Your "Likes", "Tweets", comments and clicks all help us know which are our best posts of the month. And because we don't want anyone to miss any of Fstoppers' goodness we put "The Best of" in a monthly newsletter for you. So, if you think you may have missed anything this last month, check out the top 10 posts and don't forget to sign up for the newsletter if you haven't already.

OM Digital Solutions has announced an upgrade to their popular OM-1. The Mark II version has the same sensor and processor, but the development has concentrated on a much larger memory and buffer, improved dials, and a range of new features that will appeal especially to wildlife and landscape photographers.

The combination of two visually striking methods resulted in this surreal video by Vincent Brady. After checking the video, read on for some more information on the rig Vincent used to shoot with, and some insight on the programs he used to painstakingly stitch his images together for the final timelapse video.

I absolutely love post production as a photographer. For me, a job is 50% photography and 50% retouching. One compliments the other. I get just as excited photographing my images as I get to retouch them. And when I captured a lightning storm in Cape Town a few weeks back, it was no different.

As a full time roadtripper, I am constantly in search of amazing landscapes with the hopes of adding a unique take on what is most likely an over-photographed scene already. There are several ways to do this, but I am going to suggest one which is rarely discussed but hard to overlook in today’s social media outlets: the human element.

It's very easy to find information online about new cameras, news, rumors, reviews, and which camera you should be using right now. But there's far less information to be found about older cameras. Like many photographers, I find it interesting to look at the origins of photography and how far the science and technology in cameras has come in a relatively short period of time.

I worked hard when I first started in photography to become competent both behind the camera and when interfacing with clients, but a subtle error I was making worked against me for a long time until I realized how to fix it. Here is why learning how to think more like a client can improve your work.

With more photographers competing for work than ever before, you need to stay ahead of the pack in any way possible. One area many people in creative professions neglect to improve is business, and you needn't be part of that stereotype.

Adobe recently released the long awaited version of Photoshop for iPad, but initial reviews were quite mixed, with many disappointed by the lack of features in the app. Adobe has responded to the criticisms by releasing a roadmap for the application, and it details the features we can expect to see in the app in the coming months.

I’ve been to the New York State fair for more years than I can count. It’s a great time. There are carnival rides, animals, music, and lots to photograph. Oh, and of course, corn dogs. But in recent years, I’ve found myself carrying less and less photographic gear to the fair and just enjoying the moment. Except that I wasn’t really enjoying the moment because I wasn’t making photos. That's why this year I decided to challenge myself to make different photos of the same event.

A nice portrait is made up of four elements: composition, lighting, post-processing, and subject. The first three are easy to learn about and improve on your own, but after annoying your friends and family and getting sick of Facebook and Instagram, how do you improve?