How to Convince Wedding Clients You’re Worth What You Charge

Convincing potential clients that you’re worth what you charge is a scary prospect. It means believing in yourself enough to stick to your guns. If you’ve had a hard time convincing clients to pay what you charge, here are a few ways that may help raise your success rate when asking for a sale.

Panic on Set: Does It Help Your Photography and How to Deal With It

Photography is one complex profession which requires many skills, from the technical to the psychological. We have all been faced with unpredictable scenarios which have put us or our clients/models in an awkward position ,or a state or panic. It can be anything: an insecure model, no time to set up your planned light, an equipment which breaks or malfunctions, a sudden rainfall, an unhappy bride, etc. Being well-equipped won’t always save the day. And if we lack self-control, good communication skills, and if we lose creative approach in stressful situations, we could just pack our gear and go home with an unhappy client glaring at our back. Being able to deal with these different scenarios might be surprisingly beneficial both for your photography and business.

George Tice: Seeing Beyond the Moment

Fine art photographer George Tice is a master craftsman of the medium and the documentary "George Tice: Seeing Beyond the Moment" explores his rise from family portraitist to accomplished artist and educator. The film, which is available on IMDB in its entirety, was successfully funded through director Bruce Wodder's Newstreetfilms via a Kickstarter campaign. It is an evocative look at the American landscape through the lens of one of the 20th Century's greatest photographers.

Mike Kelley's Architecture Photography Behind the Scenes Episode 3

Where Art Meets Architecture 2 Behind the Scenes continues today with Episode 3. Normally, our BTS episodes include some educational content, but this episode is for entertainment only. In this episode, we leave all of our gear behind, and Pye Jirsa from SLR Lounge takes us all out in his race car.

BTS Of Nike Chosen Campaign: Extreme Sports At Night

I just ran across an incredible ad by Nike called "Nike Chosen." The concept was to grab the best surfers, snowboarders, skaters, motocross, and BMX riders and film them doing their thing at night. The BTS footage (that can be found in the full post) is not as informative as I would like but if you pay attention to the details, there is a lot to be learned. The lighting, especially for the surfing session, is really amazing and although you may not ever do a shoot of this size, the same techniques could be used for your still photography at night.
An Introduction to VR180 Format

VR180 is a relatively new format used for the interactive and immersive content. Unlike the traditional 360-degree capturing, it only allows you to capture a limited 180-degree field of view, and according to the Google, it will be the new trend for content creators.

Shooting Rock Climbers With Studio Strobes

Tom Bol utilizes some extra tall light stands and generous amounts of sand bagging to get some studio strobes up on a wall with some rock climbers. Check out this behind the scenes video to see how easy it is to use studio strobes in an elevated situation like climbing.

Yes, Industry Professionalism Still Applies

It's far too easy for people working in a creative field to somehow get the sense that basic attributes of professionalism don't apply because we're working in a non-traditional job setting. This is something to watch out for as that belief couldn't be further from the truth or worse for your business. Being labelled as an artist does not excuse poor professional habits or practices and if you're serious about having a lasting impact and a long career these common-sense business practices should be very high on your priority list.

Ego Vs. Humility: A Photographic Battle

We are photographers. We are not a bunch known for a lack of opinions. By and large, we know (or think we know) what’s good and bad and aren’t shy about telling others just how qualified our own personal greatness makes us to pass judgment on other far inferior work. Yes, I’m generalizing to make a larger point. There are as many different types of photographers as there are different types of people. And, if ego sits on one shoulder, its distant cousin humility stands firmly on the other, grasping tightly to the other end of the rope in an endless game of tug of war. But knowing when to pull, and when to offer slack, from one side or the other can be the secret to both successful shoots and successful creative relationships.

You Will Never Feel Ready to Take the Next Step

One of the lies we tell ourselves when presented with a challenge — an opportunity to stride forward — is that we aren't ready or aren't prepared enough. Well, you never will be.

Will the RF 500mm f/4L IS Telephoto Be the First "Big White” Lens For Canon Mirrorless? [Rumor]

The rumor mill is always turning and the future of RF and Canon’s full-frame mirrorless offerings is where many photographers are keeping their accumulated attention. For those who shoot the “big white” lenses, this just might be the turning point for those whose talents extend to wildlife and sports photography with lenses that many times average more than $10,000 to purchase.

Infinite Tools Announce the New Infinite Luma Panel: A New Tool to Help With Luminosity Masking

One of the most useful and effective features in Photoshop, is the ability to create masks on different layers. This allows you to perform pin point and localized edits onto your image without impacting the rest of the file. For many photographers, layer masks are crucial and in my view, luminosity masks are one of the more useful ways of creating selections.

AI Can't Do This

The AI creations we get presented with on social media are getting increasingly ridiculous. A massive tornado over a deep canyon? Bring it on. A burning furnace of ash and embers over the coast? Yes, please. Or really? All those concoctions are missing one essential ingredient. Ok, not just one. But in this article, I'll focus on what I think is the most important piece AI images are missing.

Parkour and a Flexible POV With a Multicopter

I'm always a fan of watching talented humans. Parkour is one of those activities which I'll never be good at, but am amazed to watch. HeliPOV had the same idea and decided that parkour group 3RUN should be shown off to the rest of us. The HeliPOV team was kind enough to film the groups jumps and dives using their multicopter. Not only does this clip show off some fun acrobatics, but it also gives a sense of what kind of shots a multicopter can pull off.

Techniques to Improve Your Composites from Film

Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.

Fstoppers Reviews the StellaPro CLx10

I’ve used a ton of constant lights. What they almost always have in common is that they just aren't powerful enough to keep up with the majority of shooting conditions. The StellaPro CLx10 solves that problem plus so much more.

DC Creates An Epic Skateboard Commercial

Skateboard and snowboard companies have really been pushing their advertising budgets to the limits over the past decade. In the video below we can see exactly what goes into creating amazing 10 second clips of individual skateboard tricks in super slo mo. The concept is simple but actually making it happen is another story.
Fstoppers Photographer of the Month (December 2019): Suvi Sievilä

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2019, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

We Review the Hobolite Micro: The Cute Little Light That Could

In the world of LED lights, Hobolite has once again pushed the envelope, revealing the “Micro” to their lineup. At first glance, its compactness is enchanting, promising both convenience and functionality. The real question, however, is: does it deliver?

How Motion Array Just Became The Ultimate Video Maker's Platform

Stock video marketplaces are handy little operations. They provide a smorgasbord of top-quality footage and graphics all in one convenient place and all for one very reasonable price. But earlier this month, one marketplace took things to a whole new level.

Pacific Northwest Escape Mission 2: Driving to Oregon

If you were inspired by the majestic beauty of Washington State’s North Cascades in the first leg of our Pacific Northwest Escape (you can read all about the adventure here), wait until you see the magic of Oregon’s coastline through our lens.

Filmmaker Matt Mangham's 'Analog' Series Is Back With Episode 4

Filmmaker Matt Mangham has been working on an ongoing series entitled “Analog: Stories of Film Photography,” and I’m very excited to share episode four with the Fstoppers community. In this episode, Mangham explores creativity through the eyes of San Diego native, Matthew Lawless.

How Your Phone Will Make You a Better Photographer

Phone photography has come a long way since its flip phone origins. Today, you might not even be able to tell the difference between a photo taken by a phone and a dedicated camera.

How Personal Work Can Improve Your Professional Wedding Photography

As a wedding photographer, it's not always easy to find balance between the style of work you're genuinely passionate about and the type of work that pays the bills. So, how can you shoot personal projects to improve your professional photography work?

Critique the Community: Submit your Landscape Photos to be Critiqued by Elia Locardi

Over the next two days, you have a chance to submit your landscape photos to be critiqued by Elia Locardi and Fstoppers in a new episode of "Critique the Community." Our last Critique the Community with Elia Locardi included some great thoughts and advice on improving your images. If you would like another chance to have your picture reviewed by Elia, upload your landscape image of choice to your Fstoppers account, then paste the URL of the image in the comments below.

[Photoshop Tutorial] Creating a Vintage Look Part 1: An FS PPT by Sean Armenta

Hello Fstoppers! My name is Sean Armenta, and this is my little spot on Fstoppers called The Post Production Tutorial. If you enjoy these videos, feel free to subscribe to my new Fstoppers PPT Youtube Channel for the latest updates. Feel free to connect with me on the right side bar and I’ll be happy to answer any questions you might have about retouching. This time around we have a new post production project to work on - and that is how to create that popular retro/vintage/hipster look using Photoshop. Now we are all familiar with mobile apps such as Hipstamatic and Vignette that easily create cool-looking snapshots, and I'm sure there are tons of actions and plugins that can achieve this look. However, you can create a totally unique look to your photographs with some curves adjustment layers, custom brushes, and a little elbow grease. Let's start with the first in this mini-series - how to add a faux cross-processed, vintagey color palette to your photograph.
Having A Model Release Might Still Get You A Lawsuit

One of the first things you learn as a photographer is to get a proper model release when considering to sell your work commercially. However, simply having a model release still might not prevent you from litigation. A law firm recently published an ad looking to represent firefighters who were affected by the federal James Zadroga Act. The advertising agency used by the law firm photoshopped a stock image of Robert Keiley who was modeling as a firefighter. They then created a scene where it appeared as if he had been at Ground Zero on 9/11. The argument is how much can a stock image be altered before it becomes false advertising (the ad did clearly state that the image was a depiction of a 9/11 firefighter)? In this Fox News story, two attorneys give two different sides of the argument. I think the law might fall in favor of the law firm who hired the ad agency; what do you guys think?