Fstoppers Originals

Every photographer is always on a quest for sharper photos, but many only have a vague idea of how to actually create sharper images. The obvious is fairly well known such as high shutter speeds, closed down aperture, keeping ISO low, etc. There are also quite a few other minor techniques that can make a huge difference and are often ignored. 

Focus and recompose is an extremely common method for getting around AF sensors with limited AF point spread, but it's an imperfect technique that could be causing you more issues than it's worth.  

At this point in our lives, the majority of us have come to understand our capabilities and our limitations. If we were never good at sports, we have come to accept this as truth. If we are great at math, we have likely received this "gift" and possibly moved into a career field where we can maximize the ease of which numbers have come to us.

Allow me to be the first to ask the question. Are we really worth it? Now, don’t get me wrong. I come from an economics background. I understand price equilibrium. Pour me a large blonde roast with cream, and whisper me sweet nothings about Adam Smith all day. Leave all that behind for a second. I’m talking on a more philosophical level. Are we really worth the money we charge? 

Wouldn’t it be great to be able to walk into almost any photographic situation armed with a whole vocabulary of lighting techniques and be able to quickly select exactly the type of lighting you want for the main light of your photo?

We live in a world constantly fascinated by technology. We want the TV with the greatest definition. We want the tablet with the shiniest screen. And, as photographers, we always want the most expensive gear and the most elaborate new toys. But the more you grow as an artist, you'll quickly realize it's the man that makes the equipment, not the equipment that makes the man (or woman). 

One of my goals as I started taking photography more and more seriously was to shoot a sunrise. Although it seems easy enough to just "get up early and bring a camera," I've found more often than not if you aren't prepped, you'll sleep in.

Like many photographers during the digital revolution, the idea of being able to capture high-quality video with my stills camera has always been enticing. Filmmaking is a different way to tell a story entirely, because of the addition of context.

What a tangled, twisted road this has been. When I finally built up the courage to try out large-format photography a little more than half a year ago, I knew that I was in for a bit of a rough ride. But with a healthy serving of ruined film, swear words, and YouTube lessons under my belt, I've come out semi-clean on the other side.

All films start with a small seed. An idea. It’s something we as filmmakers all have in common — we want to turn a thought into something tangible, a place where we can meet someone and share a thought. These ideas change with the season, but there’s always something there. It’s what makes us filmmakers.

The most important tool in any photographer’s arsenal is their ability to use and manipulate light. However all too often many photographers either shy away from, or completely rule out using hard light and it may be hindering not only their flexibility but also their creativity. What if you could shoot in direct sunlight and love it? 

Who doesn’t wish they could eliminate that annoying bystander threatening the vibe of your shoot with a simple click of a button? Well, you may not be able to do it in real-time, but it is possible to eliminate that pesky drunk with a single click in Lightroom. 

While I was in Dubai a couple of weeks ago at Gulf Photo Plus, I was able to play with a pre-production Panasonic GH5. I compared the GH5 to the Nikon D750 (our current video camera of choice) and the Sony a7S II. 

A few weeks ago I shared some insight on using shotgun microphones for documentary style interview productions. This week, I’ve got a companion video that explores techniques for using lavalier mics, the standard go-to mic for most interview scenarios. 

The Fujifilm X Series Mirrorless Interchangeable Lens cameras have gained a dedicated, almost cult-like following over the last few years for their colors, ergonomics, image quality, and firmware updates. However, getting into the Fuji world, especially from a DSLR user's standpoint, can be a daunting experience.

As the winter months can be a slower period for portrait photographers, they present an opportunity to work more on your business, rather than in your business. One productive off-season activity for growing your pet photography business is to reach out to local retailers to create new co-marketing opportunities. 

Our love story began, like many, amidst the tumultuous, coming-of-age years of high school. Me, a wide eyed, optimistic 16 year old kid with a lanky, awkward build. I stayed out of trouble… choosing books over beers, and enjoying the simplicity of a life-before-adulthood. She was different. The new girl on the scene.

A little over a year ago I had the opportunity to do my very first celebrity photo shoot with Grammy Award-winner Fatman Scoop at my studio in New Jersey. He had posted on Instagram that he was looking for photographers and videographers to collaborate with.

It's 2017, which, if you haven't heard the news, means it's back to film (Yes, I admit I would have said the same for any year, but 2017 really is special in this regard. Read on to find out why). Most of us are living the digital photography lifestyle, however, and though every photographer is a gear hound to some degree, we're loath to overpay on stuff we don't need. Solution?

Action sport photography has always been something that I have been drawn to, but I just don't have the access and opportunity to shoot it very often. So when I got the chance to shoot some wakesurfing, I Instantly jumped at the opportunity. The one thing I wanted to do going into the shoot though, was come out with something different.  

Being behind the camera for a boudoir session can be just as exhilarating for the photographer as it is for the client. You are capturing the confidence being displayed right before your eyes. Add in another subject and the room becomes intoxicating when you think about the final images you will be editing.

I'm a new(ish) parent who wishes they had a studio to photograph my little human. Surely you would only need a small studio for a small person, right? Preferably one you wouldn’t have to pay rent for. That’s where your living room and some creativity comes in handy. 

First impressions are everything, and your website is often your first chance to make a great impression with a potential client or fan. Unfortunately, most website portfolios are pretty rough.

Tampa, Florida: A local photographer canceled a sizable contract from a prominent car magazine after finding out the job would require using the Pen Tool in Photoshop, noting: "I'd rather nail Jell-O to a tree." 

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess.