I know I harp on about gear not mattering. Nevertheless, there are individual purchases that I have made over the years that have had a real impact on my work. Having been a commercial photographer for some time, I thought I'd share my opinion on this.
It’s the equivalent of a presidential Twitter feud, but for the photography world. Everyone’s favorite Anderson Cooper lookalike Tony Northrup released a video on November 4 about the benefits and downsides to shooting raw files versus JPG files, and in this video dispensed some advice on when to shoot raw files and when to shoot JPG files (and when to shoot both). Naturally, this elicited a strong response from everyone’s favorite (only?) Fro, Jared Polin of “Fro Knows Photo” fame, who is known for his shirts indicating to the world that he does indeed shoot raw. All the time.
It’s well known that many Instagram influencers will do anything — including buying fake followers — in order to increase their appeal to potential brands for partnership. Now photographer Trey Ratcliff is exposing the “cunning tricks” used to do so, proving how easy it is to have companies pay you for sponsored posts.
There are literally thousands and thousands of 35mm film cameras that have been produced over the last 100 years or so, and more are being manufactured even now. However, there's one camera that sits at the top of the tree, at least for me.
Samyang/Rokinon has announced the launch of a new 75mm f/1.8 autofocus lens for Sony full-frame cameras. It weighs a mere 8 oz (230 g), and this prime has another interesting feature that will make you wonder why it’s not been done before.
Since the introduction of digital photography our cameras are provided with a nice LCD screen to see the photo we’ve just taken, or to see the photo that we’re about to take. But be careful with these screens, they can be misguiding in some situations.
PocketWizard has just announced the addition of a new trigger to its lineup: The PocketWizard Plus X. Priced at $99 (and already in stock at B&H), the Plus X offers much of the same functionality and reliability as PocketWizard's much-beloved Plus II and Plus III, but with a simpler, no-frills interface and a gentler price. Read on for the spec list, a mini-review, and my thoughts on the new unit.
"Oh, so you're a photographer now...?"
It's a question I'm sure each of us has heard. Coming to us from a friend and/or family member that we haven't seen in a while, maybe those who we're remotely connected to on any one of the social media platforms where we post our work. It rings of sarcasm, and while I don't believe it's meant to hurt us, truthfully, it kind of does.
Most photographers have started with a crop camera when digital photography was introduced. Only after a few years, the full frame cameras became affordable and that is the moment when all the discussions about the effect of depth of field and crop sensors started, often with the mentioning of physics laws and mathematical calculations. Let’s try to find out with some real world examples.
So, you’ve got your portfolio finished. You have strong images that display the work that you want to be hired for. Your website is branded in a way that appeals to your target market. Your business cards are all set to go. So why aren’t clients flying through your door?
What essential tools have you always wanted to mount onto your camera setup?
There's a question I've been getting in my inbox every couple of days since the release of the Fujifilm X-T2: Is it ready for professional use? There have been several articles floating about and a lot of opinions in forums, but the honest answer to this is the same as it is for absolutely every camera body and system on the market. It really depends on the type of work you do.
Known for their industry leading camera sliders and portable jibs, Kessler continues to innovate by creating useful products for filmmakers. Their latest creation is called the Parallax, and in this video, Eric Kessler demonstrates how it works to create a motor-less, controlled panning action on your existing slider. This can make a move where during your camera's horizontal move, the head pans to stay with its subject.
If you've been wondering what the future of Canon's various camera lines will be, the company has gone on the record in several recent interviews, clarifying just how future development will continue.
We often aim to capture great expressions when cueing and posing subjects, but we sometimes overlook basic elements that may distract our viewers. In particular, natural pointers like our arms, hands, fingers, legs, and feet command a strong presence within images, but we don’t always recognize the power of their presence in the moment. While we surrender some control during truly candid moments, we should make every part of an image purposeful and keep natural pointers in check when posing.
It's important to remember that we are here to analyze and understand, but not be overly critical. While these tips/techniques are great in understanding the visual weight and posing elements within an image, they are not reasons to throw out what would otherwise be a great photograph.
Most landscape and cityscape photographers prefer to have images that are void of tourists, traffic, and other distracting elements in their scenes. One way to remove these eye sores is to meticulously clone them out in Photoshop, but what if there was a way to get a scene to look empty with a single exposure all in camera? Today I explore using a 15 stop neutral density filter for the first time.
I use long exposures more often than not in my landscape photography, and I have done so for more than three years. Here, I share some tips on how to do it, but most importantly, why I do it.
"VICE Meets: David LaChapelle" goes inside David LaChapelle's studio in Los Angeles and sits down with him to talk about his early days in New York, what he did in art school and why photography is the parameter that prevents his head from exploding. It's always amazing to get a glimpse into the mind of a great artist and begin to see what makes them tick.
Focal blending: is this a technique you use, or is it one that you consider cheating?
Announced tonight, Canon adds the 16-35mm f/4L IS to it's prestigious L series line of lenses. With an Optical Image Stabilizer system, the 16-35mm f/4 IS adds up to 4 stops of correction for great performance, even in low light. While this announcement is exciting for many of us, it also has many of us scratching our heads in confusion.
In the comments section of my last article, I remarked that "I always liked the rendering of X-Trans files on C1 more than Lightroom anyway, so maybe this is just the reason I need to make the switch back." A longtime contributor to the comments, Pete Miller, asked if that was indeed the case. Good question! Let's find out if the reputation Lightroom has gained for inferior Fuji X-Trans processing is still warranted.
Most photographers try their absolute best to avoid ISO noise in their photos and some spend an age trying to rid their images of it in image editing software. But it's not as much of a problem as you think and here's why.
In the previous article, we analyzed processor and motherboard options along with power supply and computer cases. Next, let’s talk about graphic cards, memory, and heat management issues. On the storage front, the introduction of affordable NMVe drives allows one to go past the bandwidth limitation of the SATA interface found on traditional SSD. Here is a short guide to help you navigate through the current offerings and avoid the marketing traps in order to build the perfect machine based on your budget.
When traveling (flying, to be specific) for a photo or video job, there’s a lot more planning and logistics that go into being prepared for not only the job, but living out of a suitcase, sometimes without the support of people available to help you. I’ve put together a checklist of things that I often need to consider when traveling for a gig.
Photographers and filmmakers alike need to understand the basics of controlling the exposure of an image. It’s one of the foundations of their crafts. Cinematographer Eve Hazelton does a wonderful job of explaining the five ways to expose an image in this short video where she also details the unique creative side effects that come along with each method. Newbies and seasoned professionals will both enjoy this simple and straightforward, yet inspired visual tutorial.
Canon Netherlands sent me a white Canon EOS R50 mirrorless camera, together with the standard RF-S 18-45mm f/4.5-6.3 IS STM kit lens. The assignment was clear, make an honest review of this tiny camera. You can read the result of this review in this article.
ACDSee, known for their fast and capable digital asset management software, has announced ACDSee Free, a totally free application that offers a range of features for culling and managing raw files without needing to import any of them. Read on for what you can expect.
Yesterday I got my hands on the new Sony a7R for a review here at Fstoppers, and I was instantly and somewhat begrudgingly a fan of it. It feels great in hand, doesn't lack physical buttons like with other interchangeable lens compacts (ILCs), and it sounds fantastic (the shutter has an absurdly glorious “click” that you can’t help but love). My feelings for the a7R were such that I began to wonder why Canon and Nikon can’t seem to get it right in the ILC market. The answer to making the perfect compact appears so clear, but they don’t seem to have any interest of going this direction.
One of the biggest frustrations I had when starting out photography was striking a good balance between all the aspects that went into creating a good image. I needed a system that helped me visualize the factors at play so that I could fully understand their impact on the work I was doing. So I developed something I call the shooting triangle to help myself understand all the facets that go into creating a good image. It is a system that works for me and maybe it can help you too.
The Nikon D850 features a completely new sensor developed in-house by Nikon. It's also the first backside-illuminated sensor in a Nikon full-frame DSLR. That allows it to perform up to one stop better than the D810, despite the higher pixel count, according to Nikon. But the latest tests look even better. It's now possible that the wealth of positive reviews of the D850 are about to get another, albeit small, addition.
