When we capture a 3D environment in 2D, the perceived depth can be lost due to the colors in the scene. In this short tutorial, I'll show you one way of bringing back the depth in your image.
Fujifilm's newest medium format bodies beat everyone else on price. But will they be good enough to convince us to buy them? At least one of them will be.
When smart phones first started gaining in popularity I was one of those who insisted I didn't need one. I was quite satisfied with my flip phone and the ability I had to send a text message every once in awhile even if it took three presses of the number 7 to get the letter "S." When I finally made the leap to the smart phone a couple years ago I realized it was probably the single most valuable tool in my life for productivity, business, learning and entertainment. I wanted to share with our readers the 48 android apps I use most often and hear about your favorites in the comments below.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
In my recent article "Why I Love My 20mm Lens to Shoot Weddings," I explained why I love the 20mm focal length and also explained some of the distortion effects to be wary of. What I didn’t explain is that some of these distortion effects could be fixed by using a tilt-shift lens. In the following video, Vincent Laforet explains the basics of how to use these lenses to fix distortion, as well as how to add interesting focus effects to your images.
When was the last time you saw a spider, and decided to stop what you're doing and stare right at it? Or maybe take your camera and do a 1-on-1 photoshoot from few millimeters away? What most of us really do is somewhere between screaming, and jumping on the nearest sofa. But there is a small group of photographers that instead of screaming like a 2 year old, actually go and look for these insects. They find them and photograph them up close, and it's amazing to see how these tiny insects really look. If the insects you meet daily scare you, wait until you see this set of images.
Instagram has changed a lot in the past year with new algorithms, new content opportunities, stories, and live videos, just to name a few features. Although Instagram’s organic reach isn’t as great as it once was a few years ago, the platform can still be a key component of any photographer’s business. Here are seven tips to help photographers get more exposure on Instagram.
There have never been more creative options available to photographers. Whether it’s in camera, in post-production with software like Photoshop, or at the touch of a button on a smartphone app, choices seem limitless. But when is it no longer actual photography?
The CEO of SmugMug and Flickr has emailed users of the latter site, requesting they sign up for Pro accounts as a means of saving the platform. In the unusually candid message, he refers to Flickr as a “money-losing business” and admits some years, the loss was as great as “tens of millions of dollars.”
Columbus, Ohio based photographer Nick Fancher just released a video today of his version of the Lee Morris's original iPhone photoshoot. Not a dollar was spent on location, extra lenses, MUAs, models ... all was done for trade and was shot only with the iPhone 4S and a reflector. Nick used Snapseed and Adobe Photoshop Express in phone to edit all of his images. Enjoy!
Bowens has been reported as being into liquidation and will cease all operations. It seems as time goes on, technology gets better. This is normally a good thing for innovation and the end user. But if often leads to the end of things as we know it.
If you've been working to improve your photography then you should already be familiar with the Golden ratio and the rule of thirds as they relate to visual compositions. Avoiding all the math we can simply say, to create a more intriguing shot we divide our composition into nine equal parts (two equally spaced horizontal lines and two equally spaced vertical lines) and then we place important elements along these lines or their intersect points. This and other compositional guidelines (or tips) are nicely illustrated by this Cooperative of Photography video, using the works of Steve McCurry.
You have been up all night, taking images of the Milky Way. Tomorrow, hours of editing probably lie ahead. Light pollution, noise, and a lack of contrast can make most nightscape photos feel lackluster. If you’re familiar with doing landscape astrophotography, then you’ve no doubt experienced the amount of effort needed in post-processing to make your images shine. Even with today’s digital cameras, no picture comes out of the camera the way you’ve imagined them to. Enter OrionH; a panel for Adobe Photoshop dedicated to natural night photography and meant to decrease the amount of time you sit at the computer.
I doubt any photographers became professional because they were excited to run the business, but run it they will. Unfortunately, the importance of savvy business practices is much closer to photographic talent that most like to admit, so take a break from honing your portraiture, and hone your abilities as a small business owner.
I really like the team at PLEARN because they consistently come up with great photo shoot concepts, but they don't just leave it at that. They also show you have to make those images yourself in a casual yet informative manner. This week they show you how to create a composite that takes a woman and puts her in a room that's just a little too small.
Lost your photography mojo? It's something that happens to us all and not just once, it's a part of life but let's not get philosophical here, let's just look at a few ways to reinvigorate your photography.
Lighting can be a major pain in the ass and that is especially the case if you're not a technical person, like me. After picking up the camera 7 years ago I am still constantly learning about the many different aspects of lighting.
Super-telephoto lenses are essential to the craft of sports and wildlife photographers who are shooting great distances away from their subjects, as well as to other creative photographers looking to flatten or fill the frame to create unique images. Enter the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary which is a full-frame super-telephoto lens priced just under $1,000 and comes in Nikon F, Canon EF, and Sigma SA mounts.
With the importance that social networks now take, our work as photographers has evolved into something entirely different over the past few years. Nowadays, images must be edited faster than ever, and, sometimes, that means not being able to use our computers, but having to rely on mobile solutions. One of such solutions is ACDSee Pro for iOS, which will allow you to edit your pictures on the go with a straightforward and easy-to-use interface. In this review, discover how it could improve your workflow, whether you are a photographer or an Instagrammer.
Thursday, PetaPixel pointed out Adobe's incredibly popular $10 per month Photography plan was missing from its website. What's really going on is a bit more complicated, but it could mean big changes are coming for photographers that rely on one of Adobe's best deals.
A recent comment on one of my articles has become the straw that broke the camels back. Now, I feel the need to combat a common myth which dissuades many photographers from becoming full-time professionals.
I’m rubbish at taking portraits. I’m definitely better than I was, but it’s very much a work in progress. Other than shooting more, how can you make yourself improve?
With a bevy of camera announcements (and rumored announcements) setting the internet on fire over the last couple of weeks, I thought it might be fun to offer a review of a different sort.
This week we released our 5th photography tutorial: Photographing The World with Elia Locardi. Since this tutorial was going to be filmed over the course of 2 months in Iceland and New Zealand, we decided to turn the cameras back around on ourselves and show you how we filmed this massive video project.
Aside from techniques, I have noticed that there isn't much information out there on retouching and the industry. I have been asked great questions over time that I thought people would love to know the answer to. Accordingly, I wanted to make a series to showcase them for the purpose of education and knowledge.
This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.
There is no doubt that the telephoto lenses are just as attractive for landscape photography as the wide-angles. In this article, I will give you seven steps to help you make powerful landscape photos with a 70-200mm telephoto lens.
Have you ever taken a shot that you were completely stoked to post, and when you released it to the world, you didn’t quite get the engagement you were hoping for? It can be discouraging to be excited about a photo and not get the enthusiastic engagement you expected. These days, stopping the scroll seems harder than ever, but animating a portion of your photo is an easy upgrade that can create a major boost of interest to your image.
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