You’ve been commissioned to photograph new images for a restaurant, but there’s a lot of spinning plates and moving parts. In this article, I share my essential steps for preparing for and running a photoshoot at a restaurant.

Hollyland’s latest wireless transmitter, the Pyro H, is now available. In this review, I go hands-on with this impressively-specced transmitter and see if it can fulfill everything that Hollyland promises.

As a photographer, you’re attracted to everything that catches your attention, which sometimes leads to a very disparate amount of files. When you observe your portfolio, you can’t get a sense of coherence from it. Here are three tips that might help you identify a pattern in your photography and find your style.

In today’s world of photography where we are spoiled with choices, selecting the ideal method for delivering photo prints can be a daunting task. With an array of options available, photographers often find themselves constantly in a dilemma of choosing the perfect print method that is not only capable of showcasing their work in the best physical form but also provides an exceptional experience for their clients.

If you've been running your photography business for any amount of time, you have quickly discovered that being successful requires you to spend an inordinate amount of time doing things that have nothing to do with a camera. Things you probably loathe. Suddenly, you find yourself needing to acquire skills in accounting, web development, project management, copywriting, contract writing, and countless other fields. A newcomer has entered the CRM space: Bloom IO, and they are on a mission to alleviate many of these burdens, allowing you to focus on what you truly enjoy.

Photographing toys can be a lot of fun, but they don’t always look like the most realistic subjects. Here are a couple of quick and dirty ways to add an aged, eroded look to your composited playthings to up the realism of your toy photographs.

Every now and then you have to stop and recognize a piece of work not only for the creative thoughts put into it, but also for the sheer amount of effort involved in pulling off the project. Vu Hoang and a small team managed to come up with this clever stop motion music video using over 3,000 hand cut pictures stitched together in a clever guy meets girl music video. The final product was shot with a Canon 7D and Canon 17-55mm F/2.8.

Early in my photographic career, I was really into hard light in my photos, but at a point, I started opting for really soft, diffused light, that is until recently. I’ve recently revisited using hard light, and here’s how it has shifted my photography.

The Panasonic Lumix DMC-GX1 is a fine camera, if unassuming. But that quality might make it something you’d really enjoy using -- it’s a certain stealthy quality. At the very least, you’ll want to give this one a second look.

Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.