Let‘s imagine you would need to choose a new camera for landscape photography. I’m pretty sure a large dynamic range would be something on the priority list. But is the dynamic range important or not?

As someone who makes 100% of their income by taking pictures, I understand how uncertain, and perhaps unstable, this career is. Spending thousands on gear is easier than ever, and with such a low entry point, everyone wants to be a photographer. It is not easy, and here are some rules I have come up with to survive in this industry.

If you're looking to try out Skylum Luminar, or just want to own your editing software outright, check out this promotion! By signing up for Skylum's mailing list, you can get a full copy of their editing software, Skylum Luminar, for free.

Canon has been quite aggressive in the development of RF mount lenses, releasing some extreme designs, such as the RF 28-70mm f/2 L USM and the RF 85mm f/1.2 L USM. They seem to have no intentions of slowing down, as another boundary-pushing design has emerged in a recent patent.

On September 2, Sony announced that the previously rumored FX6 cinema camera was indeed coming before the end of 2020. Here’s some juicy speculation on what we can expect.

What does it take to create an amazing landscape photograph? So many photographers, me included, have been guilty of creating beautiful content that portrays only the successes of landscape photography. In today's free landscape tutorial, I'm going to share some of the failures.

Fujifilm's XF 50mm f/2 WR is the third addition in the series that have affectionately become known as the "Fujichrons." These are compact, lightweight, weather resistant, and have extremely fast autofocus. Made up of nine elements in seven groups, and formed in Fujifilm's classicly-styled telescoping design, it is another diminutive lens that should appeal to X-Pro shooters and anyone looking for a tiny addition to their bag. Comparisons may be drawn to the other lenses in this series, and of course the daddy of X System portrait lenses, the 56mm f/1.2. Let's take a look at this lens and then see how it fits into the Fuji line.

Staying motivated and feeling creative becomes a challenge at some point or another for all us. As professional photographers, we are paid to create inspired work on a daily basis. So how do we fight back when feeling unmotivated and when we are losing that creative spark? Here are five techniques for getting refocused and remotivated.

It's a very mixed feeling: you are happy they like the shot, but you are also disappointed that it's not sharp. I'm going to share my way of dealing with the situation, but I am also curious about your way of handling the problem.

Hyperlapse is growing in popularity, despite the difficulty of creating a seamless finished product... until now. Instagram is releasing a new app later today that, if it works as well as it appears in the promotional videos, will make hyperlapsing not only easy, but puts the power to make compelling hyperlapse videos in the palms of anyone's hands. Their new app is appropriately named "Hyperlapse" and it looks spectacular.

NASA has a long history of sending cameras to space. Most notably, Hasselblad medium-format and Nikon SLRs and DSLRs have been NASA's go-tos for decades. But in a recent order that must be amongst the largest in its history for a single order of camera bodies, NASA just bought 53 Nikon D5 cameras worth over $340,000. What off Earth could NASA be doing with all those D5s?

Camera sales are declining rapidly. There is seemingly nothing that we can do about it.

For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.