I attended the Third Annual NYC Drone Film Festival this year and I have to say I was beyond impressed with some of the work I saw. I expected a lot of cinematic, crazy drone filming type stuff, but I was glad to see that there were a bunch of categories for all kinds of different drone work that was submitted. From all this, I was inspired to keep going out there and creating the work I do and maybe even submitting something myself for next year. Here are the winners of each category, check them out and enjoy some of the work that went into all this filming!
Vlogging for photographers has become a great marketing tool. It's a video, so it's showcasing your editing capabilities, it's giving an idea of what it's like to work with you as a photographer, and it shows that you know what you are doing and based on your following, have a large amount of influence in the industry.
Not all cinema lenses are made the same, not even those in the affordable price range or that come from the same manufacturer. In this article, you will see the structural and optical differences between Rokinon and Rokinon Xeen cinema lenses and what to purchase if you're looking for video glass on budget.
Camera movement can convey a lot more than you may think. Whether it’s intentional or not doesn’t matter. Your audience will feel a certain way depending on how you are moving the camera. So, before you go out and shoot your next video, be sure to watch Film Riot's latest tutorial in which they talk about the different movements possible and what you could use them for.
I came across this video while just browsing around and it ended up being one of those videos that just took me back. I'm a huge nerd when it comes to drones, but also a huge fan of some good drone work for photography and videography. I expected this video to just be a narrative/documentary about a mountain biker, when suddenly it turned into much more. Flying through the trees, up to the mountains, into caves, and out to the snow and ice; this video takes you on one big journey with the mountain biker himself.
In the world of film and commercial video work, there are so many working components that need to come together in order to have a successful production. So when it comes to bringing all those components together, you want it to be as smooth and simple as possible to minimize stress and streamline efficiency so that production does not fall behind schedule. One of those components that is insanely critical for a finished product is the coloring — not an area you want to skip on.
It so happens that ultraviolet light bulbs (or black lights) weren't discontinued in the 90s. In fact there are plenty of photographers out there who are shooting some incredible stuff under black lights. But shooting video in this guise brings its own set of unique challenges. Here are some tips to create video in this hedonistic and fluorescent style.
If you're a fan of the informational videos put out by folks like The Slanted Lens, Film Riot, and theC47, then you'll also want to check this one out. Grip Tips focuses on tools of the trade for grips and electricians working on a film set, but the equipment that's explained could also be found in a photography studio as well.
A few weeks back, my business partner and I realized how sound can help pull a viewer further into a video. When we first began filming and making videos together, we never really understood the importance of audio and would just play videos to specific music. So one day, we set out to do a little test by filming parts of Asbury Park in New Jersey and then by throwing together a short edit with all sorts of sounds to create more of a moody video. While testing the audio, we were also testing some of the low-light capabilities of the DJI Inspire 2, X5S, 45mm Olympus lens and the Sony a7S II, which is known to be one of the best low-light cameras. By combining aerial clips, ground clips, and actual sounds of the locations, I think this video is much better than it would have been just to the sound of the music.