The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

I'm starting to wonder when Ben Von Wong sleeps... Not only is he constantly producing great work, but he is also constantly producing amazing Behind The Scenes videos to accompany them. In his latest video Ben takes us behind the scenes on his shoot with the band SX in Belgium. Limited to being able to shoot in just an indoor pool, he had to overcome the challenge of making it appear as if the band was outdoors, in water, at sunset.

The onslaught continues for Mario Testino, who has officially been ruled out of photographing the royal wedding between Prince Harry and Meghan Markle after it was claimed by 13 male models and former assistants that he behaved inappropriately.

We spoke, and PocketWizard was listening. The Plus III transceiver gets a highly coveted update, and you can say goodbye to sync cords. They have essentially turned the Plus III on its side and added TTL pass-through, along with a few other goodies.

There are two lenses by Sony that are both interesting and curious. The FE 16-25mm f/2.8 G and FE 24-50mm f/2.8 G are small, lightweight f/2.8 lenses with a limited zoom range. How do these lenses perform, and are they worth buying? Let’s find out.

Recently Lee shared a post showing an amazing segment from the Action film UnReal. They just released their Behind the Scenes video today breaking down how they shot the "One Shot," and it's equally as incredible as their film.

The most important tool in any photographer’s arsenal is their ability to use and manipulate light. However all too often many photographers either shy away from, or completely rule out using hard light and it may be hindering not only their flexibility but also their creativity. What if you could shoot in direct sunlight and love it?

When President Trump announced he would be skipping the White House Correspondents' Dinner to speak in Harrisburg, Pa., right in my backyard and on day 100 of his presidency, it was like the stars aligned. Among many avenues, I’m a stringer for a Harrisburg news journal, photographing politics and business news. Immediately after hearing the news at 10 p.m. on a Saturday night I applied for credentials and the wait began. A week later, on day 99 of the Trump Presidency, it was starting to look like I would be watching from my couch. With just 24 hours to spare, I got the green light. Here’s a behind-the-scenes look at what it was like to photograph President Trump from a local photojournalist’s perspective.

I was recently in L.A. filming a new project with Mike Kelley, and I decided to sneak one of my photos into a critique we did together.

I am a big advocate of calibrating equipment. For this reason, I regularly make sure my monitors, cameras and, lenses are calibrated and working correctly. Printers, on the other hand, are a device that I've never done anything beyond using the factory settings. I figured it might be a good idea to reconsider that.

The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.

If you're like me (and basically every photographer I know), you're a little bit paranoid. Your heart skips a beat when you hit "Format" on your memory cards. You don't trust a source unless it's backed up. ioSafe was not originally built for photographers, but it certainly caters to them with a fireproof, water proof and basically life proof design. With the addition of specialized apps, ioSafe looks to be a the way to store and monitor your precious images and video.

Check out this high-resolution zoomable panoramic photo taken right after the 1906 earthquake in San Francisco. Shot from a kite 2000 feet over San Francisco Bay, the detail is jaw-dropping and the scene after the disaster is otherworldly.

Building on the wild popularity of the X-T1, Fujifilm has announced the X-T1 IR, which features the same X-Trans CMOS II sensor found in the X-T1, with expanded sensitivity to wavelengths between 380 and 1,000 nm.