Adobe just announced some major photography-centric updates to its Creative Cloud programs. Alongside a new release of Lightroom Classic CC (the new name for what we all used to call "Lightroom"), Lightroom CC is a brand new application that works across all platforms: desktop, web, and mobile. The new software offers nearly all of the same editing features we're used to, but with an entirely new organizational structure reliant upon the cloud. While there's a standalone Lightroom CC plan, the current Photography Plan includes both the CC and Classic CC applications. So which should you use?

We've featured his work on Fstoppers before, New York native photographer Omar Carter was always known for his infectious smile, warm heart and talent as an up-and-coming wedding and lifestyle photographer. The photography community is shocked to hear of his passing on December 24 2013 from meningitis.

For my latest photoshoot I decided to use harsh light to photograph my buddy Bart in two different ways. If you've wanted to learn how to get that vintage movie style look, you'll enjoy this full tutorial.

Success is something that we all strive for no matter what we are doing. Everyone wants to feel like they are doing well in their work and that they are accomplishing something. The advantage with this is that the line is constantly moving. Once you reach a goal, there is a bigger and greater goal to start reaching for. This causes us to continuously move forward, but because of this, our definition of success is always changing. I asked a handful of industry leaders, “At what point did you feel like a success?” Their answers are something we could all learn from.

As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.

If I were shooting portraits on a desert island and could only take one lens with me, it would be hard to leave my 70-200mm behind. After picking up a Canon 16-35mm for a trip to Scotland, though, I've found myself using it more and more often when I have people in front of my lens.

Michael Woloszynowicz is a great photographer and retoucher. Not only that, but he is a great instructor. His videos always provide clear and detailed instructions on techniques many of us want to know. Recently, Michael released this video regarding the issue of color casts on models. Although Photoshop offers many tools to get close, this method is a truly a brilliant way of thinking.

The Gitzo Systematic Carbon Fiber tripods are known for a few things: reliability, stability, and price. The build quality, weight capacity, and overall feel of the tripod are great. The price bites. So, is the price justified? Let’s dive in and see.

Wedding and bridal expos are a great place to find potential clients for your boudoir business. Brides typically come in with their mothers, girlfriends, and sometimes part of the wedding party giving you the opportunity to speak with many leads at one time. One photographer has had over 50 percent of her clients just from bridal booths alone.

Many people go out every year to set a Guinness World Record, and for those who can succeed comes fame, money and the ultimate bragging rights. Mike Newman should know, he's already set four... but now he wants three more to hold the triple crown for land, water, and air speeds. In this video, photographer Nathan D'Amour heads out to capture Mike's attempt at driving over 200mph unaccompanied in the Noble M600, a British super car. You may be thinking 200mph is far below the current land speed record, and you're right... but this isn't just about driving fast. What makes this feat so impressive is that Mike is completely blind.

Anyone can buy expensive cameras. And anyone can buy even more expensive lenses. But not everyone can create images that evoke emotion in viewers and really make you think about what's going on in them.

A few weeks ago, I wrote an article pitting the venerable Nikon D800 against a lowly Nikon D40x in a portrait shoot. The purpose of the article wasn’t to see if the D40x was as good as the D800 (it obviously isn’t), but to ascertain whether a beginner would be better off getting something cheap to start out with than starting with a behemoth of a camera.

Naomi and I just celebrated our 40th month of being on the road full-time and living a 100% location independent lifestyle. Looking back, it seems like a lifetime ago when we made that crazy decision to sell nearly everything we owned and adopt a life filled with travel photography. In a way, it really was a lifetime ago because we were completely different people back then living very different lives; two people with a dream of what could be, teeming with optimism, but with no real idea of how it would all work out in the end.