The new DJI Air 3S has made quite a splash in the photo and drone world, with a reasonable price, dual cameras, and robust obstacle avoidance with the addition of LIDAR.
We were talking with our good friends over at Lowepro, and decided to sneak in one more contest before Christmas. We're giving away Pro Roller Lite 150 AW, Pro Messenger 160 AW and a Lens Exchange 200 AW to one Fstoppers reader who needs them dearly. That's $570 worth of gear! Basically, we wanted to have you covered in any situation you might come across in the world of photography. To win, you just have to show us how bad your bag situation really is.
There is a theory that the best creative people have to live in a world that is chaotic and unstructured. Whilst there may be some great examples to cite such as Amy Winehouse and Janis Joplin, imagine what they would have created with clear minds. Being organized, having effective systems, and achieving mindfulness creates more time for creatives to do what they do best; Think with clarity. Here are three great apps that will help you achieve this.
Late last year, Trevor Dayley wrote an article which introduced me to the Mastin Labs Portra 400 film emulation preset system. As a long time Kodak Portra 400 shooter I was thrilled to see side-by-side comparisons of Portra 400 against digital with the preset. They looked darn near identical. Now Kirk Mastin, the mastermind behind the presets is gearing up to release his Fuji 400H preset system and I couldn't be more excited.
If there's one thing that triggers me, it's a crooked photograph. I'm not talking about a dutch angle or an intentional angled composition; I'm talking about merely not straightening your photograph.
I've been working on a personal photo series capturing movie and television cars (real and replica) for about 5 years now under the title "The Unicorn Project". I've posted about this before on Fstoppers (here, here, & here), as you may recall. Most recently, I had an opportunity to photograph a replica A-Team Van and KITT from Knight Rider while I was in Los Angeles. These happen to be two of my favorite television cars of all time. Watch the video and read the full post below to learn how it was done.
While we all like numbers, sheer specs are rarely the best way to decide which photography gear will be best for you.
As a designer I've always been fascinated with branding and the history of logo marks across many top-tier brands. From Apple to Adidas, every brand has its story, and some of which are disputed. That includes Nike and their iconic Michael Jordan "Jumpman" logo mark used on the wildly famous Air Jordan shoe line. Photographer Jacobus Rentmeester is now suing Nike in Oregon Federal Court for copyright infringement on the photo he shot in 1985 of the famed basketball star in which he says the logo was based.
In today's world of hyper-exposure to media and art, it is a rare occurrence when a piece just grabs you by the heartstrings. Day in and day out you see another reiteration of the same old concept. But every once in a while, there's that moment when you come across another photographer’s work that leaves you in awe of their talent and unique vision. It's the kind of work that inspires you, and also makes you a bit jealous for not coming up with it yourself.
The ever talented team at Scanline VFX have posted their most recent BTS video of the popular wight fight scene from the Game of Thrones Season 4 Finale. In this run down you can see the incredible detail and heavy visual effects work that goes into each and every scene from that fight. This one sequence has been remored to be one of the most expensive scenes created for the show.
Recently, I bought a Soligor 300mm 1:5.5. It’s over half a century old, built in 1971 by Tokina. I picked it up for a song and decided to put it through its paces.
Really Right Stuff, the highly regarded camera support manufacturer, now has their extensive line of products at B&H. Before this announcement, the only way to buy RRS merchandise was directly from them through their own website, but having their inventory available at the largest photo retailer in the USA creates a few benefits for the consumer.
Have you ever experienced being delighted about the outcome of your photographs but ended up getting a different reaction from your audience? Here’s a step that might help you curate your images better.
Having used a wide selection of ZEISS glass, I can confidently say they are special. Their weight and lack of auto-focus might put some off, but in the right setting, they can aid to create truly noteworthy images. This morning, ZEISS have announced their new 25mm wide-angle lens, but with a mouth-watering widest aperture of f/1.4. I imagine a synchronized pricking up of astrophotographers' ears .
When I chose to move beyond candid snapshots of my friends and family and actually asked them to sit down for formal portraits, my approach to everyday photography changed. Candid moments are wonderful, but practicing your craft with the people around you both helps hone your skills as a photographer and leads to precious moments with the people you love.
The best part about learning rules is breaking them. For example, most of the time, blur in a photograph is a faux pas. But there are ways you can use blur to add energy and emotion to your images. In this lighting diagram, we will explore how to introduce blurring to your images with the use of an on-camera flash.
Before you start experimenting with this technique, make sure to go to you menu in your camera and set it to "rear curtain sync".
As you can probably tell by my work I am a huge fan of composite photography. I chose the path of the composite warrior for a couple of reasons in the beginning.
It has been ten years since I started work as a professional photographer and I had the chance to survive in this crowded business over these years. Let me share some of my experiences throughout this journey.
While a $5 camera app is hardly the largest expense to many photographers, the most recent generation of phones has made it clear that it’s wasted money.
In today’s world, the quality of work being put out into the creative space is as high as has ever been. Now with the cost of entry being low and the quality of technology being constantly updated, making a name for yourself is getting harder and harder daily. We are always looking for that “edge” as professionals that set us apart from the crowd or that little extra boost of energy needed to finish that late-night editing session. Lucky for us the answer isn't more caffeine (though it never hurts) or something we have to go out and buy. It's as simple as dedicating a few minutes a day to personal fitness.
For the last three years, I've filmed everything on the Pansonic GH5. It was almost the perfect camera except for three things: autofocus, low-light performance, and shallow depth of field. In comes the Sony a7S III.
Photographing a Cirque Du Soleil show requires a bit of acrobatics from any photographer up to the challenge. Matt Beard is one of the few photographers, hand picked by Cirque, to bring his talent and experience into capturing both live action and beautifully staged shots. He has worked with Cirque for many years, under the wing of master photographer Veronique Vial (as a photographer’s assistant) and had gained first hand experience in the ways of a Cirque shoot.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.
While I will admit that buying a kit of white balance cards is extremely affordable (around $10) - nothing beats free. The guys over at Knick-Knack wrote up an article recently sharing their experience on how they built a dependable kit for themselves that did not cost them a penny. Read on to learn how they did it.
Thumbtack, a professional services website used by many freelance photographers, has received a "manual action" from Google which has caused the site to be removed from Google's search results and many photographers are feeling the effects.
The Sony a7S has been the subject of a hotbed of conversation for the past four or five months as a camera with a lot of potential to really shake up the cinema world. This of course was extremely interesting to me as a videographer. I've finally gotten my hands on the camera and after a few days shooting with it on set, I'm not quite ready to write a review, but I do think it is important to address a feature about which I feel lied to: 4K.
San Francisco, a city of picture-postcard beauty wasn’t always as pretty as it is today. Semi-industrial ‘wastelands’, like the South of Market (SoMA) neighborhood, have been transformed into expensive, hip hoods, filled with tech firms and wealthy tech workers living in luxury condos. Let’s cast our mind back to a time not long ago, a time before the internet and the associated tech money that has changed the city so dramatically, and remember what San Francisco used to look like.
Since being founded in 2010, ONA has made a huge splash in the photographic community with their high end camera bags. I used The Berlin II for Leica bag everyday for the last month and these are my thoughts.
It's not every day you can make one big massive sandwich tower and get paid to do it. In this behind the scenes I take you through an average shoot in our Chicago studio. You can see the team of people that come together to a shoot like this happen.
![[Video] Erik Johansson Discusses His Mind-Bending Photography](https://cdn.fstoppers.com/styles/med-16-9/s3/default_images/default-image.jpg)
