As a photographer, you’re attracted to everything that catches your attention, which sometimes leads to a very disparate amount of files. When you observe your portfolio, you can’t get a sense of coherence from it. Here are three tips that might help you identify a pattern in your photography and find your style.

In today’s world of photography where we are spoiled with choices, selecting the ideal method for delivering photo prints can be a daunting task. With an array of options available, photographers often find themselves constantly in a dilemma of choosing the perfect print method that is not only capable of showcasing their work in the best physical form but also provides an exceptional experience for their clients.

If you've been running your photography business for any amount of time, you have quickly discovered that being successful requires you to spend an inordinate amount of time doing things that have nothing to do with a camera. Things you probably loathe. Suddenly, you find yourself needing to acquire skills in accounting, web development, project management, copywriting, contract writing, and countless other fields. A newcomer has entered the CRM space: Bloom IO, and they are on a mission to alleviate many of these burdens, allowing you to focus on what you truly enjoy.

On the morning of September 11th, 2001, many NY based photographers and film makers found themselves documenting one of the most traumatic events in American history, the terrorist attack on the Twin Towers.

It's a phrase I've heard countless times, and I doubt I'm the only photographer to hear it: "Wow! Right place at the right time, huh?" Whether it's a photo of my children, a wildlife shot capturing a decisive moment, or a seemingly once-in-a-lifetime landscape, viewers often think we just got lucky to capture an incredible photo. In their minds, they only see how they would have gone about capturing that shot, which often is the simple three-step process of raise camera, point, shoot.

Get an inside look at what it takes to cover an MLS soccer match at the Seattle Sounders, featuring Sony's flagship a9 III global shutter full frame mirrorless camera, and the PDT-FP1, an all-new portable data transmitter for creators.

Canon USA has launched a new instant Lens & Speedlite rebate program. It’ll run from November 27, 2011 until January 7, 2012. Check out the full post for full details then head over to B&H to capitalize off these rebates.

Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.

The Panasonic Lumix DMC-GX1 is a fine camera, if unassuming. But that quality might make it something you’d really enjoy using -- it’s a certain stealthy quality. At the very least, you’ll want to give this one a second look.

Do you have Amazon Prime? Do you need more storage for your computers or cameras? For the next 24 hours, you can save big.

Gregory Villien is a true renaissance man when it comes to media. I was not only blown away with his compilation of slow motion sports clips, but after visiting his website, it's clear he's a man of many talents. He's got a collection of his own photography, music, designs, and other projects. This guy dabbles in it all.

Lomography is a company that tends produces interesting and quirky products, that are inspired from the film era of photography. The lens that put Lomo on the map for me was the 85mm f/2.2 Petzval in Brass. I absolutely loved this lens and it was a great introduction for me to the company.

I recently co-hosted a Webinar on underwater and wildlife photography with my fellow Fstopper’s writer, Mike O’Leary. During that half hour general discussion a participant asked for advice on composing an image underwater. While composition underwater can be a little tricky at first, I’ve put together a short list of things to keep in the back of your mind when you are first getting started.