Canon’s chairman and CEO Fujio Mitarai acknowledged in a recent interview that the company expects camera sales to drop from 10 million to 6 million a year by the end of 2020. Despite this dramatic fall, Mitarai is confident for the camera manufacturer's future.
Tamron has announced a brand new travel lens for its Sony E Mount line in the form of an incredible 10.7x zoom.
I think it is always wise to shoot in raw. The raw file format will store the maximum amount of image information. This can even be optimized when shooting with exposure to the right to make full use of the dynamic range of the camera. Although intended for JPEG photographers, a flat picture profile can have a benefit or raw shooters also.
The latest Nikon teaser video is here, and it's less silhouettes and vague talk and more direct than the previous videos. Here are our thoughts.
In 2019, I wrote about how I would never quit full-frame DSLRs. Back then, I complained about mirrorless cameras for wonky bodies and mediocre autofocus. Today, I’m eating crow.
When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.
A former McDonald’s worker has multiple year-long battle with Getty Images, in which she was attempting to have the renowned photo agency remove a stock image of her. The photo in question was taken without her consent, while she was working, and used within negative press articles.
Pripyat, once a town of 40,000 people and now a short distance from the world's single most deadly object, stands inside the Chernobyl Exclusion Zone. As I waited to get a coffee at the tiny shop alongside the Zone's checkpoint, I cringed slightly at the array of glow-in-the-dark knickknacks on sale. Chernobyl, the site of the biggest nuclear disaster in history and now a slightly Disney-fied tourist destination, is a reminder that photography's "truth" is always a little suspect.
Working as a photographer for over a decade has helped me realize one important thing: I hate editing photos. I absolutely love every aspect of being a photographer, except for the editing. This is why Aftershoot has been incredibly useful to me.
With social media ever present in our daily lives, it's easy to turn to photographers across the world for critiques. Photographers everywhere, some much better than you, some much worse, will climb out of the woodwork to tear your work apart, or give it the praise of a lifetime. Because of this, its so easy to get caught up in the thoughts of other working pro's opinions about what to do next. Stop.
When I first picked up a DSLR and got a taste of artificial lighting, I loved shooting in darkness. I felt like I could control light a lot easier without having to fight the ambiance of a location or sun. Using an array of speedlights, I would light the location and subject how I wanted. Sometimes, that included putting speedlights in lamps or mounting them in the background. Eventually, that style took a sharp 180 degree turn, now I love using natural light in my favor to create a dramatic portrait.
It is no secret that Nikon is starting to fall behind in the lens game, partly because competitors, such as Sigma and Tamron, have doubled down on quality and focused heavily on innovating, but also partly due to Nikon's seeming unwillingness to invest in new and updated, innovative designs. As the demands of modern sensors expand, so does the demand for sharp, high resolution glass. Nikon has several legendary lenses in their past, which with a modern facelift could become some of the most competitive lenses in today's market.
A lot of interesting photography equipment is released almost every week. This could be an upgrade to something you currently are using or something new that you've never considered buying before. However, think twice about spending your hard-earned money on new photography equipment.
A few minutes ago I received an email that contained some big red flags and alerted me of a dangerous situation that all photographers and models should be aware is happening. Recently here on Fstoppers we reported on models that went missing after accepting jobs on these modeling sites. Well now I have discovered that someone is actually representing themselves as me on one of these sites and trying to setup various shoots with models.
Lightroom is a notorious slow-poke, and higher-resolution cameras are even dragging down Photoshop. While there are plenty of software tweaks to eke out a few more percent here and there, want to know how you can actually kick your editing workflow into high gear?
The hottest trend nowadays is Photoshop presets. Presets to mimic the look of films past, to add a bit of editorial edge to those mundane studio shots, or to just expedite the editing process. Many companies have come out with pre-packaged presets, treatments, and plugins to help users reach a new level of creativity.
Adobe just announced some major photography-centric updates to its Creative Cloud programs. Alongside a new release of Lightroom Classic CC (the new name for what we all used to call "Lightroom"), Lightroom CC is a brand new application that works across all platforms: desktop, web, and mobile. The new software offers nearly all of the same editing features we're used to, but with an entirely new organizational structure reliant upon the cloud. While there's a standalone Lightroom CC plan, the current Photography Plan includes both the CC and Classic CC applications. So which should you use?
A photographer has landed himself in legal trouble after using a photo from free licensing site Unsplash. He was hit with a copyright infringement notice, demanding a fee. Upon trying to find the image again on Unsplash, he discovered it had been removed from the site.
THIS CONTEST HAS ENDED. Profoto and Fstoppers have teamed up to ring in the Holiday season by offering one of the hottest and most talked about Products of the year. The new Profoto B1 makes it easier than ever to use your flash off camera. TTL achieves your light in an instant. With battery-power/ without cords, the 500w/s B1 goes wherever you go. Combining performance and the legendary Profoto light shaping system the B1 makes great light easy. Are you ready to win?
We've featured his work on Fstoppers before, New York native photographer Omar Carter was always known for his infectious smile, warm heart and talent as an up-and-coming wedding and lifestyle photographer. The photography community is shocked to hear of his passing on December 24 2013 from meningitis.
Nikon's new Z fc has been widely praised for its return to retro styling and — indeed — taking the design cues of the much loved FE/FM series. It's one thing to make a retro camera, but it's quite another thing to sell it. So, who is it targeted at?
There is no doubt that camera companies are increasingly moving into the mirrorless realm, but that does not mean DSLRs are totally done for. Fans of Nikon's DSLRs will be happy to hear that the wildly popular D750 is due to get an update fairly soon.
For my latest photoshoot I decided to use harsh light to photograph my buddy Bart in two different ways. If you've wanted to learn how to get that vintage movie style look, you'll enjoy this full tutorial.
Success is something that we all strive for no matter what we are doing. Everyone wants to feel like they are doing well in their work and that they are accomplishing something. The advantage with this is that the line is constantly moving. Once you reach a goal, there is a bigger and greater goal to start reaching for. This causes us to continuously move forward, but because of this, our definition of success is always changing. I asked a handful of industry leaders, “At what point did you feel like a success?” Their answers are something we could all learn from.
As any wedding photographer knows, one of the most nerve-wracking events is when a guest completely destroys the picture perfect moment you've been hired to capture. Whether they stand up in the aisle during the first kiss, take photos with their ipad in front of your camera, or inadvertently cause half the family to look off to the side during posed family portraits, wedding photo bombs can be a real headache. Wedding photographer Corey Ann's suggestion is having an "Unplugged Wedding".
As a fairly established photographer, many beginners ask me what camera to buy to get started. What’s more important: body or lenses? Or is it the brand? My standard advice has always been to buy a cheap, used body and save your money for quality lenses. A beginner just doesn't need a high-end camera. That’s easy to say, of course, when you shoot on a Nikon D800 with some pretty nice glass. Perhaps it was time to do a little experimenting of my own to see what, if any, difference there was between a top end camera and something cheap.
When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.
If I were shooting portraits on a desert island and could only take one lens with me, it would be hard to leave my 70-200mm behind. After picking up a Canon 16-35mm for a trip to Scotland, though, I've found myself using it more and more often when I have people in front of my lens.
If you try to pinpoint a single reason that the D850 is creating as much buzz as it is, it would be nearly impossible. This isn’t an amazing camera that has a singular standout feature. It’s the precisely and perfectly juxtaposed array of many new features, big and small, that culminate in the D850's success as a standout camera. Here’s a quick dive into some of the top, more obscure tricks the sold-out D850 brings to Nikon’s top line, how much they’ll really help your photography, and what limitations these features have.
Michael Woloszynowicz is a great photographer and retoucher. Not only that, but he is a great instructor. His videos always provide clear and detailed instructions on techniques many of us want to know. Recently, Michael released this video regarding the issue of color casts on models. Although Photoshop offers many tools to get close, this method is a truly a brilliant way of thinking.
