth your time to check out. Couldn't this actually be a huge disservice to yourself in the pursuit of creativity?
Each day there are new ways to accomplish the same task, especially with the ever-evolving social media whirlwind. Today I want to share my favorite two methods I use for sharing to Instagram (or any other social platform, but primarily Instagram since posts need to be made from your mobile device).
This is the fifth in the series of my bite-size Photoshop tutorials and on the face of it, it's one of the most basic. Indeed, the technical side is rather basic but my application of the dodge and burn layers is crucial to my workflow with products and fashion. Firstly, here is a list of the rest of the series so far.
Being good at photography or filmmaking doesn't automatically lead to a successful business. You have to make yourself known to the world. Making that possible doesn't always require a lot of money. In this article I will share my personal approach to marketing my photography and filmmaking business.
It doesn't matter if you work for an employer or run your own business, having one eye constantly on the jobs market will change your perception of the industry and help your career going forward. Your future self will thank you for this.
Instagram's popularity with photographers is incomparable. What is essentially a free portfolio building app disguises itself as a powerful marketing tool to connect with prospective clients, but it suffers at times due to its sheer size and scope.
Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists!
Photographers today are the first generation of image makers who are entering an industry completely dominated by social media. Over the course of the last decade, social media has utterly surpassed virtually all other forms of marketing and has quickly become a dominating factor in lives of a huge part of the population, especially photographers.
I'm taking a second to reflect on the lessons I learned from working with the legendary Art Streiber. Part one in the series is the benefits of preparation.
To fail to prepare is to prepare to fail.
As a full-time freelance photographer, we often ask ourselves why we should work for free, especially at the start of our careers. Are we being taken for a ride, or is it worth investing in our client for possible future returns?
As the number of people interested in wildlife photography continues to grow, and the capabilities of modern equipment expand the boundaries of what is possible, many of us are seeking new ways to produce work that is fresh. This has meant exploring new techniques and searching for untapped frontiers in wildlife photography.